- St. Christopher, with the date 1423, from a cut in the possession of Earl Spencer
This cut is much better designed than the generality of those which we find in books typographically executed from 1462, the date of the Bamberg Fables, to 1493, when the often-cited Nuremberg Chronicle was printed. Amongst the many coarse cuts which “illustrate” the latter, and which are announced in the book itselfII.11 as having been “got up” under the superintendence of Michael Wolgemuth, Albert Durer’s master, and William Pleydenwurff, both “most skilful in the art of painting,” I cannot find a single subject which either for spirit or feeling can be compared to the St. Christopher. In fact, the figure of the saint, and that of the youthful Christ whom he bears on his shoulders, are, with the exception of the extremities, designed in such a style, that they would scarcely discredit Albert Durer himself. To the left of the engraving the artist has introduced, with a noble disregard of perspective what Bewick would have called a “bit of Nature.” In the foreground a figure is seen driving an ass loaded with 48a sack towards a water-mill; while by a steep path a figure, perhaps intended for the miller, is seen carrying a full sack from the back-door of the mill towards a cottage. To the right is seen a hermit—known by the bell over the entrance of his dwelling—holding a large lantern to direct St. Christopher as he crosses the stream. The two verses at the foot of the cut, Cristofori faciem die quacunque tueris, Illa nempe die morte mala non morieris, may be translated as follows: Each day that thou the likeness of St. Christopher shalt see, That day no frightful form of death shall make an end of thee. - St. Bridget, from an old cut in the possession of Earl Spencer
The figure writing is that of St. Bridget of Sweden, who was born in 1302 and died in 1373. From the representation of the Virgin with the infant Christ in her arms we may suppose that the artist intended to show the pious widow writing an account of her visions or revelations, in which she was often favoured with the blessed Virgin’s appearance. The pilgrim’s hat, staff, and scrip may allude to her pilgrimage to Jerusalem, which she was induced to make in consequence of a vision. The letters S. P. Q. R. in a shield, are no doubt intended to denote the place, Rome, where she saw the vision, and where she died. The lion, the arms of Sweden, and the crown at her feet, are most likely intended to denote that she was a princess of the blood royal of that kingdom. The words above the figure of the saint are a brief invocation in the German language, “O Brigita bit Got für uns!” “O Bridget, pray to God for us!” At the foot of the desk at which St. Bridget is writing are the letters M. I. Chrs., an abbreviation probably of Mater Jesu Christi, or if German, Mutter Iesus Christus. - Divider
- Fish
- Court and Tower of the Palace, Palenque
The tower situated in the southern court is considered by Waldeck as the crowning work of all. The picture is a reduction from Waldeck’s drawing, and no doubt indicates the true number of its stories, as well as the remarkable growth of vegetation upon its roof. The descent of the little roots and tendrils of the trees above in quest of nourishment, furnish a striking illustration of the luxuriant vegetable growth which pervades the region. - Arrow Heads in the National Museum
- Methods Employed by Indians of Hafting Stone Weapons
- Indian and Mound-builder Spear-heads
- Elephant Mound, Wisconsin
The most remarkable instance of the kind, however, is that of the big elephant mound found a few miles below the mouth of the Wisconsin River, so perfect in its proportions and complete in its representations of an elephant that its builders must have been well acquainted with all the physical characteristics of the animal which they delineated - Great Serpent, Adams County, Ohio
A few instances of the circle and square are found in association with the animal mounds, while in Ohio, on Brush Creek in Adams 34County, the “Great Serpent,” and the “Alligator” in Licking County furnish proof that either the same people built them or at least the same impulses, religious or otherwise, actuated the people of both districts. The former of the above figures is well described by its name, “with its head conforming to the crest of a hill, and its body winding back for 700 feet in graceful undulations, terminating in a triple coil at the tail.” The length of the latter “from the point of the nose following the curves of the tail to the tip, is about 250 feet, the breadth of the body forty feet and the length of the legs or paws each thirty-six feet.” - Chimney Sweeping Described
A number of flues concentrated, forms a stack of chimneys, as represented in the engraving. Flues, at a distance from the stack, are conveyed to it either in a horizontal or sloping form, as at A and G. The size of flues generally is nine inches by fourteen inches; a space sufficiently large to convey the smoke, but not large enough to be ascended, except by little children, for the purpose of cleansing them. The plan adopted by the climbing-boy to ascend chimneys is, by pressing his feet, back, and knees against the sides of the flue, by which means he propels or hitches himself up by degrees, having one arm above his head, holding a brush, and the other arm by his side, as described in B. At C the boy is represented as putting his brush out of the top of the chimney-pot, but generally he rattles it with his brush, to satisfy the parties below that he has been to the top. This accomplished, he gradually slides down to the stove or grate. It has frequently occurred, that boys have, either through fear or inattention, got into the form of nose and knees together, as described at E; sometimes they remain in this cramped and painful position for hours before they are liberated, being totally unable to extricate themselves.