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- A British East Indiaman
These merchant ships, which sailed from England to the Far East, were almost as much like warships as they were like merchantmen. They were finely built, but they took their time on their voyages out and back. - The Amaranthe
A British warship of 1654. This ship is an excellent example of the ships that were in use just before the jib began to put in its appearance. The lateen sail on the mizzenmast is similar to the one used on the caravels, but both the rigging and the hull are greatly refined as compared with the ships of the time of Columbus. - 'Kampite' Trench Fuel blocks
BRYANT & MAY’S “KAMPITE” SAFETY TRENCH COOKER NO SPIRIT NO LIQUID SAFE, CLEAN & RELIABLE Complete with collapsible stand and six fuel blocks. Made by BRYAN & MAY, LTD., Manufacturers of the celebrated ‘Brymay’ Safety Matches & Swan Vestas) - Henry Fielding
Out of this general efflorescence were to spring two branches of story-telling different and hostile from the start. The novel was given sex. Richardson had scarcely invented the feminine novel before Fielding and Smollett were at work producing books of a masculinity correspondingly pronounced. Fielding was the first to mark the difference, and Richardson to the end of his life hated him for writing Joseph Andrews. It often happens that one philosopher hates another whose system though less elaborate is obviously founded on a broader basis than his own. Fielding could afford to laugh at Richardson, but Richardson could never laugh at Fielding. - MAPPA BRITTANIÆ FACIE
- John Bunyan
Bunyan's business was the description of a pilgrim's progress through a world thus vividly good and bad. His choice of allegory as a method allowed him to illustrate at the same time the earnestness of his times and their extraordinary clarity of sensation. It was a form ready to his hand. The authorised version of the Bible, published in 1611, its English retaining the savour of a style then out of date, formed at once his writing and his method, as it constituted his education. 'My Bible and Concordance are my only library in my writings.' - ‘Diabolus ligatus’
- ‘latten “Agnus Dei”’
- ‘St. Piran’
- ... caused to sytte down and in large wyse to gape
- ‘Henry’s badge’
- ‘A wonderful sight’
- ‘... with drawn swords stood in the doorway’
- ‘He incontinently fled’
- A young novice of the priory
- ‘An impromptu entertainment by three minstrels’
- ‘... got his arms round a branch’
- ‘... compellyd them for to devour the same writte’
- Bell’s ‘Comet,’ off Dumbarton on the Clyde, 1812
Nothing more was heard of the steamboat in Britain until 1812, when Henry Bell surprised the natives of Strathclyde by the following advertisement in the Greenock Advertiser: STEAM PASSAGE BOAT, “THE COMET,” Between Glasgow, Greenock and Helensburgh, for Passengers Only. The subscriber having, at much expense, fitted up a handsome vessel, to ply upon the River Clyde, between Glasgow and Greenock, to sail by the power of wind, air and steam, he intends that the vessel shall leave the Broomielaw on Tuesdays, Thursdays and Saturdays, about mid-day, or at such hour thereafter as may answer from the state of the tide; and to leave Greenock on Mondays, Wednesdays and Fridays, in the morning, to suit the tide. The elegance, comfort, safety and speed of this vessel requires only to be proved to meet the approbation of the public; and the proprietor is determined to do everything in his power to merit public encouragement. The terms are, for the present, fixed at 4s. for the best cabin, and 3s. for the second; but beyond these rates nothing is to be allowed to servants, or any other person employed about the vessel. The subscriber continues his establishment at Helensburgh Baths, the same as for years past, and a vessel will be in readiness to convey passengers to the Comet from Greenock to Helensburgh. Henry Bell. Helensburgh Baths, 5th August, 1812. - A ‘herauld’
- ‘... cast her into a cauldron’
- ‘... called secretly at the chamber dore’
- ‘... playing innumerable pranks’
- ‘... led through the middle of the city’
- ‘The tiger and the mirror’
- sat for its portrait to Matthew Paris
- Sign of the 'Running Horse'
Why the crowd resorted thus to tipple the horrible compound does not appear: one would rather drink the usual glucose and dilute sulphuric acid of modern times. The pictorial sign of the old house still proudly declares— “When Skelton wore the laurel crown My ale put all the alewives down.” To do that, you would think, it must needs have been both good and cheap. Certainly, if the portrait-sign of Elynor be anything like her, customers did not resort to the “Running Horse” to bask in her smiles, for she is represented as a very plain, not to say ugly, old lady with a predatory nose plentifully studded with warts. - ‘... gyrd abowte his bodye in iij places with towells and gyrdylls’
- ‘The young Edward III.’
- '... crossed to England’'
- ‘When a lion looks at you it becomes a leopard’
- ‘... failed to identify the geese’
- ... sware ‘gret othes’ and took himself by the hair
- Pilgrims
- ‘The broken bough fell on the head of a man standing down below’
- ‘... constructed a pantomime dragon on the pattern of the real article’
- ‘... ducking him in a horse-pond’
- ‘... fully armed with swords and bucklers’
- ‘... showed him his injuries’
- Robert Berewold in the pillory
- The unfortunate “fowle” was “hurten so sore”’
- Man at Alehouse
- Electrical Power House
Electrical Power House (the largest in the Old World), Lot’s Road, Chelsea, to supply the Metropolitan District and other Railways with Current - Sir Philip Sidney
This is no insult to Sir Philip Sidney, but only to the rather exorbitant demands of the form he had chosen. His own sonnets vindicate him as a poet, and some of them, even Hazlitt owned, who did not like him, 'are sweet even to a sense of faintness, luscious as the woodbine, and graceful and luxurious like it.' - Daniel Defoe
With an imagination scarcely less opulent than Bunyan's, Defoe, if he had described a dream, would have managed somehow to make it as short-winded and inconsequent as a real one. He was in love with verisimilitude, and delighted in facts for their own sakes. 'To read Defoe,' wrote Charles Lamb, 'is like hearing evidence in a Court of Justice.' No compliment could have pleased him better. - Crossbow and Arrows used for Sport
Another name for the crossbow was 'arbalist,' and its arrows were called quarils, or bolts. These were made of various sorts of wood; about a dozen trees were used for the purpose, but ash-wood was thought to be the best. Generally the arrows had a tip of iron, shaped like a pyramid, pointed, though for shooting at birds the top was sometimes blunt, so that a bird might be struck down without being badly wounded. One old writer says that a great difference between the long-bow and the crossbow was, that success did not depend upon who pulled the lock—a child might do this as well as a man—but with the long-bow strength was everything. In fact, during the Tudor times, the kings specially encouraged the archers to practise shooting with the long-bow, and people were even forbidden to keep crossbows. The crossbow, however, when it had reached perfection, carried much further than the ordinary long-bow. - Sir Robert Peel
Sir Robert Peel - Leigh Hunt
Leigh Hunt - The 'Maxim' Trench Coat
THE “MAXIM” Trench Coat with detachable fleece lining. Made from fine quality Khaki Twill, lined with rainproof lining and interlined with oiled silk, £4 . 10 . 0 Light and warm, absolutely wind and rain proof. Write for complete illustrated list. 71, NEW BOND STREET, W. 141 & 142, FENCHURCH STREET, E.C. LONDON. - The New Whitechapel Art Gallery
(The building to the right is a free library.) Some of the people, but not many, go off westward and wander about the halls of the British Museum. I do not know why they go there, because ancient Egypt is to them no more than modern Mexico, and the Etruscan vases are no more interesting than the “Souvenir of Margate,” which costs a penny. But they do go; they roam from room to room with listless indifference, seeing nothing. In the same spirit of curiosity, baffled yet satisfied, they go to the South Kensington Museum and gaze upon its treasures of art; or they go to the National Portrait Gallery, finding in Queen Anne Boleyn a striking likeness to their own Maria, but otherwise not profiting in any discoverable manner by the contents of the gallery. And some of them go to the National Gallery, where there are pictures which tell stories. - ... thrust a leaden bodkin into the head of that image
- Milton’s Cottage, Chalfont St. Giles
Chalfont St. Giles lies down in the valley of the Misbourne, across the high road which runs left and right, and past the Pheasant Inn. It is a place made famous by Milton’s residence here, when he fled London and the Great Plague. The cottage—the “pretty cot,” as he aptly calls it, taken for him by Thomas Ellwood, the Quaker—is still standing, and is the last house on the left-hand side of the long village street. The poet could only have known it to be a “pretty cot” by repute, for he was blind. - The Great Harry
Henry Grace à Dieu ("Henry, Thanks be to God"), also known as Great Harry, was an English carrack or "great ship" of the King's Fleet in the 16th century, and in her day the largest warship in the world. Contemporary with Mary Rose, Henry Grace à Dieu was even larger, and served as Henry VIII's flagship. This description was taken from Wikipedia as the book didn't describe the picture - Fanny Burney
Fanny Burney took more material with a lighter hand, stealing away the business of The Tatler, The Spectator, The Citizen of the World, and trying not only to 'draw characters from nature' but also to 'mark the manners of the time.' - ‘Hakeney’
- The New Model Dwellings
- Gun Maxim, ·303 Inch - plan, with cover removed
1. End of crank. 2. Projecting arm of crank handle. 3. Crank handle. 4. Breech casing. 5. Fusee spring 6. Chain 7. Fusee. 8. Spring box 9. Resistance piece. 10. Buffer spring. 11. Check lever. 12. Lock casing. 13. Firing lever. 14. Trigger bar. 15. Projection on trigger bar. 16. Trigger. 17. Tumbler. 18. Lockspring. 19. Firing pin. 20. Crank. 21. Crank pin. 22. Connecting rod. 22A Cotter. 23. Side levers. 24. Sear. 25. Extractor. 26. Barrel. 27. Ejector tube. 28. Horns of extractor. 29. Keeper bracket. 30. Side cams. 31. Cover spring. 32. Cover. 33. Gib. 34. Adjusting screw for fusee spring. 35. Extractor spring. 36. Handles. 37. Double button. 38. Trigger bar spring. 39. Gib spring. 41. Extractor levers. 42. Belt. 43. Upper extractor stop. 44. Groove for side plate spring. 45. Cartridge grooves. 46. Ejector tube spring. 47. Side plates. 48. Guides in which flanges of lock move. 49. Guide ribs for extractor. 50. Cover lock. 51. Gunmetal block. 52. Hole for firing pin. 53. Safety catch. 54. Screwed head. 55. Connecting rod spring. 56. Crank bearings. 57. Slots, breech casing. 58. Crank stops. 59. Ammunition belt box, No. 2. 60. Feed block. 61. Top lever feed block. 62. Cork plug. 63. Feed block slide. 64. Top pawl. 65. Bottom pawl. 66. Band roller. 67. Barrel casing. 68. Screwed plug for filling. 69. Asbestos packing. 70. Packing gland. 71. Cannelure for asbestos packing. 72. Gunmetal valve. 73. Steam tube. 74. } Holes in steam tube. 75. } 76. Slide valve. 77. Steam escape hole. 78. Milled heads of oil brushes. 79. Oil brush. 80. Sight, tangent. 81. Sight, fore. 82. Shutter. 83. Shutter spring. 84. Shutter catch. 85. Notch for shutter catch. 86. Screwed plug for emptying. 87. Slides, right and left. 88. Gib spring cover. 89. Check lever collar. 90. Cover lock spring. 91. Safety catch spring. 92. Tangent sight spring. 93. Bottom lever feed block. 94. Trunnions of barrel. 95. Extractor stop. 96. Firing lever spring. 97. Shutter pivot screw. - Royal Arms of England from Richard I. to Edward III
(From the wall arcade, south aisle of nave, Westminster Abbey.) - Buy a Fork or a Fire Shovel
- ‘Dymoke of Scrivelsby’