- 10th Century soldier
Figure of Goliath, from a Latin Psalter of the tenth century in the British Museum Additional MS., No. 18,043. The hauberk is coloured blue in the original, apparently indicating chain-mail. The curious combed helmet is of the same hue, clearly implying a defence of iron. - A Barrier
These rooms are divided by barriers, guarded by gentlemen of the household, which prevents over-crowding. It is an extraordinary sight to see room after room filled with nervous young girls and their more composed mothers sitting in the unbecoming light of an afternoon sun, with white plumes in their hair and the family jewels on their necks. With the exception of a now and then whispered conversation, everything is quiet until the barriers leading into the next room are opened; then a rush follows and small pieces of lace, spangles, flowers, and ostrich feathers are left on the floor. Mothers and daughters are separated. After the confusion of finding each other, all is quiet for another thirty minutes, when a rush for a better place in the next room begins. - A Constitutional in the Park
A Constitutional in the Park - A cutaway drawing of the original Mayflower
A CUTAWAY DRAWING of the original Mayflower by John Seamans of Weymouth, Mass., from plans drawn by William A. Baker, Hingham marine architect and authority on ancient ships. 1 Main Deck 2 Galley 3 Upper Deck 4 Main Hatch 5 Forecastle 6 Waist 7 Bosun’s Stores 8 Shallop 9 Sail Store 10 Crew’s Quarters 11 Main Hold 12 Cargo 13 General Stores 14 Water Barrels 15 Spirits 16 Store 17 Cabins 18 Radio Room—A radio for the crossing was required by law. 19 Chart House 20 Steering Position 21 Gun Port 22 Main Deck 23 Upper Deck 24 Quarter Deck 25 Poop Deck 26 Beak 27 Bowsprit 28 Foretop 29 Maintop 30 Mizzenmast 31 Mainmast 32 Foremast - A Drawing Room
On March 11, 1896, the first Drawing-room of that year was held at Buckingham Palace. Through the courtesy of the Lord Chamberlain I was given the entree to the palace on that day. As a Drawing-room is strictly a feminine affair, it matters very little what a man may think about it, for the line points of social advantages and the costly costumes he seldom understands. Apart from the foreign ambassadors, members of the Cabinet and attendants, men are not wanted and are seldom seen. Women go in hundreds, and sit for hours in carriages, extending in long rows down the Mall, while a crowd of curious idlers stare in at the carriage windows, making audible personal remarks. At two o’clock the palace gates are open, and the waiting continues in the different rooms above stairs. - A Drawing-room Tea
A Drawing-room Tea - A first night
A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. - A Gentleman at Arms
A Gentleman at Arms - A Park Orator
Separated from these people by another social gulf, and toward Marble Arch, are the unemployed listening to the park actors and park orators. If you are tall enough to look over the heads of an English crowd you will see in some of these `groups` strolling players at work. In the centre of one group a short, red-faced park orator declares that a Prime Minister has robbed him. - A Sidewalk Artist
In the early part of the day the parks are occupied by very young people; the visitors become older with the day. The nurses and their charges leave, and evening finds an old lady leaning on her husband’s arm, walking slowly along their favorite path, while their carriage follows at a little distance. And as night comes on they roll back into the great city among the never-ceasing tread of feet, past the side-walk artist sitting by his pictures on the pavement, looking anxiously at the passers-by—and the park’s day is done—a curtain of darkness falls on the great stage - A Sprinkle or Hand-Flail of bronze
From the Museum of Mitau in Courland - A wolf
A wolf howling - After Dinner
After Dinner - After Presentation
After Presentation at a drawing-room - Akhnaton and his Wife and Children
In his capacity as Pharaoh and “son of God,” Akhnaton demanded and received a very considerable amount of ceremonial homage; but he never blinded himself to the fact that he was primarily but a simple man. He most sincerely wished that his private life should be a worthy example to his subjects, and he earnestly desired that it should be observed in all its naturalness and simplicity. He did his utmost to elevate the position of women and the sanctity of the family by displaying to the world the ideal conditions of his own married life. He made a point of caressing his wife in public, putting his arm around her neck in the sight of all men. As we have seen, one of his forms of oath was, “As my heart is happy in the Queen and her children....” He spoke of his wife always as “Mistress of his happiness, ... at hearing whose voice the King rejoices.” “Lady of grace” was she, “great of love” and “fair of face.” Every wish that she expressed, declared Akhnaton, was executed by him. Even on the most ceremonious occasions the queen sat beside her husband and held his hand, while their children frolicked around them; for such things pleased that gentle father more than the savour of burnt-offerings. It is seldom that the Pharaoh is represented in the reliefs without his family; and, in opposition to all tradition, the queen is shown upon the same scale of size and importance as that of her husband. Akhnaton’s devotion to his children is very marked, and he taught his disciples to believe that God was the father, the mother, the nurse, and the friend of the young. Thus, though “son of God,” Akhnaton preached the beauty of the human family, and laid stress on the sanctity of marriage and parenthood. - Akhnaton and Nefertiti with their three Daughters
The charm of family life, and the sanctity of the relationship of husband and wife, parents and children, seems to have been an important point of doctrine to him. He urged his nobles, also, to give their attention to their families; and in the tomb of Panehesy, for example, one may see representations of that personage sitting with his wife and his three daughters around him. - Akhnaton driving with his Wife and Daughter
Akhnaton driving with his Wife and Daughter - An Early Departure
Man in Top hat - An Example of the Friendly Relations between Syria and Egypt
In the twelfth year of his reign, the tribute of the vassal kingdoms reached such a high value that a particular record was made of it, and scenes showing its reception were sculptured in the tombs of Huya and Meryra II. An inscription beside the scene in the tomb of Huya reads thus:— Year twelve, the second month of winter, the eighth day.... The King ... and the Queen ... living for ever and ever, made a public appearance on the great palanquin of gold, to receive the tribute of Syria and Ethiopia, and of the west and the east. All the countries were collected at one time, and also the islands in the midst of the sea; bringing offerings to the King when he was on the great throne of the City of the Horizon of Aton, in order to receive the imposts of every land and granting them [in return] the breath of life. - An Old Monarch
After Rosa Bonheur had painted horses, cows, and other tame animals a great many times, she began to want to paint wild animals, such as tigers and bears. She could not go to the far-away countries where they live, so she bought a lion and lioness from a man who had been there. These she kept in a very strong cage of heavy iron bars. Here she came to watch them every day. This is one of the pictures she painted of the lion. She called him “Nero,” and was so kind to him that after a while he became quite tame. The lioness was always wild, but good old Nero soon became so gentle that Rosa Bonheur could pet him and even go into his cage. - Anglo-Saxon soldiers
Another group from Cotton MS., Claudius, B. iv. - Anglo-Saxon Spearmen
Anglo-Saxon spearmen, from the fine manuscript of Prudentius in the Tenison Library. Date, the beginning of the eleventh century. The drawings are in pen-and-ink only, but very carefully executed: the later subjects by a fresh hand, but all Anglo-Saxon work. - Anglo-Saxon warriors
Group from Cottonian MS., Claudius, B. iv., folio 24: Aelfric's Anglo-Saxon Paraphrase of the Pentateuch, &c. Date about 1000. The crowned figure in the centre appears to be armed in a coat of chain-mail - At Dinner
At Dinner - At the National Sporting Club
The most interesting place of amusement for men is the National Sporting Club. Every Monday night during the winter the sports of London meet there in the same building that Colonel Newcome and his son once left because they objected to Captain Costigan’s song. The Colonel would be more amused there now, well-trained and scientific boxers from all the world meet in a roped-in square, surrounded by an orderly crowd of stock-brokers, bankers, and miscellaneous sporting characters, who wait for the best man to win. - At the Pavilion
A Music Hall audience is the most demonstrative and amusing. It will applaud the longest, hiss the loudest, and sometimes join in the chorus. From the moment the numbers are posted announcing the next turn, it is easy to tell what the performer’s reception will be. On both sides of the orchestra are bars, and when a London barmaid stops work to listen and laugh you may be sure that the turn is a good one. Last winter they paid Dan Leno this compliment. The air is filled with tobacco-smoke, and the calcium-light, on its way from the gallery to the stage, looks like a sunbeam in a dusty hayloft. - At the Savoy
At the Savoy - Beaver Trap
For a few years after Stuart’s party disappeared up Hoback Canyon, the Tetons and Jackson’s Hole were left in solitude. Due to the hostility of the Blackfeet, the loss of Astoria in the War of 1812, and the indifference of the Federal Government, American interest in the Western Fur trade suffered a relapse. British interests now took the initiative. In 1816 the Northwest Company, licensed by the Crown to trade in Oregon, put Donald McKenzie in charge of the Snake River division. From Fort Nez Perce at the mouth of the Walla Walla, he set forth in September of 1818 at the head of an expedition “composed of fifty-five men, of all denominations, 195 horses and 300 beaver traps, besides a considerable stock of merchandise.” - Between Times, Leicester Square
Between Times, Leicester Square - Bobcat
Bobcat crouching - Bradford's Velocipede
If any of our readers desire the luxury of a ride on a velocipede without the necessity of taking lessons, or the danger of getting a fall, they will find " Bradford's Four-Wheeled Velocipede" ready and able to afford them the pleasure. The inventor of this vehicle, Mr. C. K. Bradford, has devoted the greater part of the last five years to experiments upon the velocipede, and took out his first patent three years and a half ago. The machine, as now constructed and improved, obtained its American patent October 13th, 1868. It has since been patented in England, France, and Belgium. It is made of the best material, and finished like a gentleman's trotting wagon. It weighs but sixty-five pounds, and combines in a high degree both lightness and strength. Any man, woman or child, can learn to guide it easily with but a few moments practice. The inventor claims that it is able to maintain a speed of a mile in three minutes, and that the extraordinary time of a half mile in one minute and forty-five seconds, has been made upon a country road. It can be driven by almost any man, at the rate of a mile in four minutes, on almost any road, without greater exertion than is ordinarily used in walking. This velocipede, unlike all others, is seen to best advantage on the street. In Mr. Bradford's tasteful little curricle, the rider can sit at ease as carelessly as in a carriage, giving himself up wholly to the exhilaration of the rapid movement, and the pleasurable exercise of the muscles, which is just enough to make the machine skim over the ground, and give an enjoyable sense of power. The increase of friction, which would naturally result from the additional number of wheels, is prevented by an application of anti-friction rollers, which reduce the labor of propelling the machine to a minimum, a requisite of the highest importance to a person seeking either recreation or utility. - Bullet Mold
Bullet Mold - Callihan's Velocipede
This velocipede was patented January 5th, 1869. It has been thoroughly tested and is pronounced a complete success. It will be seen that it is very different from Bradford's machine. The front wheels are used as guiding wheels, the rear as the driving ones. It is propelled by both hands and feet, acting together or separately. The propelling power is almost unlimited, and is furnished by cranks in the hind axles, with lever attachments. It has three different steering arrangements, either of which can be applied, according to the taste of the purchaser. In all these, the forward wheel and axle are turned with a lever arrangement, operated upon by the band. The machine develops both chest and limbs, and can be readily used by ladies and children. A little girl of six years has ridden it for an hour without fatigue. It is so constructed, that scruples of delicacy need prevent no lady from driving it. It can be driven either backwards or forwards, will run upon the road, at the rate of fifteen miles an hour, and will ascend any ordinary hill with ease. It is claimed, that it is the only machine made that can be checked in going down hill, or that can be stopped instantly. The machine varies in size and weight. That most in favor, has a wheel of three feet and a half in diameter, and a weight of about one hundred pounds. It is constructed of the best material, and is neat and nobby in appearance. Its price is $125. - Cheeky little smile on a young lady
Cheeky little smile on a young lady - Church Parade
By long odds the best-looking exhibit is to be seen during church-parade. It extends from Hyde Park Corner to Stanhope Gate, and consists of the well-to-do. - Construction of the Bicycle
The accompanying engraving will convey to the mind of the reader a correct idea of the French two-wheeled velocipede. The majority of makers in this country fashion their machine upon this pattern in every essential respect. We append a full technical description. A is the front wheel. This is the steering wheel, and upon its axis, the power is applied. B is the hind wheel; C, the treadles or foot-pieces ; D, the treadle cranks; E, slots in cranks, by which to adjust the foot-pieces and accommodate the length to the legs of the rider; F, bifurcated jaw, the lower part of which forms the bearing for the axle of the front wheel. From the upper part of this jaw, a rod or pivot extends, to which is attached the steering arm or handle F; G, the reach or perch, extending from the jaw of the front wheel to the rear or hind wheel. This reach is bifurcated, forming jaws for the hind wheel. H, " rests" on the front part of the reach. The rider puts one leg on the rest and works one of the cranks with the other leg while riding " side-saddle," or a leg may be placed upon each rest when the velocipede has acquired sufficient momentum, and the rider does not wish to keep his feet upon the treadles. I, the saddle or seat, which is adjustable on the seat-spring L, by the thumb-screw K. The seat-spring L, is attached at M to the reach G, which, at the other end, is fastened to the spring-struts N, that rise from the reach G; 0, the brake-lever, on the fulcrum P; Q,, the " shoe " of the brake that acts against the periphery of the hind wheel. The brake is operated by means of the cord S, one end of which is attached to the steering handle F, and the other end to the reach at 3. A cord passes from the steering handle under the pulley or roller 4, thence over the pulley 5, on the brake-lever 0, and from there to the point 3, where it is attached to the reach G. The brake is operated by giving a slight turning motion to the handle F, thus winding a small sheave upon the axis of the handle, and bring-ing the shoe Q, of the brake-lever 0, in contact with the surface of the wheel B. - Cyprian limestone group of Phoenician dancers
Cyprian limestone group of Phoenician dancers, about 6½ in. high. There is a somewhat similar group, also from Cyprus, in the British Museum. The dress, a hooded cowl, appears to be of great antiquity. - Dancing Bacchante
Dancing Bacchante. From a vase in the British Museum. According to some authorities, one of the most primitive of the first class, attributed to Phrygian origin, was the Aloenes, danced to the Phrygian flute by the priests of Cybele in honour of her daughter Ceres. The dances ultimately celebrated in her cult were numerous: such as the Anthema, the Bookolos, the Epicredros, and many others, some rustic for labourers, others of shepherds, etc. Every locality seems to have had a dance of its own. Dances in honour of Venus were common, she was the patroness of proper and decent dancing; on the contrary, those in honour of Dionysius or Bacchus degenerated into revelry and obscenity. - Daniel T. Potts at the Bear Lake rendezvous of 1827
At the 1827 rendezvous at Bear Lake Jedediah Smith appeared like a ghost out of the Great Salt desert, reporting that the Spanish Governor of California had expelled him from that province. He arranged with his partners, Jackson and Sublette, to meet two years hence “at the head of Snake River.” Then, after a rest of only ten days, he summoned volunteers and again set his face toward the Pacific Ocean. In the winter of 1827-28, while Sublette attended to the business of getting supplies from St. Louis, Jackson sent fur brigades north from Bear Lake to the Snake River and its tributaries, where they came in frequent contact with the Hudson’s Bay Company trappers under Ogden. In 1828 the rendezvous was again Great Salt Lake, and again the trappers dispersed to hunting grounds on the Bear, the Snake, and the Green. - Distinguished Guests
The “season” begins about the time Parliament opens, and Parliament’s opening and closing depends more or less on fox-hunting and grouse-shooting. As the “season” approaches, town-houses are opened and “green” servants are broken in; secretaries busy themselves with lists and stationery, and the winter campaign begins immediately upon the family’s return to town. As a London house is seldom needed for more than the formal entertainments of a season, it is in most cases hired; consequently, it is seldom attractive. Acquaintances are entertained in the city, and friends are taken into the country to spend the week’s end on the family estate, surrounded by the household gods and the most attractive side of all England. - Divider
Flowers and bows divider - Drasina
Drasina This novel vehicle, under the name of " Drasina was introduced into England in 1818, and, at first, the greatest possible expectations were created, with regard to its usefulness and speed. It was maintained, that it would travel up-hill on a post-road as fast as a man could walk ; that on a level, even after a heavy rain, it would average six or seven miles an hour ; and that, on a descent, it would equal a horse at fall speed. It was described in the advertisements of the day as " consisting of two wheels, one behind the other, connected by a perch, on which a saddle is placed as a seat. The front wheel is made to turn on a pivot, guided by a circular lever or rudder, which comes op to the hand; the fore-arms rest on a cushion in front ; in this position, both hands holding the rudder firmly, the machine and traveller are preserved in equilibrio. In 1821 Lewis Gomperta of Surrey, introduced some decided improvements upon the Drasina , as will be seen from the accompanying engraving. The object of the improvement of Gomperta was to bring the arms of the rider into action, in assist-ance to his legs. It consisted " in the application of a handle, C, which is to be worked backwards and forwards, to which is attached a circular rack, D G, which works in a pinion, E, with ratch wheel on the ont wheel of the velocipede, and which, on being pulled by the rider with both hands, sends the machine forward; and when thrust from him does not send it back again, on account of the ratch, which allows the pinion to turn in that direction, free of the wheel. H is the saddle, and the rest, B is so made that the breast of the rider bears against it, while the sides come around him at some distance below the arms, and is stuffed." The rider could with this machine either propel it entirely without the feet, or he could use the feet, while the arms were free. The beam, A, was made of beech wood, and a pivot at F, allowed the front wheel to be turned to the right or left at the will of the rider. - Eagle
Eagle - English one-wheeled Velocipede
We present an engraving of an English one-wheeled velocipede. The feet are placed on short stilts, connected with the cranks, one on either side of the rim, while the rider sits upon a steel spring saddle over the whole wheel. The inventor modestly limits the diameter of the wheel to twelve feet, and the number of revolutions to fifty per minute. Twenty-five miles per hour is the speed expected to be reached. The riders of this machine, without the ability to overcome the laws of gravity, would be very likely to get broken bones and noses. It is not likely to come into general use. - First Great Seal of King Richard I
Great Seals of King Richard Coeur-de-Lion. The first of these has been drawn from impressions appended to Harleian Charters, 43, C. 27 ; 43, C. 29 ; and 43, C. 30 ; and Carlton Ride Seals, i. 19. The king wears the hauberk of chain-mail with continuous coif, over a tunic of unusual length. The chausses are also of chain-mail, and there is an appearance of a chausson at the knee, but the prominence of the seal at this part has caused so much obliteration, that the existence of this garment may be doubted. The helmet is rounded at the top, and appears to be strengthened by bands passing round the brow and over the crown. The shield is bowed, and the portion in sight ensigned with a Lion: it is armed with a spike in front, and suspended over the shoulders by the usual guige. - Flying Yankee Velocipede
HEMMING'S UNICYCLE, or "FLYING YANKEE VELOCIPEDE." The single-wheeled velocipede has at length received a palpable body, and " a local habitation and a name." Richard C. Hemming of New Haven, Conn., invented the machine herewith represented, two years ago; but has only recently brought it into the market and applied it to practical purposes.. The main wheel has a double rim, or has two concentric rims, the inner face of the inner one having a projecting lip for keeping the friction rollers and the friction driver in place; each of these being correspondingly grooved on their peripheries. The frame on which the rider sits, sustains these friction wheels in double parallel arms, on the front one of which is mounted a double pulley, with belts passing to small pulleys on the axis of the driving wheel. This double wheel driven, as seen, by cranks turned by the hands. The friction of the lower wheel on the surface of the inner rim of the main wheel is the immediate means of propulsion. A small binding wheel, seen between the rider's legs, serves to keep the bands or belts tight. The steering is effected either by inclining the body to one side or the other, or by the foot impinging on the ground, the stirrups being hung low for this purpose. By throwing the weight on these stirrups, the binding wheel may be brought more powerfully down on the belts. Over the rider's head is an awning, and there is also a shield in front of his body to keep the clothes from being soiled by mud and wet. When going forward, the driving wheel is kept slightly forward of the centre of gravity by the position of the rider. By this means the power exerted is comparatively small. Every turn of the crank is equivalent to a rotation of the great wheel. Mr. Hemming says that this machine can be manufactured for fifty dollars, of a weight of only thirty pounds;- that it will ascend steep grades, and that it can be driven on the roads with but little exertion, at the rate of twenty or even twenty-five miles an hour. This wheel is of a diameter of from six to eight feet. Mr. Hemming's boy of thirteen has one five feet in diameter, the first manufactured, crude in construction, and heavier than necessary, which he propels at the rate of a mile in three minutes. - Fort Astoria
In 1808 John Jacob Astor secured a charter from the state of New York creating the American Fur Company. The most ambitious of his schemes was the establishment 26of a trading post at the mouth of the Columbia River, to exploit the wealth of the Northwestern wilderness. To promote this enterprise, Astor organized the subsidiary Pacific Fur Company and sent out two expeditions, one of which went by sea around Cape Horn, while the other was to proceed overland along the route of Lewis and Clark. The overland Astorians achieved fame as the first transcontinental expedition after Lewis and Clark, but fate decreed that they should blaze their own trail—through Jackson’s Hole. - Fort Hall
Three significant events occurred in connection with the rendezvous of 1834. (1) En route from St. Louis, Sublette and Campbell began the building of Fort Laramie (originally Fort William) on the North Platte. (2) Nathaniel Wyeth, embarking on a second venture, brought in trade goods which were not accepted, and so resorted to the establishment of Fort Hall near the junction of the Snake and Portneuf. The advent of these two fixed trading posts prophesied an end to the traditional rendezvous system. Also (3), at the rendezvous the partnership of the Rocky Mountain Fur Company was dissolved, Fraeb and Gervais selling out their interests. The remaining partners—Fitzpatrick, Bridger, and Milton Sublette—formed a new firm, but they made an agreement with Fontenelle which gave the American Fur Company a virtual monopoly of the Rocky Mountain fur trade. - French Soldier 12 th Century
From Cotton MS., Nero, C. iv. French art. Date, about 1125. The figure is one of a group representing the Massacre of the Innocents : a subject, with those of the Conflict of David and Goliath, the Soldiers at the Holy Sepulchre, and the Martyrdom of Thomas a Becket, very fertile in illustrations of ancient military equipment. - Frightful struggles for life
The losses, however, are as nothing compared to the frightful sacrifices of precious human lives. During Sunday Johnstown has been drenched with the tears of stricken mortals, and the air is filled with sobs that come from breaking hearts. There are scenes enacted here every hour and every minute that affect all beholders profoundly. When brave men die in battle, for country or for principle, their loss can be reconciled to the stern destinies of life. When homes are torn asunder in an instant, and the loved ones hurled from the arms of loving and devoted mothers, there is an element of sadness connected with the tragedy that touches every heart. - From the Great Seal of Alexander I, King of Scotland
Seal of Alexander I., King of Scotland : 1107-1124. The figure is armed in hauberk with continuous coif, apparently of chain-mail ; worn over a tunic or gambeson, seen at the wrist and skirt. Conical nasal helmet, lance with streamer, kite-shield, and goad-spur, are the other items of the equipment. The leg does not shew any armour, though the softening of the wax may have obliterated markings which originally indicated a defensive provision at this part. The ornaments of the portrait are usual at this period. - George du Maurier
English-speaking people have been introduced to each other by a long line of clever draughtsmen. They have laughed together about the same people in the truest and sweetest-natured way in all the world. Above all others, one hand awakened the interest resulting in people knowing themselves and others better. The beautiful was safe in that gentle hand. Although the heart that guided it no longer beats, the human interest and kindly feeling that it awakened will live forever, and all the world has placed among the foremost men of his day the affectionately remembered name of George Du Maurier. - Gov. Carver’s Chair in Pilgrim Hall Museum
Gov. Carver’s Chair in Pilgrim Hall Museum - Great Seal of King Henry the First
Great Seal of King Henry I., circa 1100. From Cotton Charter, ii. 2 (in British Museum). The instrument is a confirmation of the gift of Newton by "Radulfus filius Godrici," and is witnessed by Queen Matilda and others. The material of the hauberk is represented by that honeycomb-work so often observed in seals of this period, and which appears to be one of the many modes in use to imitate the web of interlinked chain-mail. The leg does not shew any markings as of armour, but these may have disappeared from the softening of the wax, and the prominence of the seal at this part. The helmet is a plain conical cap of steel, without nasal : the spur a simple goad. The lance-flag terminating in three points, is ensigned with a Cross. The shield is of the kite-form, shewing the rivets by which the wood and leather portions of it were held together. The peytrel of the horse has the usual pendent ornaments of the time. - Great Seal of King Stephen
Great Seal of King Stephen. Drawn from an impression among the Select Seals in the British Museum, and from that appended to Harleian Charter, 43, C. 13. The helmet seems to have had a nasal, but the seals at this part are so imperfect that it cannot be clearly traced. Behind is seen a portion of the lace which fastened the coif or the casque. - Great Seal of William II (William Rufus)
Great Seal of King William II., 1087-1100. From an impression preserved at Durham. The hauberk appears to be of chain-mail, though expressed in a somewhat different manner from the seal of William the Conqueror, and from others which will follow. The conical helmet seems to have had a nasal. The spur is of the goad form. If the leg has had armour, the marks of it have been obliterated by the softening of the wax. The king is armed with lance, sword, and kite-shield. - Great Shield of William the Conqueror
Great Seal of King William the Conqueror : from the fine impression appended to a charter preserved at the Hotel Soubise in Paris. The charter is a grant to the Abbey of St. Denis of land at Teynton, in England. The king wears the hauberk of chain-mail over a tunic. The hemispherical helmet is surmounted by a small knob, and has laces to fasten it under the chin. The legs do not appear to have any armour : the spur has disappeared. A lance with streamer and a large kite-shield complete the warrior's equipment. The legend is + Hoc NORMANNORUM WILLELMUM ITOBCE PATRONUM sI(GNO). - Greek figures in a solemn dance. From a vase at Berlin
Amongst the earliest representations that are comprehensible, we have certain Egyptian paintings and some of these exhibit postures that evidently had even then a settled meaning, and were a phrase in the sentences of the art. Not only were they settled at such an early period (B.C. 3000) but they appear to have been accepted and handed down to succeeding generations, and what is remarkable in some countries, even to our own times. - Green River Knife
Green River Knife - Hamlet
An actor in the park