- A Merchant Ship
- Dial of old clock
The Japanese division of time is peculiar. The day, from the beginning of morning twilight to the end of evening twilight, is divided into six hours, and the night, from the beginning to the end of darkness, into six other hours. Of course the length of these hours is constantly varying. Their names (according to Titsingh) are as follows: Kokonotsu [nine], noon, and midnight; Yatsu [eight], about our two o’clock; Nanatsu [seven], from four to five; Mutsu [six], end of the evening and commencement of morning twilight; Itsutsu [five], eight to nine; Yotsu [four], about ten; and then Kokonotsu again. Each of these hours is also subdivided into four parts, thus: Kokonotsu, noon or midnight; Kokonotsu-han [nine and a half], quarter past; Kokonotsu-han-sugi [past nine and a half], half past; Kokonotsu-han-sugi-maye [before past nine and a half], three quarters past; commencement of second hour: Yatsu-han, etc., and so through all the hours. - Portrait of St. Francis Xavier, One of the Earliest Missionaries to Japan
In this city Pinto met, apparently for the first time, with Master Francis Xavier, general superior or provincial of the order of the Jesuits in India, in all parts of which occupied by the Portuguese he had already attained a high reputation for self-devotion, sanctity, and miraculous power; and who was then at Malacca, on his return to Goa, from a mission on which he had lately been to the Moluccas - The Invasion of the Mongol Tartars
The Mongol invasion took place in the fourth year of Kōan [a. d. 1281] - The Sho
The instrument called Sho is blown with the mouth, and corresponds to the Chinese Cheng or Mouth Organ. The pipes are made of wood, with reed mouthpieces, and the notes are made by stopping the holes with the fingers. In some ways the construction is like that of a harmonium, but it is much more troublesome to play, and the performer, having to use his own breath to make the sounds, cannot sing at the same time. Unlike a harmonium also, it is difficult to keep in tune, and Miss Bird, a well-known traveller, tells of a concert at which the performer was obliged to be continually warming his instrument at a brazier of coals placed near. Some years ago a Japanese Commission was appointed to consider which of the national instruments were most suitable for use in schools; it rejected the Sho because its manufacture was troublesome and its tuning even worse.