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- Sir Philip Sidney
This is no insult to Sir Philip Sidney, but only to the rather exorbitant demands of the form he had chosen. His own sonnets vindicate him as a poet, and some of them, even Hazlitt owned, who did not like him, 'are sweet even to a sense of faintness, luscious as the woodbine, and graceful and luxurious like it.' - Sir Richard Greenvill
Sir Richard Greenvill was Vice-Admiral under Lord Thomas Howard, son to the Duke of Norfolk, who was sent with a squadron of seven ships to America, to intercept the Spanish galleons laden with treasure from the West-Indies, Sir Richard, who happened to be separated from the rest of the squadron, unfortunately, fell in with the enemy's fleet of fifty-two sail, which he engaged and repulsed fifteen times. He continued fighting till he was covered with blood and wounds, and nothing remained of his ship but a battered hulk. He died on board the Spanish fleet three days after, expressing the highest satisfaction at the moment of death, at his having acted as a true sailor ought to have done. He was the grandfather of the famous Sir Bevil Greenvill. - Sir Robert Peel
Sir Robert Peel - Six bunches a penny, sweet bloomin Lavender
- Sixpence a pound, Fair Cherryes
- Songs, penny a sheet
- South-east Part of London in the Fifteenth Century, showing the Tower and Wall
- Stinking Fish
- Street costume Late Louis XVI period - 1790
Street costume Late Louis XVI period - 1790 - Sw-e-e-p
- Sweet Lavender
- Temple Bar, London
(Built by Sir Christopher Wren in 1670; taken down in 1878 and since rebuilt at Waltham Cross.) - The 'Maxim' Trench Coat
THE “MAXIM” Trench Coat with detachable fleece lining. Made from fine quality Khaki Twill, lined with rainproof lining and interlined with oiled silk, £4 . 10 . 0 Light and warm, absolutely wind and rain proof. Write for complete illustrated list. 71, NEW BOND STREET, W. 141 & 142, FENCHURCH STREET, E.C. LONDON. - The 1830 Effect
The 1830 Effect - The 1840 style
The 1840 style - The Amaranthe
A British warship of 1654. This ship is an excellent example of the ships that were in use just before the jib began to put in its appearance. The lateen sail on the mizzenmast is similar to the one used on the caravels, but both the rigging and the hull are greatly refined as compared with the ships of the time of Columbus. - The Bridge of Hope
“The Bridge of Hope,” a Well-known East End Night Refuge. - The coronation of her majesty Queen Victoria
The coronation of her majesty Queen Victoria - The Duchess of Kent, with Princess Victoria at the age of two
The Duchess of Kent, with Princess Victoria at the age of two - The East London Mission
- The Embarkation of Henry VIII. from Dover, 1520
(From the original painting at Hampton Court.) - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The Globe Theatre
The first theatre was built in 1570. Thirty years after there were seven. The Queen had companies of children to play before her. They were the boys of the choirs of St. Paul's, Westminster, Whitehall, and Windsor. The actors called themselves the servants of some great lord. Lord Leicester, Lord Warwick, Lord Pembroke, Lord Howard, the Earl of Essex, and others all had their company of actors—not all at the same time. The principal Houses were those at Southwark, and especially at Bank Side, where there were three, including the famous Globe - The Great Balloon of Nassau
he vessel selected for that famous cruise was The Great Balloon of Nassau, then recently built by Mr. Green and representing all that his skill and experience could devise. It was of pear shape, formed of the finest crimson and white silk, “spun, wove and dyed expressly for the purpose,” and comprising when distended a volume of 85,000 cubic feet. From its stout balloon-ring six feet in diameter was suspended a wicker car measuring nine feet long by four wide, having a seat across either end, and a cushioned bottom to serve as a bed, if such should be needed. Across the middle of the car was a plank supporting a windlass for raising or lowering the guide-rope, that is a heavy rope which could be trailed over land, or water, to keep the balloon at a nearly constant level without expenditure of ballast, and to check its speed on landing. This valuable device invented by Mr. Green in 1820, was now to receive adequate trial, which, indeed, formed one of the chief purposes of the cruise. Other paraphernalia of the voyage were food and drink, warm clothing, lamps, trumpets, telescopes, barometers, a quicklime coffee-heater, a grapnel and cable, and a ton of sand ballast in bags. - The Great Harry
Henry Grace à Dieu ("Henry, Thanks be to God"), also known as Great Harry, was an English carrack or "great ship" of the King's Fleet in the 16th century, and in her day the largest warship in the world. Contemporary with Mary Rose, Henry Grace à Dieu was even larger, and served as Henry VIII's flagship. This description was taken from Wikipedia as the book didn't describe the picture - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The Incroyable of the Revolution Period - 1795
The Incroyable of the Revolution Period - 1795 "Incroyable" (incredible) was the sobriquet given to the fops or dandies of the later Revolutionary period. Here is the description of one of these remarkably dressed personages as given by the French writer, Honore de Balzac: The costume of his unknown presented an exact picture of the fashion which at that time called forth the caricatures of the Incroyables. Imagine a person muffled in a coat so short in front that there showed beneath five or six inches of the waistcoat and with skirts so long behind that they resembled a codfish tail, a term then commonly employed to designate them. An immense cravat formed round his neck such innumerable folds that the little head emerging from a labyrinth of muslin almost justified Captain Merle's kitchen simile. [Merle had described the Incroyable as looking "like a duck with its head protruding from a game pie."] The stranger wore tight breeches and boots a la Suwarrow; a huge white and blue cameo was stuck, as a pin, in his shirt. Two watch chains hung in parallel festoons at his waist, and his hair, hanging in corkscrew curls on each side of the face, almost hid his forehead. Finally, as a last touch of decoration, the collars of his shirt and his coat rose so high that his head presented the appearance of a bouquet in its paper wrappings. If there be added to these insignificant details, which formed a mass of disparities with no ensemble, the absurd contrast of his yellow breeches, his red waistcoat, his cinnamon brown coat, a faithful portrait will be given of the height of fashion at which dandies aimed at the beginning of the Consulate Preposterous as the costume was, it seemed to have been invented as a sort of touchstone of elegance to show that nothing can be too absurd for fashion to hallow it. - The Lepers Begging
Leprosy is supposed to have had its origin in Egypt: the laws laid down in the Book of Leviticus for the separation of lepers are stringent and precise: it was believed, partly, no doubt, on account of these statutes in the Book of the Jewish Law, that the disease was brought into Western Europe by the Crusaders; but this was erroneous, because it was in this country before the Crusaders. Thus the Palace of St. James stands upon the site of a lazar house founded before the Conquest for fourteen leprous maidens. - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The New Model Dwellings
- The New Whitechapel Art Gallery
(The building to the right is a free library.) Some of the people, but not many, go off westward and wander about the halls of the British Museum. I do not know why they go there, because ancient Egypt is to them no more than modern Mexico, and the Etruscan vases are no more interesting than the “Souvenir of Margate,” which costs a penny. But they do go; they roam from room to room with listless indifference, seeing nothing. In the same spirit of curiosity, baffled yet satisfied, they go to the South Kensington Museum and gaze upon its treasures of art; or they go to the National Portrait Gallery, finding in Queen Anne Boleyn a striking likeness to their own Maria, but otherwise not profiting in any discoverable manner by the contents of the gallery. And some of them go to the National Gallery, where there are pictures which tell stories. - The procession approaching Westminster Abbey
The procession approaching Westminster Abbey - The Queens first council - Kensington Palace June 20 1837
Queen Victorias first council - Kensington Palace June 20 1837 The year 1837, except for the death of the old King and the accession of the young Queen, was a tolerably insignificant year. It was on June 20 that the King died. He was buried on the evening of July 9 at St. George’s Chapel, Windsor; on the 10th the Queen dissolved Parliament; on the 13th she went to Buckingham Palace; and on November 9 she visited the City, where they gave her a magnificent banquet, served in Guildhall at half past five, the Lord Mayor and City magnates humbly taking their modest meal at a lower table. - The Rimasop Trench Coat
Made by the old-established Bond Street House of Rimell & Allsop, this coat embodies the suggestions of British Officers who have fought in France and Flanders since the beginning of the War. War experience has proved its practical value. Officers are invited to avail themselves of the experienced services of Messrs. Rimell & Allsop in the selection of any kit, either for Ceremonial occasions or for the Front. A 16–page booklet will be sent post free to any address by Rimell & Allsop, Sporting & Military Tailors, 54, New Bond Street, London, W. - The Royal Prince
On the third day, June 3rd, the Royal Prince, bearing the flag of Sir George Ayscue, the largest and heaviest ship in the English fleet, ran on the Galloper shoal, and being threatened by fire-ships, surrended. The ship was burnt, and the crew, including the admiral, were made prisoners. - The Shooting-Gallery
- The Tielocken
Smart Yet Dependable Prior to the invention of THE TIELOCKEN, a Weatherproof combining the smart Service appearance requisite to the Soldier, with such protective powers as would enable it to resist the heaviest downpour and keenest wind, may be said to have been non-existent. In every case one quality had to be sacrificed for the benefit of the other, and to-day THE TIELOCKEN is the only Service top-coat that successfully unites both these essential characteristics. Its design ensures that, from chin to knees, every vulnerable part of the body is doubly protected. It affords effective security, yet is healthfully self-ventilating—excludes heavy rain, yet is free from rubber or other air-tight fabrics—is airylight, and yet warm in chilly weather. Another advantage is its quick adjustment. A belt holds securely—no buttons to fasten. - The Tower of London
Of all the prisoners who suffered death at the termination of their captivity in the Tower, there is none whose fate was so cruel as that of Lady Jane Grey. Her story belongs to English history. Recall, when next you visit the Tower, the short and tragic life of this young Queen of a nine days' reign. - The unfortunate “fowle” was “hurten so sore”’
- Thomas Carlyle
Thomas Carlyle - Three Rows a Penny pins
- Tiddy Diddy Doll
- Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - Tomb of Edward III. in Westminster Abbey
- Tower in the Earlier Style. Church at Earl's Barton
- Toynbee Hall and St. Jude’s Church
- Troope every one
- Waggon of the second half of the Seventeenth Century
(From Loggan's 'Oxonia Illustrata.') - Walking Dress
Walking Dress - Wat d'yer call that
- Waterproof Trench Coat
GEO. CORDING LTD. GUARANTEED WATERPROOFS By Appointment To H.M. The King. WATERPROOF TRENCH COAT Lightweight 90/– Medium 105/– Heavy 105/– Fleece Linings 45/– Without Rubber } Write for Prices. „ (lined Oil Silk - William and Johanna Cheupaign
The donors seem to be chiefly tradespeople rather than merchants of the higher class, and of the latter half of the fourteenth century. Here, for example, are William Cheupaign and his wife Johanna, who gave to the Abbey-church two tenements in the Halliwelle Street. One of the tenements is represented in the picture, a single-storied house of timber, thatched, with a carved stag’s head as a finial to its gable. - Women's Costume during the Directory - 1795 - 1800
Women's Costume during the Directory - 1795 - 1800 - Woollen Check - 1920's
Woollen Check - 1920's - Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640 - Young Gentleman of the 14th Century
Young Gentleman of the 14th Century - Young lady - 1920's
Young Lady - 1920s - Young Lady - 1920s
Young Lady - 1920s - Young lambs to sell
- Young Woman's dress - 14th Century
Young Woman's dress - 14th Century