Accueil / Albums / Mot-clé Christianity 82
- Erasmus
This great man, who was the boast and glory of his country, distinguished himself as a reformer of religion, and restorer of learning. His religion was as remote from the bigotry and persecuting spirit of the age in which he lived, as his learning was from the pedantry and barbarism of the schools. - Evolution Cartoon
In the beginning God created heaven and earth - Evolution Cartoon
- Evolution Cartoon
Another Great Image that will soon be smitten! - Carthusian Fathers singing
In the Chapel at daybreak - Christmas Eve - Christmas Day
Christmas Eve - Christmas Day - Carthusian Father going to midnight office
This strange community of Carthusians is divided into categories of "Fathers" and "Brothers." The former wear robes of white wool, cinctured with a girdle of white leather. Their heads and faces are closely shaven, and the head is generally enveloped in a cowl, which is attached to the robe. They are all ordained priests, and it is to them the rule of silence, solitude, and fasting, more particularly applies. The fasting is represented by the daily bill of fare I have given, and it never varies all the year round, except on Fridays and certain days in Lent, when, poor as it is, it is still further reduced. The solitude consists of many hours spent in prayer in the loneliness of the cell, and the silence imposed is only broken by monosyllabic answers to questions addressed to them. Sustained conversation is a fault, and would be severely punished. Aspirants for the Fatherhood have to submit to a most trying novitiate, which lasts for five full years. After that they are ordained, and from that moment they renounce the world, with all its luring temptations and its sin. Their lives henceforth must be strictly holy in accordance with the tenets of their religion. The Brothers are the manual labourers, the hewers of wood and drawers of water. They do everything that is required in the way of domestic service. They wear sandals on their bare feet, and their bodies are clothed in a long, loose, brown robe, fastened at the waist by a rope girdle. On both branches of the Order the same severe régime is compulsory, but on Fridays the Brothers only get a morsel of black bread and a cup of cold water. The attention to spiritual duties is all-absorbing, and under no circumstances must it be relaxed. Matins commence in the chapel at twelve o'clock at night, and continue until about two o'clock. - A Monks Cell
A Monks Cell in Carthusian monastery The Grand Chartreuse - Hand holding a small cross
- Lady keeling and praying
Lady keeling and praying - Chapel of St. Bruno
Before leaving the neighbourhood I paid a visit to the Chapelle de St. Bruno, which is within half an hour's walk of the monastery. It is erected in a very wild spot, said to be the site of the saint's original hermitage. There is nothing particularly interesting in the chapel, which is in a state of dilapidation. But it is curious to speculate that here dwelt, in what was little more than a cavern, the man who, by the austerity of his life and his gloomy views, was able to found a religious Order which has endured for many ages, and is one of the few that escaped destruction during the revolutions and upheavals of the last century. The situation of the Chapelle is one of singular loneliness and desolation, and for eight months of the year at least it is buried in snow. - A House built on the Rock
Matthew 7:25 And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not: for it was founded upon a rock. - Carthusian Brothers in the Kitchen
Carthusian Brothers in the Kitchen of The Grand Chartreuse - Christ
Christ - Jesus
Jesus - Crucifixion of Christ
Trial proof of the key block of center sheet of The Crucifixion, after Tintoretto. National Gallery of Art (Rosenwald Collection). - Christ on the Mount of Olives
Trial proof of the key block of Christ on the Mount of Olives, after Bassano. National Gallery of Art - A Semi-choir of Minoresses
An engraving from a manuscript of a semi-choir of minoresses, which is only a portion of a large church interior. - Three Angels
Three Angels - St. Christopher, with the date 1423, from a cut in the possession of Earl Spencer
This cut is much better designed than the generality of those which we find in books typographically executed from 1462, the date of the Bamberg Fables, to 1493, when the often-cited Nuremberg Chronicle was printed. Amongst the many coarse cuts which “illustrate” the latter, and which are announced in the book itselfII.11 as having been “got up” under the superintendence of Michael Wolgemuth, Albert Durer’s master, and William Pleydenwurff, both “most skilful in the art of painting,” I cannot find a single subject which either for spirit or feeling can be compared to the St. Christopher. In fact, the figure of the saint, and that of the youthful Christ whom he bears on his shoulders, are, with the exception of the extremities, designed in such a style, that they would scarcely discredit Albert Durer himself. To the left of the engraving the artist has introduced, with a noble disregard of perspective what Bewick would have called a “bit of Nature.” In the foreground a figure is seen driving an ass loaded with 48a sack towards a water-mill; while by a steep path a figure, perhaps intended for the miller, is seen carrying a full sack from the back-door of the mill towards a cottage. To the right is seen a hermit—known by the bell over the entrance of his dwelling—holding a large lantern to direct St. Christopher as he crosses the stream. The two verses at the foot of the cut, Cristofori faciem die quacunque tueris, Illa nempe die morte mala non morieris, may be translated as follows: Each day that thou the likeness of St. Christopher shalt see, That day no frightful form of death shall make an end of thee. - Jesus Christ
- Saint Bernard
When about twenty years of age he entered the monastery at Citeaux with five of his brothers. His genius might have secured ecclesiastical preferment, but he chose to dig ditches, plant fields and govern a monastery. He entered the cloister at Citeaux because the monks were few and poor, and when it became crowded because of his fame, and its rule became lax because of the crowds, he left the cloister to found a home of his own. The abbot selected twelve monks, following the number of apostles, and at their head placed young Bernard. He led the twelve to the valley of Wormwood, and there, in a cheerless forest, he established the monastery of Clairvaux, or Clear Valley. His rule was fiercely severe because he himself loved hardships and rough fare. "It in no way befits religion," he writes, "to seek remedies for the body, nor is it good for health either. You may now and then take some cheap herb,--such as poor men may,--and this is done sometimes. But to buy drugs, to hunt up doctors, to take doses, is unbecoming to religion and hostile to purity." His success in winning men to the monastic life was almost phenomenal. It was said that "mothers hid their sons, wives their husbands, and companions their friends, lest they be persuaded by his eloquent message to enter the cloister." "He was avoided like a plague," says one. - Saint Dominic
Dominic de Guzman, 1170-1221 A.D. Half-way between Osma and Aranda in Old Castile, Spain, is a little village known as "the fortunate Calahorra." Here was the castle of the Guzmans, where Dominic was born. His family was of high `rank` and character, a noble house of warriors, statesmen and saints. If we accept the legends, his greatness was foreshadowed. Before his birth, his mother dreamed she saw her son under the figure of a black-and-white dog, with a torch in his mouth. "A true dream," says Milman, "for he will scent out heresy and apply the torch to the faggots;" but, as will be seen later, this observation does not rest on undisputed evidence. - An Abbot travelling
We give here, from the St. Alban’s Book, a woodcut of an abbot on horseback, with a hat over his hood—“an abbot on an ambling pad;” he is giving his benediction in return to the salute of some passing traveller. - A Present of Fish
The woodcut represents, probably, the cellarer of a Dominican convent receiving a donation of a fish. - Pilgrim on Horseback
Pilgrim on Horseback - Administering holy communion with the Housel cloth
From a 14th century manuscript - An Abbot
The different kinds of religious men have already been mentioned from archbishops and abbots to the scurrilous impostors who used a religious exterior to rob poor people, at whose expense they lived well a wandering, loose, hypocritical life. In York, there were monks and friars, cathedral, parochial, and chantry priests, and clerks. The monastic life was a recognised profession. - Truth
The four figures in the Vignette are intended to represent the chief protestant reformers; Luther in the centre, Cranmer on his right hand, Knox on his left, and Calvin on his extreme right; each holding in his hand a manuscript or printed copy of the Word of God. the Rock on which they are standing, is intended to denote the Truth of the doctrine of the Divine Oracle, on which, as on an immutable Rock, the Reformers rested all their claims, in labouring to restore pure Christianity. Around the Rock of Truth, the waves of Error and Superstition are seen dashing. - Ignatius de Loyola
Ignatius de Loyola, 1491-1556 A.D. Inigo Lopez de Recalde, or Loyola, as he is commonly known, was born at Guipuzcoa, in Spain, in 1491. He was educated as a page in the court of Ferdinand the Catholic. He afterwards became a soldier and led a very wild life until his twenty-ninth year. During the siege of Pamplona, in 1521, he was severely wounded, and while convalescing he was given lives of Christ and of the saints to read. His perusal of these stories of spiritual combat inspired a determination to imitate the glorious achievements of the saints. - Dns. Barth. de Wendone, Rector
In the picture is Dns. Bartholomeus de Wendone, rector of the church of Thakreston, and the character of the face leads us to think that it may have been intended for a portrait. His robe and hood and sleeves are scarlet, with black shoes. - St. Paula
The picture which we here give of an anchoress, is taken from a figure of St. Paula, one of the anchorite saints of the desert. - Pilgrim Monk
Pilgrim Monk - Ricardus de Threton, Sacerdos
Sir Richard de Threton, priest,who was executor of Sir Robert de Thorp, knight, formerly chancellor of the king, and who gave twenty marks to the convent. Our woodcut gives only the outlines of the full-length portrait. In the original the robe and hood are of full bright blue, lined with white; the under sleeves, which appear at the wrists, are of the same colour; and the shoes are red. the grateful monks of St. Alban’s have recorded the names and good deeds of those who had presented gifts or done services to the convent. - Thirteenth Century Pilgrims (the two Disciples at Emmaus)
The most usual foreign pilgrimages were to the Holy Land, the scene of our Lord’s earthly life; to Rome, the centre of western Christianity; and to the shrine of St. James at Compostella. The number of pilgrims to these places must have been comparatively limited; for a man who had any regular business or profession could not[Pg 160] well undertake so long an absence from home. The rich of no occupation could afford the leisure and the cost; and the poor who chose to abandon their lawful occupation could make these pilgrimages at the cost of others; for the pilgrim was sure of entertainment at every hospital, or monastery, or priory, probably at every parish priest’s rectory and every gentleman’s hall, on his way; and there were not a few poor men and women who indulged a vagabond humour in a pilgrim’s life. The poor pilgrim repaid his entertainer’s hospitality by bringing the news of the countries through which he had passed, and by amusing the household after supper with marvelous saintly legends, and traveler’s tales. - Johanna de Warn
The picture represents Johanna de Warn, who also gave what is described as a well-built house, with a louvre, in St. Alban’s town. This house, again, is of timber, with traceried windows, an arched doorway with ornamental hinges to the door, and an unusually large and handsome louvre. This louvre was doubtless in the roof of the hall, and probably over a fire-hearth in the middle of the hall, such as that which still exists in the fourteenth-century hall at Pevensey, Kent. The lady’s face is strong corroboration of the theory that these are portraits. - Dns. Rogerus, Capellanus
Rogerus, chaplain of the chapel of the Earl of Warwick, at Flamsted. Over a scarlet gown, is a pink cloak lined with blue; the hood is scarlet, of the same suit as the gown; the buttons at the shoulder of the cloak are white, the shoes red. - 12 - Jesus dies on the Cross
12 - Jesus dies on the Cross - Lydgate’s Pilgrim
Sometimes a little below the lower knob there is a hook, or a staple, to which we occasionally find a water-bottle or a small bundle attached. The hook is seen on the staff of Lydgate’s pilgrim. - 05 = Simon forced to carry the cross
- 01- Jesus is sentenced to death
- 04 - Jesus finds his mother
- 03 - Jesus falls first time
- 06 - Veronica wipes the face of Jesus
- 11 - Jesus is nailed to the Cross
- St. Bridget, from an old cut in the possession of Earl Spencer
The figure writing is that of St. Bridget of Sweden, who was born in 1302 and died in 1373. From the representation of the Virgin with the infant Christ in her arms we may suppose that the artist intended to show the pious widow writing an account of her visions or revelations, in which she was often favoured with the blessed Virgin’s appearance. The pilgrim’s hat, staff, and scrip may allude to her pilgrimage to Jerusalem, which she was induced to make in consequence of a vision. The letters S. P. Q. R. in a shield, are no doubt intended to denote the place, Rome, where she saw the vision, and where she died. The lion, the arms of Sweden, and the crown at her feet, are most likely intended to denote that she was a princess of the blood royal of that kingdom. The words above the figure of the saint are a brief invocation in the German language, “O Brigita bit Got für uns!” “O Bridget, pray to God for us!” At the foot of the desk at which St. Bridget is writing are the letters M. I. Chrs., an abbreviation probably of Mater Jesu Christi, or if German, Mutter Iesus Christus. - 02 - they carry the cross
- Bishop, Abbot, and Clerk
The woodcut represents the characteristic costume of three orders of religious with whom we have been concerned—a bishop, an abbot, and a clerk. - 09 - Jesus falls under the cross
- XP
Constantine the Great, founder of Constantinople, had the monogram of Christ placed on the labarum, or imperial stamdard; It was the Greek letter X (chi) with a P (rbo) placed perpendicularly though it, forming the first two letters of the name Christ, in Greek - St. Damasus, Hermit
The best and clearest illustration which we have been able to find of the usual costume in which the hermits are represented, we here give to the reader. It is from the figure of St. Damasus, one of the group in the fine picture of “St. Jerome,” by Cosimo Roselli (who lived from 1439 to 1506), now in the National Gallery. The hermit-saint wears a light-brown frock, and scapular, with no girdle, and, over all, a cloak and hood of the same colour, and his naked feet are protected by wooden clogs. - 13 - Jesus is taken down from the Cross
13 - Jesus is taken down from the Cross - Pilgrim in Hair Shirt and Cloak
Pilgrim in Hair Shirt and Cloak - Master of the Playing Cards. Man of Sorrows
To his [Master of the Playing Cards.] latest and most mature period must be assigned the Man of Sorrows—in some ways his finest, and certainly his most moving, plate. Not only has he differentiated between the textures of the linen loin-cloth and the coarser material of the cloak; but the column, the cross with its beautiful and truthful indication of the grain of the wood, and the ground itself, all are treated with a knowledge and a sensitiveness that is surprising. The engraver’s greatest triumph, however, is in the figure of Christ. There is a feeling for form and structure, sadly lacking in the work of his successors, and his suggestion of the strained and pulsing veins, which throb through the Redeemer’s tortured limbs, is of a compelling truth. - 10 - Jesus is stripped of his garments
- A Semi-choir of Franciscan Friars
The picture of a semi-choir of Franciscan friars is from a fourteenth-century psalter. The picture is worth careful examination for the costume of the friars—grey frock and cowl, with knotted cord girdle and sandalled feet; some wearing the hood drawn over the head, some leaving it thrown back on the neck and shoulders; one with his hands folded under his sleeves like the Cistercians at p. 17. The precentor may be easily distinguished in the middle stall beating time, with an air of leadership. There is much character in all the faces and attitudes—e.g., in the withered old face on the left, with his cowl pulled over his ears to keep off the draughts, or the one on the precentor’s left, a rather burly friar, evidently singing bass. - 15 - Resurrected
15 - Resurrected - Jesus on Cross
Jesus on Cross - 08 - Jesus meets the women of Jerusalem
- 14 - Jesus is laid in the tomb
14 - Jesus is laid in the tomb