- Priest
The illustration shows a priest wearing nothing but a loin cloth and a leopard skin. - Hunifer
- Tunic
The earliest made-up garment, that in which the art of the tailor was called into play, was doubtless a simple bag, more or less closely fitting to the body and of varying length, with holes for the arms and an opening for the neck. Such a primitive garment has been worn in varying forms at all periods of the world's history, and is in use at the present time in the form of the ordinary singlet. The modern singlet is, in fact, the simple, primeval type of the tunic. - Horned Head-dress Beatrice, Countess of Arundel, 1439
- Paris on Mount Ida
An illustration is given, from Hope's "Costume of the Ancients," of Paris on Mount Ida, in which he is figured as wearing a closely fitting garment which covers the whole body and limbs, being buttoned all the way up the legs and arms; a short tunic, also buttoned up the front, being worn over this dress - Miracle
- Toga
From Hope's "Costume of the Ancients." The material of the toga was wool, in the earlier time and for the common people; afterwards silk and other materials were used, coloured or bordered according to the `rank` or station of the wearer. - Anglo-Saxon dress
A somewhat remarkable feature of Anglo-Saxon dress of the eighth century was the long super-tunic with long sleeves, worn in travelling or during cold weather. The sleeves not only cover the hands, but reach considerably below the tips of the fingers. - Greek Figure
- Greek Figure
From Hope's "Costume of the Ancients." With the Greeks the tunic was the principal article of attire. It was worn next to the skin, and was of a light tissue. In the earlier time it was composed of wool, in later periods of flax, and in the latest periods it was either of flax mixed with silk or of pure silk. The illustration given will serve to show its construction. It was a simple square bag, open at the two ends, made sufficiently wide to admit of the folds being ample, and sufficiently long to allow of its being gathered up about the waist and breasts. It was kept in its place by various means, either by a simple girdle round the waist or by cords drawn crosswise between the breasts, over the shoulders, looped at the back, and again drawn round the waist, or by an arrangement of cords or ribbons drawn over each shoulder and attached to the girdle. - An Exquisite
About the year 1658 petticoat breeches crossed the silver streak from Versailles, and became the vogue at the Court of Charles II. Randal Holme, writing in 1659, describes the dress as follows:—"A short-waisted doublet and petticoat breeches, the lining being lower than the breeches and tied above the knees; the breeches are ornamented with ribands up to the pocket, and half their breadth upon the thigh; the waistband is set about with ribands, and the shirt hanging out over them." The petticoat breeches were not ridiculous in themselves—the modern Scotch kilt, which is an extremely picturesque and even reasonable costume, is made upon precisely the same principle; it was the absurd{130} lace ruffles, which hung drooping below the knee, which were worn with the petticoats during the earlier period, and in which Charles II. is figured in Heath's Chronicle, 1662, which made the costume a banality. The figure of the exquisite of 1670 from Jacquemin wears the petticoat breeches, but without the ruffles or frills at the knees. It must be confessed, however, that the gentleman possesses a sufficiency of frill! - Walking Dress 1810
The Empire gown is figured in the illustration of a walking dress, 1810. It lasted practically until the advent of the crinoline in the forties, when it finally disappeared. - Promenade Costume 1833
Promenade Costume 1833 - Crinoline Dress
18th Century - Crinoline
- Heart-shaped headdress
There was also the "balloon" or turban. This, like the heart-shaped head-dress, commenced with a flat pad, like a cake, which in its earlier stage was invariably richly ornamented, offering no particular variety in its form; when it became round, it developed a second roll around the forehead, with bands at intervals, which formed its constructive elements. - Hunting Hat
Orcagna, Campo Santa, Pisa. - Italian Hat
From Fra Angelico, Florence - Mens Italian Hat
From Fra Angelico, Florence. - Nœud Gordien
How to tie the cravat. A. The Cravat folded. B. The Cravat à la Byron. S. The Cravat Sentimentale. "The Cravat Sentimentale." - 15th Century headdress
From Viollet le Duc (Fifteenth Century). - A painted face
By the reign of James I. this ridiculous fashion had become common. All sorts of curious devices were made use of—spots, stars, crescents, and in one woodcut a coach and coachman with two horses and postilions appear upon the lady's forehead. The fashion continued for a long period; in fact, during the greater part of the Georgian era, when it had degenerated into mere spots or small patches. At the close of the eighteenth century it had entirely disappeared. - Ladies' Fashions for February 1852
We are in the midst of the gay season, but its modes, until disturbed by the approach of spring, were fixed before the holidays, and for the most part have already been reported. The Paris journals, we may remark, however, dwell much on the unusual ascendency of black, in furs, velvets, cloths, and other heavy stuffs, for walking and carriage dresses, and on the greater demand than in recent winters for every species of embroidery. - Dress of Black Silk
Fashion 1868 The lower skirt is trimmed with bands of satin stitched with white. The upper skirt is trimmed with two satin bands and edged with a narrow fringe. The skirt is open at the side with revers, and laced across with cord and tassels. - Walking Dress
Fashion 1868 Silk, trimmed with three ruffles. Above there, and extending up each gore, is a fancy silk braid to match color of dress. - Moldavian Style
It is designed chiefly for a rich riding-dress, it being too long in the skirt for the promenade, and not convenient for the drawing-room. It is called the Moldavian Style; a petite veste of dark green cloth entirely covered with an embroidery of lace imitating guipure royal, and displaying the shape to the greatest perfection. The skirt is very ample and cut in a novel manner so as to fall in long folds like an antique drapery. The front is ornamented with an apron-trimming of deep lace. The sleeves are demi-long; the hands and wrists covered by long white gloves. When in full dress for the saddle, a gray beaver hat is worn, the brim low in front, and turned up at the sides, and ornamented with a long, twisted ostrich feather; cambric collar and manchettes (ruffles) each closed by a double button of rubies or other precious stones. - Carriage Costume
Fashion 1850 Dress of bright apple-green silk; the skirt with three deep flounces pinked at the edges. The corsage high and plain. Mantelet of very pale lilac silk, trimmed with two rows of lace de laine of the same color, and each row of lace surmounted by passementerie. The lace extends merely round the back part of the mantelet, and the fronts are trimmed with passementerie only. Bonnet of white crinoline, with rows of lilac ribbon set on in bouillonnées. The bonnet is lined with white crape, and the under-trimming consists of bouquets of lilac and white flowers. Straw-colored kid gloves. White silk parasol. - Marriage dress
Bridal dress for the marriage ceremony - 1850 Robe of white poult de soie. The skirt very full, and ornamented in front with five rows of lace, finished at each end with bows of white satin. The rows of lace are of graduated lengths, the lower row being about a quarter and a half long, and the upper one not more than five or six inches. - English Fashion - 1830-1831
English Fashion - bonnet, hat, turban, and caps, as worn during the year 1830-1831 - bonnets worn in 1830
bonnets worn in England in 1830 - bonnets, a turban, a cap, and various modes of dressing the hair. 1833
bonnets, a turban, a cap, and various modes of dressing the hair. 1833 - English Fashions 1832
a dinner, two ball, and a walking dress 1832 - Hairstyles for 1837
Hairstyles for 1837 - different modes of dressing the hair.in 1835
different modes of dressing the hair.in 1835 - different styles of hair-dressing fashionable in 1830-31
different styles of hair-dressing fashionable in 1830-31 - English dress fashions worn in 1830
English dress fashions worn in 1830 Two walking dresses, one evening, and one ball dress. - hair dressing which were in vogue in 1832
hair styles which were in vogue in 1832 - Hairstyles for 1836
Hairstyles for 1836 - The costumes given for 1835 are a nursemaid and children
The costumes given for 1835 are a nursemaid and children - The costumes given for 1835 are indoor and walking dresses
The costumes given for 1835 are indoor and walking dresses - The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume - The dresses illustrated are two for walking, one dinner, and one for a ball 1834
English Fashions 1834 The dresses illustrated are two for walking, one dinner, and one for a ball. The front and back of a cap are also shown. - The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress, - Hair fashions 1834 England
Hair fashions 1834 England - two walking dresses as well as an indoors and evening dress 1836
two walking dresses as well as an indoors and evening dress 1836 - Head-dresses of natives of Tahiti
Head-dresses of natives of Tahiti - Typical natives of the Sandwich Islands
Typical natives of the Sandwich Islands - From the François Vase
From the François Vase - Men’s Head-dress—Archaic
Men’s Head-dress—Archaic - Snake Goddess and Votary
The snake goddess and her votary from Knossos have, in addition, a kind of apron reaching almost to the knees in front and behind, and rising to the hips at the sides. The costume is completed by the addition of a high hat or turban. Looking at the snake goddess more in detail, we find that the jacket is cut away into a V-shape from the neck to the waist, leaving both the breasts quite bare; the two edges are laced across below the breast, the laces being fastened in a series of bows. The jacket is covered with an elaborate volute pattern, the apron with spots and bordered with a “guilloche.” - The Chlamys and Petasos
The Chlamys and Petasos - The Doric Himation
The Doric Himation - Vase-painting by Brygos
Vase-painting by Brygos - Vase-painting by Euphronios
Vase-painting by Euphronios - Vase-painting by Euxitheos
Vase-painting by Euxitheos - Vase-painting by Falerii
Vase-painting by Falerii - Vase-painting by Hieron
Vase-painting by Hieron - Vase-painting from Lucania
Vase-painting from Lucania - Vase-painting in the Polygnotan Style
Vase-painting in the Polygnotan Style - Vase-painting
Vase-painting