- Fellah Women
Fellah Women The dress of a large proportion of those women of the lower orders who are not of the poorest class consists of a pair of trousers or drawers (similar in form to the shintiyán of the ladies, but generally of plain white cotton or linen), a blue linen or cotton shirt (not quite so full as that of the men), a burko’ of a kind of coarse black crape, and a dark blue tarhah of muslin or linen. Some wear over the shirt, or instead of the latter, a linen tób, of the same form as that of the ladies. The sleeves of this are often turned up over the head; either to prevent their being incommodious, or to supply the place of a tarhah. - Woman of the Southern Province of Upper Egypt
- Lady keeling and praying
Lady keeling and praying - An Egyptian Peasant Woman
- The Pretty Wheelwoman
The Pretty Wheelwoman - The Pretty Manicure
The Pretty Manicure “Manicuring,” by which term is signified the treatment of the hands, is an industry that is only mentioned in this chapter by reason of its bearing on the care of the person or the toilet. The manicuring establishments are in every way respectable. For the sum of one dollar a pleasant-faced young woman washes one’s hands in a preparation of her own manufacture and so trims, polishes and fixes up one’s fingernails that the average customer does not recognize them as his own after she has finished the delicate task. Aside from the neatness imparted by the operation few men object to the sensation produced by having a pretty woman manipulate scientifically and dally with his clumsy hands for half an hour or more. - The Fair Shopper
A party of visitors in which there are one or more ladies will unquestionably go on a shopping excursion of greater or less extent, according to the tastes of the fair ones and the length of the purses possessed by their escorts. - On the Caroussel
The carousel is a form of entertainment which has grown popular with a certain class of people within recent years. The term may be a little obscure to the uninitiated, but they will readily understand its meaning when it is explained that the carrousel is nothing more or less than the old-fashioned “merry-go-round” which we all easily remember as a feature of fairs, circuses and other out-door entertainments. - On the Water
On the water - Looking at the Race
THE national love of horse-racing, which is growing in intensity year by year, finds nowhere a better ground for development than in Chicago. There are in active operation in this city during the months of summer and autumn three admirably equipped race tracks, where the fleetest horses in the world are entered in daily contests for fat purses. - Group From the Woman’s Building
- Group From the Woman’s Building
- A Petit Souper
Man and woman eating in restaurant - A Masquerade Sprite
If an ordinary dance or ball is enjoyable how much more so is a masquerade—that merry carnival in which identities are mysteriously hidden and all manner of pleasant pranks indulged in by the maskers, whose brilliant and variegated costumes transform the aspect of the thronging floor into a kaleidoscopic expanse of ever-changing beauty. The accompanying illustration depicts the sort of jolly scene to be encountered at a typical Chicago masquerade—a scene which, witnessed for the first time, is rarely forgotten until it is eclipsed perhaps, by another later and even more novel. - Africans working
- Lady with fan
- Man and Woman
- 1810
- 1800
- Stock-Jobbing in the Palais-Royal
- A game of Emigrette
- In the Garden of the Tuileries
- 1799
- An appointment at the Cafe des Tuileries
- 1798
- 1797
- Two women
- Théâtre des Variétés
- 1811
- 1813
- Jesus and the Woman of Samaria
John 4:25, 26 - Aren’t there a couple of young men in there with Clara
“Aren’t there a couple of young men in there with Clara?” “No, only one. There isn’t a sound.” - When they get their rights
“It’s only fair to warn you that my son has never had a father’s care and doesn’t know the first thing about housekeeping.” - I don’t think married life is ever happy, anyway
“I don’t think married life is ever happy, anyway.” “Then, why don’t you divorce your husband?” “I’d rather quarrel with him than with strangers.” - A Gallo-Roman Woman
- Costers and Cockneys
“Ow I s’y, look at ’er frills. Got ’erself hup like a bloomin’ ’am bone!” - Costers and Cockneys
“I ’ear as you don’t walk hout with ’Arry Smith any more.” “No, ’e wanted me to meet ’im incandescently, and I wouldn’t do such a thing, so I chucked ’im.” - Appropriate School Dresses
- Good lines for stout figures
- Envelope and knickerbocker chemise
- (No. b 828) Organdy Graduation Dress (No. b 826)
- (No. B 824) Organdy Graduation Dress (No. B 833)
- (No. B 820) Organdy Graduation Dress (No. B 822)
- A Woman's Doublet. Mrs. Anne Turner
- The Rose Queen
by G. D. LESLIE, R.A. (From “Academy Notes,” 1893.) - Badminton in the studio
From the painting by R.W. MacBeth, A.R.A. - Ashes of Roses
This careful drawing, from the painting by Mr. Boughton, in the Royal Academy, reproduced by the Dawson process, is interesting for variety of treatment and indication of textures in pen and ink. It is like the picture, but it has also the individuality of the draughtsman, as in line engraving. Size of drawing about 6½ x 3½ in - Hertfordshire Society of Archers
Women were not slow to appreciate the gracefulness of archery, and it soon became a fashionable amusement, the Lady Salisbury of the time being one of its most ardent supporters. Most of the societies adopted a distinctive dress, in which white and green predominated. The Royal British Bowmen adorned their Lady Patroness with a white feather in her hat, the other lady members being compelled to wear black ones, while their dresses were green with pink vandykes round the edge of skirt. The Harley Bush Bowmen were so fond of the distinctive colour, that they even had green boots, and it is pleasant to know that it was provided by the rules these should be "easy fitting!" - Archery Dresses
(About 1832). - John Tetzel Selling Indulgences
Papal Indulgences. At that time the papal chair was occupied by Leo X. What this Pope believed we may gather from his words addressed to one of his bishops. He exclaimed, "What an immense sum have we made out of this fable about Christ!" Luther relates this of him: "He would amuse himself by having two clowns dispute before his table on the immortality of the soul. The one took the positive, the other the negative side of this question. The Pope said to him who defended the proposition, 'Although you have adduced good reasons and arguments, yet I agree with him who is of the opinion that we die like the beasts; for your doctrine makes us melancholy and sad, but his gives us peace of mind!'" In order to raise the necessary funds for his pleasures and dissipations he published a general indulgence, pretending that he needed money to complete the building of St. Peter's at Rome. He commissioned Archbishop Albert of Mayence to sell these indulgences in Germany. This dignitary was also excessively fond of the pomp and pleasures of life. He was to receive one-half the receipts of these indulgences. Albert, again, engaged monks who were to travel about Germany and sell the papal pardons. Chief among these pardon peddlers was John Tetzel. He was a most impudent fellow who, because of his adulterous life, had at one time been condemned to be drowned in a sack. For his services he received 80 florins, together with traveling expenses for himself and his servants, and provender for three horses. These papal indulgences were held in high esteem by the people, wherefore Tetzel was everywhere given a pompous reception. Whenever he entered a town the papal bull was carried before him upon a gilded cloth. All the priests, monks, councilmen, schoolteachers, scholars, men, and women went out in procession with candles, flags, and songs to meet him. The bells were tolled, the organs sounded, and Tetzel was accompanied into the church, where a red cross was erected bearing the Pope's coat of arms. - 1916 Woman
- Inverted Maidehair
- The shimada and ‘rounded chignon.’
For young women the formal coiffure is the shimada, so called from the name of the town on the high road between Tokyo and Kyoto, where it first came into fashion. In this the hair is gathered and tied tightly at or near the crown together with a large tuft of false hair. The tip is folded in forward; the hair is then folded twice in the same direction as the tip so that the edge of the fold is half an inch or less behind the knot; and the whole is turned over the knot in such a way that the edge of the second fold is forward of the crown. Then, by a string passing over the knot the fold is tied down. The chignon is formed by spreading out the hair; sometimes a piece of paper, of the size of the chignon, is well pomaded and put under the surface of the chignon to help it to keep in place. The size of the chignon varies with the wearer’s taste; but, generally speaking, a young woman’s is larger than her elder sister’s. Its position too varies, as it depends upon that of the first knot, whether over or behind the crown. In the formal coiffure of a young lady of social standing it is close to the crown; but girls in a lower station of life or anxious to be thought chic prefer the chignon to be more to the back of the head. - Japanese Hairstyles
Troublesome as was the man’s queue in the old days, it was a trifle compared with the woman’s coiffure. In the early days of the present regime when men began to cut their hair, many women followed suit and cropped theirs as short. The government, however, interfered and prohibited the cutting of the hair by women other than widows and grandames with whom it was a time-honoured custom. In 1887 when the pro-European craze was at its height, many women tied their hair in European style; but it was subsequently abandoned by those who found that by tying the hair in this manner, they spoilt it for the Japanese coiffure; for having been accustomed to oil it well for their native style, they discovered that the hair, when bound without any pomade, became very brittle and snapped short. Still, the European style is now largely adopted because it does not require expert assistance and the services of the professional hair-dresser can be dispensed with. Various styles are in vogue. Soon after the fall of Port Arthur in 1905, a high knot came into fashion under the formidable title of “203-metre hill knot,” in celebration of the capture of that famous hill which was practically the key to the great fortress. The favourite at present with our women is a low pompadour known as the “penthouse style.” But though the European way of dressing the hair has become very popular, it is not likely so long as the kimono remains unchanged that the Japanese coiffure, awkward as it is compared with the European, will be entirely superseded by the other. - The reformed dress
The kimono appears indeed to be capable of little improvement. The only concession that has been made to the requirements of the latter-day school-girl is the contraction of the sleeves. The “reformed dress,” as it is called, has large open sleeves which can be tightened by means of a string. It is found very handy and is worn by many school-girls. Reformed or unreformed, there is this to be said for the Japanese woman’s dress that it does not suffer in the matter of pockets or what serve as such from comparison with man’s. - A Sitting-room
The sitting-room has little furniture. An indispensable article in it is the brazier, usually oblong, with a set of three small drawers one under another at the side and two others side by side under the copper tray filled with ashes, on which charcoal is burnt inside an iron or clay trivet. On this trivet is set a kettle of iron or copper. The iron kettle is made of thick cast-iron and kept on the trivet so as always to have hot water ready for tea-making: and the copper kettle is used when we wish to boil water quickly. Beside the brazier is a small shelf or cabinet for tea-things. Behind the brazier is a cushion where the wife sits; this is her usual post. There is also a cushion on the other side or the brazier, where the husband or other members of the house may sit. - A young lady dressed for a visit
When she goes out on an informal visit, the Japanese woman usually puts on a crested haori; but if it is only for a walk, the haori may be plain. The kimono may on such occasions be of any pattern, only that when she makes a call, the band must be of the same cloth as the kimono. - Young lady checking hair in mirror
- Young woman
- Young woman