- Our stages were now hung with slices of drying meat
The next day we found to our joy that the wind had shifted to the west. Our stages were now hung with slices of drying meat, and we had built slow fires beneath. An east wind would have carried the smoke toward the herd and stampeded it. - Our uncharted coast
Very dangerous. - Our wooden snow goggles
- Out for a ride
- Out of his class
- Out of Work
- Out!
Out! - Outline diagram showing general plan and position of body-machinery
- Outline plan of Pompeii
The Regions are given as they were laid out by Fiorelli, the boundaries being marked by broken lines. The Insulae are designated by Arabic numerals. Stabian Street, between Stabian and Vesuvius gates, separating Regions VIII, VII, and VI, from I, IX, and V, is often called Cardo, from analogy with the cardo maximus (the north and south line) of a Roman camp. Nola Street, leading from the Nola Gate, with its continuations (Strada della Fortuna, south of Insulae 10, 12, 13, and 14 of Region VI, and Strada della Terme, south of VI, 4, 6, 8), was for similar reasons designated as the Greater Decuman, Decumanus Maior; while the street running from the Water Gate to the Sarno Gate (Via Marina, Abbondanza Street, Strada dei Diadumeni) is called the Lesser Decuman, Decumanus Minor. The only Regions wholly excavated are VII and VIII; but only a small portion of Region VI remains covered. The towers of the city wall are designated by numbers, as they are supposed to have been at the time of the siege of Sulla, in 89 B.C. - Outline Restorations of Dinosaurs
Outline Restorations of Dinosaurs - Outline sketch restoration of Triceratops
Outline sketch restoration of Triceratops, from the mounted skeleton in the National Museum. - Outlines of Manilla Buffalo
- Outside Morley's
Outside Morley's - Outside the pit entrance
Nowhere is caste more noticeable than in a London audience. A little board fence divides the ground-floor of a theatre into orchestra stalls and a pit. It would cost you ten shillings less and your social position to sit on the wrong side of this fence. It does not follow that sitting on the right side of it assures your position. But it does give you an uninterrupted view of the stage. No hats are worn, and that alone makes it worth extra charge. There is, in most of the theatres, room for your knees, and in some, additional room for the man who goes out between the acts, and people who arrive after the curtain is up. A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. At such times the pit is watched most anxiously by the management, as the success of the piece generally depends on their verdict. It has often occurred to me, when I have seen them on a stormy night forming a line on the pavement outside the pit entrance, taking it all seriously enough to stand there for hours before the doors were opened, that by letting them inside the management might improve their spirits, and they in their turn might be more gentle. - Oval fruit
- Oval Implement
- Oval page frame
Oval page frame - Oval Vielle with Three Strings, of the Thirteenth Century
- Over Coat 1891
- Overheated Now
- Overseas Empires of European Powers, 1914
Overseas Empires of European Powers, 1914 - Overtaking a tram
When overtaking a tram, also pay attention to the possibility that someone will jump in front of or from the tram. Giving a good signal and leaving as much road width as possible between the tram and your car is required. To catch up with a steam tram that hurls its plume over the road, and you it obstructs the view, it is advisable to wait until the wind chases away the steam. For the distance required to overtake a fast-moving vehicle such as a tram is too long, that the chance would not become too great that, in time, it would take to catch up with the plume of steam and drive through it. , in the meantime, a road obstruction would arise from the other side, which you would not have been able to see approaching. If you come across such a vehicle, moderate your speed so that you can stop vehicles suddenly emerging from that plume of steam. Give a strong signaland if necessary, stop the car on the right side of the road, until the tram has passed. Because then you have the most certainty, because then only a vehicle moving faster or as fast as the tram can cause danger. And this danger can be averted by giving a signal and keeping the right side of the road well. [Translated online from the Dutch ] - Ow-oo
- Owl
- Owl
- Owl
- Owl
- Owl
Owl - Owl 2
- Owl catching a rabbit
- own
- Oxen
Oxen - Oxen bearing the Yoke. (Lam. iii. 27)
Oxen - P
Anglo-Saxon - From manuscript of the Eighth Century - P
- P
- P
P - P
P - P
P - P.G. and E Car at Oak Park
- P.G. and E Carbarns at 28t hand N, 1914
- P.G. and E. Car 37, A wooden type, on the 3 line, 1941
- Pabst Blue Ribbon Poster
- Paca
The Capybara is widespread throughout South America; from the Orinoko to the La Plata, from the Atlantic ocean to the eastern reaches of the Andes, it inhabits low, forest-rich, swampy regions, especially rivers, multi-banks and marshes. She prefers to stop at large currents; it never leaves, unless to follow the course of small streams and watercourses flowing into this flow. In some places it is extremely frequent; in inhabited places, as light can be understood, it is rarer than in the wilderness. - Pachypodium succulentum
Pachypodium succulentum - Packard Model L
- Packing ( Avenue du Bois de Boulogne)
Suddenly, without us knowing which fly bit it, one of the horses in the procession suddenly took on a disorderly pace as the combined efforts of his coachman and of his tiller's comrade failed to moderate. He does not gallop, he flies, sowing fear in timid souls, arousing the noblest inclinations of devotion in generous natures. - Padded 'harnische-kappe' and helm showing the attachment of the cap, after Dürer
- Paganini
In a notice of his first concert, the Times says— "The personal appearance of Paganini is remarkable. He is a tall, thin man, with features rather emaciated, pale complexion, a sharp, aquiline nose, and a keen eye, the expression of which is greatly heightened when he is animated by his performance. His hair, which is dark, is worn long behind, and combed off the forehead and temples, in a manner which gives an air of great simplicity to his countenance. He seems to be about fifty years of age. "The enthusiasm which his performance excited last night among the audience certainly surpassed anything of the kind within these walls. Every tour de force and striking passage was not only applauded, but cheered by the whole audience, and some of the variations were encored. At the end of every performance, and especially after the last, the applause, cheering, and waving of handkerchiefs and hats, altogether presented a most extraordinary scene. Foreigners, who have been present at his concerts in several other parts of Europe, remarked that the applause bestowed, and the enthusiasm excited last night, were greater than they had ever witnessed before." - Page
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