- Street and apse of Saints John and Paul, in Rome
- Saint Louis, after a wooden statuette from the Cluny museum
- Ruins of Gaillard castle
- Anglo-Norman knight, after a tomb from 1277
- Trap-Ball.—XIV. Century
Trap-ball, so called from the trap used to elevate the ball when it is to be stricken by the batsman, is anterior to cricket, and probably coeval with most of the early games played with the bat and ball: we trace it as far back as the commencement of the fourteenth century, and a curious specimen of the manner in which it was then played is here presented from a beautiful MS. in the possession of Francis Douce, Esq - The Lord of Joinville, dressed in his coat of arms, from a 14th century manuscript
- Seal of Henry I
- Seal of Henri Plantagenet
- A Bishop
- The Krak Castle. Current state
- Emperor Otton III, after a miniature from the Evangelist of Bamberg
- A Knight Hospitaller
The Knights of St. John of Jerusalem, or the Knights Hospitallers, originally were not a military order; they were founded about 1092 by the merchants of Amalfi, in Italy, for the purpose of affording hospitality to pilgrims in the Holy Land. Their chief house, which was called the Hospital, was situated at Jerusalem, over against the Church of the Holy Sepulchre; and they had independent hospitals in other places in the Holy Land, which were frequented by the pilgrims. Their kindness to the sick and wounded soldiers of the first crusade made them popular, and several of the crusading princes endowed them with estates; while many of the crusaders, instead of returning home, laid down their arms, and joined the brotherhood of the Hospital. During this period of their history their habit was a plain black robe, with a linen cross upon the left breast. - Chair of the Ninth or Tenth Century
Chair of the Ninth or Tenth Century, taken from a Miniature of that period (MS. de la Bibl. Imp. de Paris). The chairs or seats of the Romanesque period exhibit an attempt to revive in the interior of the buildings, where they were used, the architectural style of contemporary monuments. They were large and massive, and were raised on clusters of columns expanding at the back in three semicircular rows. - ... thrust a leaden bodkin into the head of that image
- Seal of Celestin III, like the apostles
- Ornate page from the Evangéliaire de Saint-Vaast
- Seal of the municipality of Fismes
- ‘Hakeney’
- Bringing up a youth in the middle ages
The manner of bringing up a youth of good family in the Middle Ages was not to send him to a public school and the university, nor to keep him at home under a private tutor, but to put him into the household of some nobleman or knight of reputation to be trained up in the principles and practices of chivalry. First, as a page, he attended on the ladies of the household, and imbibed the first principles of that high-bred courtesy and transcendental devotion to the sex which are characteristic of the knight. From the chaplain of the castle he gained such knowledge of book-learning as he was destined to acquire—which was probably more extensive than is popularly supposed. - Living Quintain
The living quintain, according to the representation just given, is seated upon a stool with three legs without any support behind; and the business, I presume, of the tilter, was to overthrow him; while, on his part, he was to turn the stroke of the pole or lance on one side with his shield, and by doing so with adroitness occasion the fall of his adversary. Something of a similar kind of exercise, though practised in a different way, appears in the engraving, where a man seated, holds up one of his feet, opposed to the foot of another man, who standing upon one leg endeavours to thrust him backwards. - ‘Dymoke of Scrivelsby’
- An Ale-stake
The bibulium, that is to say, the ale-house or tavern, displayed its sign for all men to see: the ivy-garland, or wreath of vine-leaves, in honour of Bacchus, wreathed around a hoop at the end of a projecting pole. This bold advertisment of good drink to be had within long outlasted Roman times, and indeed still survives in differing forms, in the signs of existing inns. It became the “ale-stake” of Anglo-Saxon and middle English times. The traveller recognised the ale-stake at a great distance, by reason of its long pole—the “stake” whence those old beer-houses derived their name—projecting from the house-front, with its mass of furze, or garland of flowers, or ivy-wreath, dangling at the end. But the ale-houses that sold good drink little needed such signs, a circumstance that early led to the old proverb, “Good wine needs no bush.” - Crown of Charlemagne, kept in the imperial treasury of Vienna
- Qala'at El-Hosn
Qala'at El-Hosn - According to Viollet-le-Duc
- Ancient sport
The Greeks had a pastime called Hippas, which, we are told, was one person riding upon the shoulders of another, as upon a horse; a sport of this kind was in practice with us at the commencement of the fourteenth century, but generally performed by two competitors who struggled one with the other, and he who pulled his opponent from the shoulders of his carrier was the victor. - Living Quintain
And again where his opponent is seated in a swing and drawn back by a third person, so that the rope being left at liberty in the swing, the man of course descended with great force, and striking the foot of his antagonist with much violence, no doubt very frequently overthrew him. - Arbalester
- A Knight-Errant
A knight was known to be a knight-errant by his riding through the peaceful country in full armour, with a single squire at his back, as surely as a man is now recognised as a fox-hunter who is seen riding easily along the strip of green sward by the roadside in a pink coat and velvet cap. - The Venice parachute (1617), after an engraving of the time
The attached engraving is the exact reproduction of the parachute that the author also defines in the following terms, certainly inspired by those of Leonardo da Vinci: With a square veil stretched out with four equal poles and having tied four ropes to the four quinces, a man without danger will be able to throw himself from the top of a tower or some other prominent place; because although, at the hour, there is no wind, the effort of he who falls will bring wind which will hold back the sail, lest it fall violently, but gradually descend. The man therefore must measure himself with the size of the sail. - Father Lana's aerial ship (1670)
Certainly Lana's project is impracticable: the learned Jesuit did not foresee that his empty copper balloons would be crushed by the external atmospheric pressure; but he nevertheless had a very clear idea and very remarkable for his time of the principle of aerial navigation by balloons lighter than the volume of air which they move. He ends his long chapter with some very curious considerations: I do not see any other difficulties that can be opposed to this idea, except one which seems to me more important than all the others, and that God will not allow this invention to be ever successfully applied in practice, in order to prevent the consequences which would result from it for the civil and political government of men. Indeed, who does not see that there is no State which would be insured against a stroke of surprise, because this ship would be heading in a straight line on one of its strongholds, and, landing there, could descend there soldiers. - Unknown sport
The following engraving from a manuscript book of prayers of the fourteenth century, in the possession of Mr. Douce, represents two men with a pole or headless spear, who grasp it at either end, and are contending which shall dispossess the other of his hold. - Arbalest
- Playing at Jousting
The woodcut shows us a group of pages imbibing chivalrous usages even in their childish sports, for they are “playing at jousting.” It is easy to see the nature of the toy. A slip of wood forms the foundation, and represents the lists; the two wooden knights are movable on their horses by a pin through the hips and saddle; when pushed together in mimic joust, either the spears miss, and the course must be run again, or each strikes the other’s breast, and one or other gives way at the shock, and is forced back upon his horse’s back, and is vanquished. - Balloon-Ball.—XIV. Century
The balloon-ball, was a large ball made of double leather, which being filled with wind by means of a ventil, says Commenius, was driven to and fro by the strength of men's arms; and for this purpose every one of the players had a round hollow bracer of wood to cover the hand and lower part of the arm, with which he struck the ball. This pastime was usually practised in the open fields, and is much commended for the healthiness of the exercise it afforded. The balloon-ball seems certainly to have originated from the hand-ball, and was, I apprehend, first played in England without the assistance of the bracer; this supposition will be perfectly established if it be granted, and I see no reason why it should not, that the four figures represented below are engaged in the balloon-ball play: the original delineation occurs in a manuscript of the fourteenth century in the Royal Library. - Courtyard of a House
The cut, from a MS. in the French National Library, gives the interior of the courtyard of a great house. We notice the portion of one of the towers on the left, the draw-well, the external stair to the principal rooms on the first floor, the covered unglazed gallery which formed the mode of communication from the different apartments of the first floor, and the dormer windows. - Herodias Tumbling
Dancing, in former times, was closely connected with those feats of activity now called vaulting and tumbling; and such exertions often formed part of the dances that were publicly exhibited by the gleemen and the minstrels; for which reason, the Anglo-Saxon writers frequently used the terms of leaping and tumbling for dancing. Both the phrases occur in the Saxon versions of St. Mark's Gospel; where it is said of the daughter of Herodias, that she vaulted or tumbled, instead of danced, before king Herod - Club-Ball.—XIII. Century
The next specimen of ball, taken from a drawing more ancient than the former, a genealogical roll of the kings of England to the time of Henry III. in the Royal Library, presents two players only, and he who is possessed of the bat holds the ball also, which he either threw into the air and struck with his bat as it descended, or cast forcibly upon the ground, and beat it away when it rebounded; the attention of his antagonist to catch the ball need not be remarked, it does not appear in either of these instances how the game was determined. - The Curule Chair
The Curule Chair called the “Fauteuil de Dagobert,” in gilt bronze, now in the Musée des Souverains. The chair ascribed to St. Eloi, and known as the Fauteuil de Dagobert, is an antique consular chair, which originally was only a folding one; the Abbé Suger, in the twelfth century, added to it the back and arms. - Herodias Tumbling with her Servant
Dancing, in former times, was closely connected with those feats of activity now called vaulting and tumbling; and such exertions often formed part of the dances that were publicly exhibited by the gleemen and the minstrels; for which reason, the Anglo-Saxon writers frequently used the terms of leaping and tumbling for dancing. Both the phrases occur in the Saxon versions of St. Mark's Gospel; where it is said of the daughter of Herodias, that she vaulted or tumbled, instead of danced, before king Herod - 10th century castle, on its mound, with a wooden palisade enclosure
- Labouring Colons (Twelfth Century)
At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - Club-Ball.—XIV. Century
Club-ball is a pastime clearly distinguished from cambuc or goff, in the edict above mentioned established by Edward III. The difference seems to have consisted in the one being played with a curved bat and the other with a straight one. The illustration , from a MS. in the Bodleian Library, dated 1344, exhibits a female figure in the action of throwing the ball to a man who elevates his bat to strike it. Behind the woman at a little distance appear in the original delineation several other figures of both sexes, waiting attentively to catch or stop the ball when returned by the batsman: these figures have been damaged, and are very indistinct in many parts, for which reason I did not think it proper to insert them. - Beaumaris Castle, Ground Plan
BEAUMARIS Castle is built upon a marshy flat, close to the sea-shore, and but little above the level of the sea, from which its ditch was supplied. It is an example of a purely concentric fortress, in which the engineer was left free to design his works without being governed, as in most other cases, by the irregularities of the ground. - Beaumaris Castle, Entrance
Its inner ward is a quadrangle about 50 yards square, contained within four curtain-walls about 16 feet thick and 40 to 50 feet high. At the angles are four drum-towers, three-quarters engaged, of the height of the curtains. On the east and west sides are intermediate towers, half-round, with prolonged sides, of which that to the east, as at Kidwelly, contains the chapel. In the centre of the north and south sides are the gatehouses, of large size and something higher than the other towers. In each a quadrangular part projects into the court, capped at the two angles by round turrets containing staircases. Outside, half-round towers with prolonged sides flank the entrance. - Château-Gaillard, Plan
Château-Gaillard, the “Saucy Castle” of Cœur-de-Lion, the work of one year of his brief reign, and the enduring monument of his skill as a military engineer, is in its position and details one of the most remarkable, and in its history one of the most interesting of the castles of Normandy. Although a ruin, enough remains to enable the antiquary to recover all its leading particulars. These particulars, both in plan and elevation, are so peculiar that experience derived from other buildings throws but an uncertain light upon their age; but of this guide, usually so important, they are independent, from the somewhat uncommon fact that the fortress is wholly of one date, and that date is on record. Moreover, within a few years of its construction, whilst its defences were new and perfect, with a numerous garrison and a castellan, one of the best soldiers of the Anglo-Norman baronage, it was besieged by the whole disposable force of the most powerful monarch of his day; and the particulars of the siege have been recorded by a contemporary historian with a minuteness which leaves little for the imagination to supply, and which, by the help of the place and works, but little changed, enables us to obtain a very clear comprehension of the manner in which great fortresses were attacked and defended at the commencement of the thirteenth century. - A Mediæval Street and Town Hall
The illustration is a very interesting street-view of the fifteenth century. Take first the right-hand side of the engraving, remove the forest of picturesque towers and turrets with their spirelets and vanes which appear over the roofs of the houses (in which the artist has probably indulged his imagination as to the effect of the other buildings of the town beyond), and we have left a sober representation of part of a mediæval street—a row of lofty timber houses with their gables turned to the street. - A Tournament
A Tournament - Vassal of Tenth Century
Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels). - Defending the Bridge
Defending the Bridge - An 11th century knight, after the Bayeux tapestry
- Cannon and Mortar
Cannon and Mortar - Cakes and Ale.
- Cannon
Those more terrible engines of war which ultimately revolutionised the whole art of warfare, which made the knight’s armour useless, and the trebuchet and arbalest the huge toys of an unscientific age, were already introduced; though they were yet themselves so immature, that for a time military men disputed whether the old long bow or the new fire-arm was the better weapon, and the trebuchet still held its place beside the cannon. - Caerphilly Castle
For the purpose of the description of the castle itself, the whole may be considered as composed of five parts, each of which will be further subdivided. These parts are:— I.—The Grand Front. II.—The Horn-work. III.—The Redoubt. IV.—The Middle Ward. V.—The Inner Ward. - A ship of war, wth crossbowmen
Of this plate Valturius quaintly writes: ' When everything is cleared for navigation before the charge is made upon the enemy, it is well that those who are about to engage the foe should first practise in port, and grow accustomed to turn the tiller in calm water, to get ready the iron grapples and hooked poles, and sharpen the axes and scythes at their ends. The soldiers should learn to stand firm upon the decks and keep their footing, so that what they learn in sham fight they may not shrink from in real action. - Pilgrim
Pilgrim, from Erasmus’s “Praise of Folly.” The staff, or bourdon, was not of an invariable shape. On a fourteenth-century grave-stone at Haltwhistle, Northumberland, it is like a rather long walking-stick, with a natural knob at the top. In the cut from Erasmus’s “Praise of Folly” ” it is a similar walking-stick; but, usually, it was a long staff, some five, six, or seven feet long, turned in the lathe, with a knob at the top, and another about a foot lower down. - Serf of Tenth Century
Serf or Vassal of Tenth Century, from Miniatures in the "Dialogues of St. Gregory," Manuscript No. 9917 (Royal Library of Brussels). - Cardiff Castle, Glamorgan
THE castle of Cardiff, though not unknown to border fame, has been the theatre of no great historical event, nor does it present any very striking peculiarities of position, scenery, or structure. Its claim to more than local interest rests upon the character and fortunes of the great barons whose inheritance and occasional residence it was from the 11th to the 15th century, from the reign of Rufus to that of Henry VI. Probably a Roman castrum, and certainly a hold of the local British princes, it was won, in 1090, by the sword of Robert Fitzhamon, lord of the Honour of Gloucester, and by him constituted the “caput” of his newly acquired seignory of Morgan and Glamorgan.