42/71
[ stop the slideshow ]

Italian Child

Italian Child.jpg A medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da VinciA medieval method of combating the plague. The persecution of the anointers in Milan in 1630ThumbnailsPrinciple of the parachute, drawing by Leonardo da Vinci

Among the dark whites of Europe the Portuguese, Spanish, Italians, and Greeks are conspicuous. In speech they are kin to each other, and to the fair whites. How different they are otherwise! They are handsomer in face, more lithe and graceful in body, more quickly aroused, more changeable in purpose, than the fair whites. Their faces, their gestures, their movements, more emphatically betray their emotions. They live more in the present than the somewhat sober and sombre northern peoples.