- Young Woman's dress - 14th Century
Young Woman's dress - 14th Century - Young Nobles
Costumes of Young Nobles of the Court of Charles VIII., before and after the Expedition into Italy.--From Miniatures in two Manuscripts of the Period in the National Library of Paris. - Young Gentleman of the 14th Century
Young Gentleman of the 14th Century - Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640 - Women's Costume during the Directory - 1795 - 1800
Women's Costume during the Directory - 1795 - 1800 - Water Torture
The Water Torture. Fac-simile of a Woodcut in J. Damhoudère's "Praxis Rerum Criminalium:" in 4to, Antwerp, 1556. In Paris, for a long time, the water torture was in use; this was the most easily borne, and the least dangerous. A person undergoing it was tied to a board which was supported horizontally on two trestles. By means of a horn, acting as a funnel, and whilst his nose was being pinched, so as to force him to swallow, they slowly poured four coquemars (about nine pints) of water into his mouth; this was for the ordinary torture. For the extraordinary, double that quantity was poured in. When the torture was ended, the victim was untied, "and taken to be warmed in the kitchen," says the old text. - Waiting for the Saint-Cloud Coach
Waiting for the Saint-Cloud Coach Place de la Concorde 1806 - Vigier's Baths
- View of the two panoramas and of the passage between them
View of the two panoramas and of the passage between them 1810 - Vielle
The woodcut represents a very beautiful vielle; French, of about 1550, with monograms of Henry II. This is at South Kensington. The contrivance of placing a string or two at the side of the finger-board is evidently very old, and was also gradually adopted on other instruments of the violin class of a somewhat later period than that of the vielle; for instance, on the lira di braccio of the Italians. It was likewise adopted on the lute, to obtain a fuller power in the bass; and hence arose the theorbo, the archlute, and other varieties of the old lute. - Two women
- Tournaments
Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris). - Tourelle de la Rue de L’Ecole.-de-Médecine b
- Tourelle de la Rue de L’Ecole.-de-Médecine
- Tourelle de la Rue de la Tixéranderie
- Torture of the wheel
Demons applying the Torture of the Wheel.--Fac-simile of a Woodcut in the "Grand Kalendrier ou Compost des Bergers:" small folio, Troyes, Nicholas le Rouge, 1529. - Tooting the sirens of warning
Air raid siren in Paris - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - Théâtre des Variétés
- The Wooden Gallery in the Palais-Royal
The Wooden Gallery in the Palais-Royal 1803 - The Western Front, 1915-18
The Western Front, 1915-18 For a year and a half, until July, 1916, the Western front remained in a state of indecisive tension. There were heavy attacks on either side that ended in bloody repulses. The French made costly{v2-517} but glorious thrusts at Arras and in Champagne in 1915, the British at Loos. - The waterer of the Louis XV bridge
Few horses are driven there for the sole purpose of quenching their thirst, but the number of tired hocks that we hope to strengthen by staying in cold water is large enough for the trough to be sufficiently populated, and the hope of seeing some clumsy groom fall into the water keeps a certain number of fans of free shows on the parapets. - The Tuleries in 1802
The Tuleries in 1802 - The Trail of Napoleon
Showing the chief places of importance in his life - The Picture Exhibition at the 'Salon'
The Picture Exhibition at the 'Salon' - The Perron of the Palais-Royal
The Perron of the Palais-Royal - The Murder of La Salle by his Followers
For two years the wretched little colony struggled for life. La Salle was in sore distress. He knew he had many enemies among his men who would gladly take his life, but he hoped for help from France. No help came. It was plain to La Salle that he could save the suffering colony only by making his way to Canada. He therefore started out on January 12, 1687, with a party of seventeen men and five horses, on another long and dangerous journey through the dense forests—this time from the Gulf of Mexico to Canada. Travelling north, the party crossed the Brazos River and toiled onward to the Trinity River. But La Salle's men were tired of travelling through the forests, and some of them were thirsting for his blood. They were waiting only for a suitable opportunity to carry out their murderous purpose. On the morning of March 19th they lay in ambush, and shot him dead as he approached, probably not far from the Trinity River. - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The Lords and Barons prove their Nobility by hanging their Banners and exposing their Coats-of-arms at the Windows of the Lodge of the Heralds
The Lords and Barons prove their Nobility by hanging their Banners and exposing their Coats-of-arms at the Windows of the Lodge of the Heralds After a Miniature of the "Tournaments of King Réné" (Fifteenth Century), MSS. of the National Library of Paris. - The latest French fashions
Evangeline and Annoinette EVANGELINE.—Silk embroidered, and trimmed with two rows of guipure lace—one row of lace round the yoke, and one about ten inches from the bottom, each row headed with a narrow quilling of ribbon, which also goes down the front and round the neck. On the yoke and between the rows of lace there is handsome embroidery. ANTOINETTE. An entirely new pattern.—The mantilla is entirely formed of rows of lace or pinked silk on a silk or thin foundation. - The Incroyable of the Revolution Period - 1795
The Incroyable of the Revolution Period - 1795 "Incroyable" (incredible) was the sobriquet given to the fops or dandies of the later Revolutionary period. Here is the description of one of these remarkably dressed personages as given by the French writer, Honore de Balzac: The costume of his unknown presented an exact picture of the fashion which at that time called forth the caricatures of the Incroyables. Imagine a person muffled in a coat so short in front that there showed beneath five or six inches of the waistcoat and with skirts so long behind that they resembled a codfish tail, a term then commonly employed to designate them. An immense cravat formed round his neck such innumerable folds that the little head emerging from a labyrinth of muslin almost justified Captain Merle's kitchen simile. [Merle had described the Incroyable as looking "like a duck with its head protruding from a game pie."] The stranger wore tight breeches and boots a la Suwarrow; a huge white and blue cameo was stuck, as a pin, in his shirt. Two watch chains hung in parallel festoons at his waist, and his hair, hanging in corkscrew curls on each side of the face, almost hid his forehead. Finally, as a last touch of decoration, the collars of his shirt and his coat rose so high that his head presented the appearance of a bouquet in its paper wrappings. If there be added to these insignificant details, which formed a mass of disparities with no ensemble, the absurd contrast of his yellow breeches, his red waistcoat, his cinnamon brown coat, a faithful portrait will be given of the height of fashion at which dandies aimed at the beginning of the Consulate Preposterous as the costume was, it seemed to have been invented as a sort of touchstone of elegance to show that nothing can be too absurd for fashion to hallow it. - The Gun with which we won the Great War with France
Observe the heavy breeching-rope attaching the gun to the ship's side; the tackle and block for running in and out; the wooden wheels, and the "quoins" or wedges for elevating the gun. - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The French in the Ohio Valley
The French in the Ohio Valley - The French Crout
Copy of an illumination from a manuscript in the Bibliothèque royale at Paris of the eleventh century. The player wears a crown on his head; and in the original some musicians placed at his side are performing on the psalterium and other instruments. These last are figured with uncovered heads; whence M. de Coussemaker concludes that the crout was considered 95by the artist who drew the figures as the noblest instrument. It was probably identical with the rotta of the same century on the continent. - The Fountain in the Rue de Regard
- The Flight to Varennes
One June night in 1791, between eleven o’clock and midnight, the king and queen and their two children slipped out of the Tuileries disguised, threaded their palpitating way through Paris, circled round from the north of the city to the east, and got at last into a travelling-carriage that was waiting upon the road to Chalons. They were flying to the army of the east.[439] The army of the east was “loyal,” that is to say, its general and officers at least were prepared to betray France to the king and court. Here was adventure at last after the queen’s heart, and one can understand the pleasurable excitement of the little party as the miles lengthened between themselves and Paris. Away over the hills were reverence, deep bows, and the kissing of hands. Then back to Versailles. A little shooting of the mob in Paris—artillery, if need be. A few executions—but not of the sort of people who matter. A White Terror for a few months. Then all would be well{v2-323} again. Perhaps Calonne might return too, with fresh financial expedients. He was busy just then gathering support among the German princes. There were a lot of chateaux to rebuild, but the people who burnt them down could hardly complain if the task of rebuilding them pressed rather heavily upon their grimy necks.... All such bright anticipations were cruelly dashed that night at Varennes. The king had been recognized at Sainte Menehould by the landlord of the post house, and as the night fell, the eastward roads clattered with galloping messengers rousing the country, and trying to intercept the fugitives. - The first Switchback
The first Switchback 1799 - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The Duke of Gloucester and the Earl of Warwick
The illustration is from the valuable MS. Life and Acts of Richard Beauchamp, Earl of Warwick. The present is part of a fight before Calais, in which Philip Duke of Burgundy was concerned on one side, and Humphrey Duke of Gloucester, Richard Earl of Warwick, and Humphrey Earl of Stafford on the other. - The Drille
Lastly, we must mention the drilles, the narquois, or the people of the petite flambe, who for the most part were old pensioners, and who begged in the streets from house to house, with their swords at their sides. These, who at times lived a racketing and luxurious life, at last rebelled against the Grand Coesre, and would no longer be reckoned among his subjects--a step which gave a considerable shock to the Argotic monarchy. - The Delights of the Malmaison
The Delights of the Malmaison A saunter through the park in 1804 - The Curule Chair
The Curule Chair called the “Fauteuil de Dagobert,” in gilt bronze, now in the Musée des Souverains. The chair ascribed to St. Eloi, and known as the Fauteuil de Dagobert, is an antique consular chair, which originally was only a folding one; the Abbé Suger, in the twelfth century, added to it the back and arms. - The Cook and Co Agency Cars ( Vendôme column )
For several years several agencies have been founded, which, for a modest remuneration, transport foreigners through Paris and make them aware of its monuments, its particularities, its beauties and its ugliness. - The Boulevard 'Des Petits Spectacles'
The Boulevard 'Des Petits Spectacles' 1808 - The Bleriot Monoplane
A. Propeller B. Motor C. Sustaining-plane D. Pilot’s seat E. Landing chassis F. Combined tail and elevating-planes G. Rudder. - The Bastille
- The Antoinette Monoplane
At the beginning of 1909 a new monoplane made its appearance in France—a powerful, finely constructed, and very stable machine. It was the Antoinette, designed by a famous engineer, and it was this craft which interested Latham. M. Levavasseur was the designer of it and of a specially lightened motor, first applied to motor-boats, and afterwards to the experimental biplane of M. Santos-Dumont and also to the aeroplane with which Farman first flew. The Antoinette, which M. Levavasseur also fitted with one of his motors, was a large monoplane—far larger than the Bleriot; and built not with the idea of being a fair-weather machine, but to fly in winds. The span of its wings was 46 feet, and they contained 365 square feet of sustaining surface, while the total weight was 1040 lbs. A. Propeller B. Motor C. Sustaining-plane D. Pilot’s seat and controlling wheel E.E. Vertical rudders F. Elevating-plane G. Landing gear. - The 1840 style
The 1840 style - The 1830 Effect
The 1830 Effect - Suburban train ( Gare Saint-Lazare )
Everyone, after a hard day's work, is anxious to find the freshness of a more or less vast garden, but where one has the freedom to put oneself in shirt sleeves. — It is the hour when additional edibles abound in the nets of the wagons, and where the melons combine their perfumes with those of the marolles and the emanations of the cigars expensive or cheap, but also smelly, of our national factories. - Street costume Late Louis XVI period - 1790
Street costume Late Louis XVI period - 1790 - Stock-Jobbing in the Palais-Royal
- Steel Corset worn in Catherine's time.
The most extensive and extreme use of the corset occurred in the 16th century, during the reign of Catherine de Medici of France and Queen Elizabeth of England. With Catherine de Medici a thirteen-inch waist measurement was considered the standard of fashion, while a thick waist was an abomination. No lady could consider her figure of proper shape unless she could span her waist with her two hands. To produce this result a strong rigid corset was worn night and day until the waist was laced down to the required size. Then over this corset was placed the steel apparatus shown in the illustration on next page. This corset-cover reached from the hip to the throat, and produced a rigid figure over which the dress would fit with perfect smoothness. - Skating
- Skaters on the Reservoir at La Villette
- Semi-rigid Airship
But as airships were built larger, and greater speeds were obtained, it became necessary to strengthen the envelopes with some form of keel; and this led to a type which is known as the semi-rigid, and is developed successfully in France. The figure illustrates an airship of this build. Along the lower side of its envelope is placed a light, rigid framework or keel, and from this is suspended the car which contains engines and crew. A. Gas-containing envelope B. Strengthening keel C.C. Stabilising-planes D. Rudder E. Car carrying engines, propeller, and crew. - Seated Lady
- Sculptured Comb
Sculptured Comb, in Ivory, of the Sixteenth Century (Sauvageot Collection) - Santos-Dumont’s Airship
When petrol engines became available, they gave an impetus to the building of airships; for, like the aeroplane, the airship needed a motive agent which gives a high power for a low weight. One of the first to use a petrol motor in an airship with success was M. Santos-Dumont, whose name has been mentioned in connection with aeroplanes. He tested small, light airships, driven by petrol engines and two-bladed propellers—as illustrated in figure; and with one of these, on a calm, still day, he flew over Paris and round the Eiffel Tower. A. Gas envelope B. Wheeled framework which carried motor, propeller, and pilot’s seat C. Elevating-plane D. Horizontal rear-plane E. Rudder.