- Night Scene in a Fifteenth-century Inn
- Mother Louse
- Man2
- Mediæval Cellarer
- man
- Man at Alehouse
- Lamentable Complaints
- Innkeepers, 1641
- For a quart of Ale is a dish for a King
- Eleanor Rummyng
- Drunkards Cloak
- Drinking scene
- Cup found in the Ruins of Glastonbury Abbey
- Cotswold Games
- Lady
- Is it in Condition
- Health-Drinking
- Cornelius Caton
- Cakes and Ale.
- brewhouse
- Anglo-Saxon Tumblers
- Ancient Alehouse
- An Ancient brewery
- Anglo-Saxons Feasting and Health-Drinking
- The First printed map of England
The First printed map of England - Dusting the letters before firing
The letters are now taken charge of by a girl, who lays them out on a wire tray, the hollow side up, and paints them over with a thin mordant. While they are in this position, and before the mordant dries, they are taken on the gridiron-like tray to a kind of large box, which is full of the powdered enamel, and, holding the tray in her left hand, the girl takes a fine sieve full of the powder and dusts it over the letter, all superfluous powder falling through the open wirework and into the bin again, so that there is absolutely no waste. - Filing the letters after enameling
This is done by girls, who, with very fine files, rub off the edges and any protuberances which may be there. Every letter is subject to this operation, and all are turned out smooth and well finished. - The Blacksmith
The Blacksmith - Mixing the enamel
Mixing the enamel - Firing the letters
The disk containing the enameled letters is taken at the end of a long iron handle and carefully placed in a dome-shaped muffle. These muffles are all heated from the outside; that is, the fire is all round the chamber, but not in it, the fumes of the sulphur being destructive of the enamel if they are allowed to come into contact with it. So intense is the heat, however, that a muffle lasts only about nine days, and at the end of that time has to be renewed. - A View a little beyond Woodyates where the Ikening Street crosses part of a Druids barrow Jun. 9. 1724
The drawing is a prospect taken from the king’s barrow, west from Vespasian’s camp, in the way from Ambresbury to Stonehenge, by the Bristol road. Tho’ the graver has not done it justice: yet it will give one a general notion of the situation of the place. It is admirably chosen, being in the midst of those wide downs, call’d Salisbury plain; between the river Avon to the east, and a brook that runs into the Willy, on the west. - Prospect of the Roman Road & Wansdike just above Calston May 20, 1724
Prospect of the Roman Road & Wansdike just above Calston May 20, 1724 This demonstrates that Wansdike was made before the Roman Road. - Sections of an English Coal Mine
In some English and Scotch mines, and also in some of the French mines, where the seams of coal are thin, boys, who are called “putters,” are employed to draw small carts along a railway. They fasten themselves to the cart with belts around their waists, and draw it along, going sometimes on their hands and feet where the road is wet and rough. Sometimes one of them pulls the cart while the other pushes it. In some of the Scotch mines girls formerly performed this work; but of late the laws do not allow women to work under ground. Girls used to carry on their backs a basket fastened to a leather strap which passed around their foreheads. A lamp was attached to the strap, and in this way they carried their loads up the long ladders and through the inclines, sometimes a distance of several hundred feet. If a strap broke, a block of coal fell, or a bearer missed her footing, those below were seriously hurt, and many fatal accidents occurred. This primitive mode of raising coal was abolished by law. The owners of the mines had become so careless in regard to the management of their laborers that the government was obliged to interfere. - Hunting
Hunting - Golf
Golf - Fishing
Fishing - Cricket
Cricket - Coursing
Coursing - Coaching
- Boxing
Boxing - Boating
Boating - Archery
Archery - Skating
Skating - Shooting
Shooting - Racing
Racing - Slings of Warfare
Sometimes the sling is attached to a staff or truncheon, about three or four feet in length, wielded with both hands, and charged with a stone of no small magnitude. Those slings appear to have been chiefly used in besieging of cities, and on board of ships in engagements by sea. The following engraving represents a sling of this kind, from a drawing supposed to have been made by Matthew Paris, in a MS. at Bennet College, Cambridge. - Slinging—VIII. Century
The art of slinging of stones was well known and practised at a very early period in Europe, but we have no authority to prove that it was carried to so high a pitch of perfection in this part of the globe, as it appears to have been among the Asiatic nations. It is altogether uncertain, whether the ancient inhabitants of Britain were acquainted with the use of the sling or not; if the negative be granted, which hardly seems reasonable, we must admit the probability of their being taught the properties of such an instrument by the Romans, who certainly used it as a military weapon. We can speak more decidedly on the part of our ancestors the Saxons, who seem to have been skilful in the management of the sling; its form is preserved in several of their paintings, and the manner in which it was used by them, as far back as the eighth century, may be seen below, from a manuscript of that age in the Cotton Library. It is there represented with one of the ends unloosened from the hand and the stone discharged. In the original the figure is throwing the stone at a bird upon the wing, which is represented at some distance from him. - Saxon Bow and Arrow.—X. Century
This engraving is made from a manuscript of the tenth century in the Cotton Library. The bow is curiously ornamented having the head and tail of a serpent carved at the ends; and was, probably, such a one as was used by the nobility. In all these bows we may observe one thing remarkable, that is, the string not being made fast to the extremities, but permitted to play at some distance from them. How far this might be more or less advantageous than the present method, I shall not presume to determine. - Remarkable Dance.—XIII. Century
Here we perceive a girl dancing upon the shoulders of the joculator, who at the same time is playing upon the bagpipes, and appears to be in the action of walking forwards. - Practising with the Cross-Bow
The reader may see the manner in which the cross-bow was formerly used, upon the representation taken from a manuscript of the fourteenth century in the Royal Library. - Tilting at the Ring
At the commencement of the seventeenth century, the pastime of running at the ring was reduced to a science. Pluvinel, who treats this subject at large, says, the length of the course was measured, and marked out according to the properties of the horses that were to run: for one of the swiftest kind, one [Pg 125]hundred paces from the starting place to the ring, and thirty paces beyond it, to stop him, were deemed necessary; but for such horses as had been trained to the exercise, and were more regular in their movements, eighty paces to the ring, and twenty beyond it, were thought to be sufficient. The ring, says the same author, ought to be placed with much precision, somewhat higher than the left eyebrow of the practitioner, when sitting upon his horse; because it was necessary for him to stoop a little in running towards it - The Water Quintain—XIV. Century
To the best of my recollection, Fitzstephen is the first of our writers who speaks of an exercise of this kind, which he tells us was usually practised by the young Londoners upon the water during the Easter holidays. A pole or mast, he says, is fixed in the midst of the Thames, with a shield strongly attached to it; and a boat being previously placed at some distance, is driven swiftly towards it by the force of oars and the violence of the tide, having a young man standing in the prow, who holds a lance in his hand with which he is to strike the shield: and if he be dexterous enough to break the lance against it and retain his place, his most sanguine wishes are satisfied: on the contrary, if the lance be not broken, he is sure to be thrown into the water, and the vessel goes away without him, but at the same time two other boats are stationed near to the shield, and furnished with many young persons who are in readiness to rescue the champion from danger. It appears to have been a very popular pastime; for the bridge, the wharfs, and the houses near the river, were crowded with people on this occasion, who come, says the author, to see the sports and make themselves merry. The water quintain, taken from a manuscript of the fourteenth century, in the Royal Library, where a square piece of board is substituted for the shield, is represented below. - The Unearthing of a Fox
The engraving is from a manuscript in the Royal Library, written about the commencement of the 14th century. - The Saracen Quintain
Here is the quintain in the form of a Saracen, from Pluvinel. - The Ring in Tilting
Tilting or, as it is most commonly called, running at the ring, was also a fashionable pastime in former days; the ring is evidently derived from the quintain, and indeed the sport itself is frequently called running or tilting at the quintain. In the figure is the form of the ring, with the sheath, and the manner in which it was attached to the upright supporter, from Pluvinel. The letter A indicates the ring detached from the sheath; B represents the sheath with the ring inserted and attached to the upright post, in which there are several holes to raise or lower the ring to suit the conveniency of the performer. - The Pel Quintain—XIV. Century
The quintain in its original state was not confined to the exercise of young warriors on horseback: it was an object of practice for them on foot, in order to acquire strength and skill in assaulting an enemy with their swords, spears, and battle-axes. I met with a manuscript in the Royal Library, written early in the fourteenth century, entitled "Les Etablissmentz des Chevalerie," wherein the author, who appears to have been a man scientifically skilled in the military tactics of his time, strongly recommends a constant and attentive attack of the pel (from the Latin palus), for so he calls the post-quintain. The pel, he tells us, ought to be six feet in height above the ground, and so firmly fixed therein as not to be moved by the strokes that were laid upon it. The practitioner was then to assail the pel, armed with sword and shield in the same manner as he would an adversary, aiming his blows as if at the head, the face, the arms, the legs, the thighs, and the sides; taking care at all times to keep himself so completely covered with his shield, as not to give any advantage supposing he had a real enemy to cope with. - Sword-Dance
This drawing represents two men, equipped in martial habits, and each of them armed with a sword and a shield, engaged in a combat; the performance is enlivened by the sound of a horn; the musician acts in a double capacity, and is, together with a female assistant, dancing round them to the cadence of the music; and probably the actions of the combatants were also regulated by the same measure. - Swine Hunting - IX Century
The engraving represents a Saxon chieftain, attended by his huntsman and a couple of hounds, pursuing the wild swine in a forest, taken from a manuscriptal painting of the ninth century in the Cotton Library. - Stilt Dancing.—XIII. Century
Materials for Dancing, specifies masques, castanets, and a ladder of ten rounds. I apprehend the ladder-dance originated from the ancient pastime of walking or dancing upon very high stilts. A specimen of such an exhibition is here given from a MS. roll in the Royal Library, written and illuminated in the reign of Henry III. The actor is exercising a double function, that is, of a musician, and of a dancer. - Spearing a Boar—XIV. Century
The above is a representation of the manner of attacking the wild boar, from a manuscript written about the commencement of the fourteenth century, in the possession of Francis Douce, Esq.