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- Winged Sun of Thebes
Over the portico of the Theban temple there is usually a ball or sun, ornamented with outstretched wings, representing the all-seeing Providence thus watching over and sheltering the world. From this sun hang two asps wearing the crowns of Upper and Lower Egypt. - Wagon and Boat, from a mummy bandage
A singular instance of the wagon and funeral-boat in combination has been found on the bandage of a mummy, now preserved in the collection of S. d'Athanasi. It is supposed by some modern authors that Herodotus, in speaking of the religious ceremonies in honor of Mars, as performed in the city of Pampremis, refers to this vehicle. Among other things, he tells us that the priests placed an image in a wooden temple, gilded all over, which they carried to a sacred dwelling; "then the few who were left about the image draw a four-wheeled carriage containing the temple and the image." - Vivid scenes of ancient life depicted by contemporary artists
The walls of the tombs in Egypt form a great picture gallery of the vanished life of that country and are invaluable to the historian. This fragment from the British Museum shows how vividly the domestic figures were realised. - Villa of an Egyptian Noble
The Egyptians excelled in architecture, and the greatest of their buildings were the pyramids. As to whether or not there was much invention devoted to those works, it is virtually impossible now to know. The probability seems to be that they could not have been produced without the promptings of the inventor, but that the progress was a slow and gradual march. It seems that there was a long series of many small inventions that made short steps, and not a few basic inventions that proceeded by great leaps. - Typhon
Typhon is a hippopotamus, usually walking on its hind legs, and with female breasts, sometimes with a sword in his hand, to show his wicked nature. He is th chief author of evil. - twenty-one string harp
- Tombs of the Kings, Thebes
- Thothmes IV. slaying Asiatics
When Thothmes IV. ascended the throne he was confronted by a very serious political problem. The Heliopolitan priesthood at this time was chafing against the power of Amon, and was striving to restore the somewhat fallen prestige of its own god Ra, who in the far past had been the supreme deity of Egypt, but had now to play an annoying second to the Theban god. Thothmes IV., as we shall presently be told by Akhnaton himself,[8] did not altogether approve of the political character of the Amon priesthood, and it may have been due to this dissatisfaction that he undertook the repairing of the great Sphinx at Gizeh, which was in the care of the priests of Heliopolis. The sphinx was thought to represent a combination of the Heliopolitan gods Horakhti, Khepera, Ra, and Atum, who have been mentioned above; and, according to a later tradition, Thothmes IV. had obtained the throne over the heads of his elder brothers through the mediation of the Sphinx—that is to say, through that of the Heliopolitan priests. By them he was called “Son of Atum and Protector of Horakhte, ... who purifies Heliopolis and satisfies Ra,” and it seems that they looked to him to restore to them their lost power. The Pharaoh, however, was a physical weakling, whose small amount of energy was entirely expended upon his army, which he greatly loved, and which he led into Syria and into the Sudan. His brief reign of somewhat over eight years, from 1420 to 1411 B.C., marks but the indecisive beginnings of the struggle between Amon and Ra, which culminated in the early years of the reign of his grandson Akhnaton. - Thoth
When the land was divided into separate estates or properties, Thoth, the Pillar or Landmark at the corner of the field, became an important god; and as the owner's name was carved upon it, he was the god of letters and of all learning. - Thebes, January 2, 1898
- The Syce on duty
One of the most novel and interesting sights which attracts the traveller's attention when he first arrives in Egypt is the syce running before the horses as they go through the narrow, closely packed streets. How the crowd scatters, and the donkey-boys hustle their meek property out of the way as one of those runners comes bounding along, shouting, in the strange Arabic tongue, "Clear the way!" The sun shines upon his velvet vest, glittering with its spangled trimmings, the breeze fills the large floating sleeves till they wave backward like white wings. - The Sun-God of Edfu
Another important centre of the worship of the sun god, was Edfu in Upper Egypt, where even now his temple stands complete. Here originated the remarkable figure of the god which represents him as the sun with multicoloured wings as he flies across the heavens triumphant over his enemies. This figure of Horus of Edfu (or, as he was usually styled, he of Edfu) is placed over the gateways of the temples to keep out all evil things. - The suite of Sargon 2
- The suite of Sargon
- The Soul - front view
- The Soul - back view
- The Slipper Bazaar, Cairo, January 22, 1898
- The Sky as a cow
The Sky as a cow, supported by Shu and other gods. Across her body are the stars, and the barks of the sun. (Tomb of Seti I) - The Sheik of the Pyramids
- The Pyramids of Gizeh
- The Present Situation
- The man who has ‘been there before
- The lady Touî, statuette in wood
- The King Sargon and his Grand Vizier
- The hieroglyphics describe the dance
A favourite figure dance was universally adopted throughout the country, in which two partners, who were usually men, advanced toward each other, or stood face to face upon one leg, and having performed a series of movements, retired again in opposite directions, continuing to hold by one hand and concluding by turning each other round. - The Creation
The god Nu rising out of the primeval water and bearing in his hands the boat of Rā, the Sun-god, who is accompanied by a number of deities. In the upper portion of the scene is the region of the underworld which is enclosed by the body of Osiris, on whose head stands the goddess Nut with arms stretched out to receive the disk of the sun. - The Colossus of Ramses II emerging from the earth
- The Bridge
- The bark of the sun
To the Egyptians there was no god of higher than the sun god, who was regarded as the sole creator, and ruler of the world; from the bark in which he traversed the heavens, the great god, the gor of heaven governed all things, and who-soeve in daily life merely speaks of the god, he will think of him. - The Artist Auta
There are only two artists of the period who are known by name. The one was a certain Auta, who is represented in a relief dating from some eight years after the change in the art had taken place. It is a significant fact that this personage held the post of master-artist to Queen Tiy; and it is possible that in him and his patron we have the originators of the movement. The king, however, was now old enough to take an active interest in such matters; and the other artist who is known by name, a certain Bek, definitely states that the king himself taught him. Thus there is reason to suppose that the young Pharaoh’s own hand is to be traced in the new canons, although they were instituted when he was but fifteen years old - The Art of Akhnaton compared with Archaic Art
1. The head of Akhnaton. From a contemporary drawing. 2. The head of a king. From an archaic statuette found by Professor Petrie at Abydos. 3. The head of Akhnaton. From a contemporary drawing. 4. The head of a prince. From an archaic tablet found by Professor Petrie at Abydos. 5. An archaic statuette found by Professor Petrie at Diospolis, showing the large thighs found in the art of Akhnaton. - Temple of Ti
- Tablet at Sneferu at Wady-Magharah
The first living, breathing, acting, flesh-and-blood personage, whom so-called histories of Egypt present to us, is a certain Sneferu, or Seneferu, whom the Egyptians seem to have regarded as the first monarch of their fourth dynasty. Sneferu—called by Manetho, we know not why, Soris—has left us a representation of himself, and an inscription. On the rocks of Wady Magharah, in the Sinaitic peninsula, may be seen to this day an incised tablet representing the monarch in the act of smiting an enemy, whom he holds by the hair of his head, with a mace. The action is apparently emblematic, for at the side we see the words Ta satu, "Smiter of the nations;" and it is a fair explanation of the tablet, that its intention was to signify that the Pharaoh in question had reduced to subjection the tribes which in his time inhabited the Sinaitic regions. - Street Musicians
- Statuette in wood 2
- Statuette in wood
- Statue of Thothmes, Karnak
- Statue of Rânofir
- Statue of Nebo
- Sistra
A framework with loose metal bars inserted, sometimes with metal rings added, shaken by the hand. - Shopping
- Shepheard’s Hotel, Cairo
- Sewn Sleeveless Kalasiris
Sewn Sleeveless Kalasiris - Serapis
The long list of gods was further increased in two ways. The priests sometimes made a new god by uniting two or three, or four into one, and at other times by dividing one into two or three or more. Thus out of Horus and Ra they made Horus-Ra, called by the Greeks Aroeric. Out of Osiris and Apis the bull of Memphis made of Osiris-Apis or Serapis. He carries the two sceptres of Osiris and has a bull's head. - Scepters
His gods (a) carry a staff as a scepter, which every Bedouin still cuts today, and his goddesses (b) are content with a stalk of reeds. - Sarcophagus
- Salem Ghesiri Dragoman
- Rameses the Great
- Pthah
Pthah, the god of Fire, was more particularly the god of Memphis, as Amun-Ra of Thebes; and the kings in that city were said to the "Beloved by Pthah." His figure is bandages like a mummy and his head shaven like a priest. - Priest
The illustration shows a priest wearing nothing but a loin cloth and a leopard skin. - Postures of Prayer (Part II.)
- Postures of Prayer (Part I.)
- Posing
- Ploughing
- Pharaoh Chephren
The earlier Pharaohs were not improbably regarded as incarnations of the dominant god. The falcon god Horus sits behind the head of the great statue of Chephren. It was Cheops and Chephren and Mycerinus of this IVth Dynasty who raised the vast piles of the great and the second and the third pyramids at Gizeh. These unmeaning sepulchral piles, of an almost incredible vastness, erected in an age when engineering science had scarcely begun, exhausted the resources of Egypt through three long reigns, and left her wasted as if by a war. - Pharaoh Akhnaton
Opinions upon Amenophis IV, or Akhnaton, differ very widely. There are those who regard him as the creature of his mother’s hatred of Ammon and the uxorious spouse of a beautiful wife. Certainly he loved his wife very passionately; he showed her great honour—Egypt honoured women, and was ruled at different times by several queens—and he was sculptured in one instance with his wife seated upon his knees, and in another in the act of kissing her in a chariot; but men who live under the sway of their womenkind do not sustain great empires in the face of the bitter hostility of the most influential organized bodies in their realm. Others write of him as a “gloomy fanatic.” Matrimonial bliss is rare in the cases of gloomy fanatics. - Pectoral of Ramses II
- Pectoral in shape of a hawk with a ram’s head
- Pasht
Pasht, the goddess of Virtue, has a cat's head. She belonged to Lower Egypt, and was the wife of Amun-Ra and gave her name to the city Aphroditopolis. - Our Christmas Dinner, Esneh, December 23