- Anglo-Saxon Harper and Hoppestere.—X. Century
Here we see a youth playing upon a harp with only four strings, and apparently singing at the same time, while an elderly man is performing the part of a buffoon or posture master, holding up one of his legs, and hopping upon the other to the music. - Anglo-Saxon Gleemen's Bear Dance.—X. Century
One part of the gleeman's profession, as early as the tenth century, was, teaching animals to dance, to tumble, and to put themselves into variety of attitudes, at the command of their masters. This engraving is the copy of a curious though rude delineation, being little more than an outline, which exhibits a specimen of this pastime. The principal joculator appears in the front, holding a knotted switch in one hand, and a line attached to a bear in the other; the animal is lying down in obedience to his command; and behind them are two more figures, the one playing upon two flutes or flageolets, and elevating his left leg while he stands upon his right, supported by a staff that passes under his armpit; the other dancing, in an attitude exceedingly ludicrous. This performance takes place upon an eminence resembling a stage made with earth; and in the original a vast concourse are standing round it in a semicircle as spectators of the sport, but they are so exceedingly ill drawn, and withal so indistinct, that I did not think it worth the pains to copy them. The dancing, if I may so call it, of the flute player, is repeated twice in the same manuscript. - Anglo-Saxon Gleeman—X. Century
We here see a man throwing three balls and three knives alternately into the air, and catching them one by one as they fall, but returning them again in a regular rotation. To give the greater appearance of difficulty to this feat, it is accompanied with the music of an instrument resembling the modern violin. - Anglo-Saxon Dance.—VIII. Century
This engraving represents two persons dancing to the music of the horn and the trumpet, and it does not appear to be a common dance in which they are engaged; on the contrary, their attitudes are such as must have rendered it very difficult to perform - Ancient-Chess-play
- Ancient Wrestling
Other rewards, no doubt, were sometimes proposed, as we may see upon the engraving below, where two men are wrestling for a cock: the original drawing, from a manuscript in the Royal Library, is certainly more ancient than the time of Chaucer. - A Wodehouse
- A tumbling Ape
A tumbling Ape - A Posture-Master.—XIV. Century
The display of his abilities consisted in twisting and contorting his body into strange and unnatural attitudes. This art was, in doubt, practised by the jugglers in former ages; and a singular specimen of it, delineated on the last mentioned Bodleian MS., in the reign of Edward III., is here represented. The performer bends himself backwards, with his head turned up between his hands, so as nearly to touch his feet; and in this situation he hangs by his hams upon a pole, supported by two of his confederates. - A Justing Toy
Persons of `rank` were taught in their childhood to relish such exercises as were of a martial nature, and the very toys that were put into their hands as playthings, were calculated to bias the mind in their favour. On the opposite page the reader will find two views of a knight on horseback, completely equipped for the just; four wheels originally were attached to the pedestal, which has a hole in the front for the insertion of a cord. The knight and his horse are both made with brass; the spear and the wheels are wanting in the original, but the hole in which the spear was inserted, still remains under the right arm, and it is supplied upon the print by something like it placed in the proper situation. This curious figure was probably made in the fifteenth century. The man represented may be readily separated from the horse, and is so contrived as to be thrown backwards by a smart blow upon the top of the shield or the front of his helmet, and replaced again with much ease: two such toys were requisite; each of them having a string made fast in the front of the pedestal, being then placed at a distance in opposition the one to the other, they were violently drawn together in imitation of two knights tilting; and by the concussion of the spears and shields, if dexterously managed, one or both of the men were cast to the ground. - A Horse dancing
- A Horse dancing to the Pipe and Tabor
A Horse dancing to the Pipe and Tabor - A Horse baited with Dogs
A manuscript of the fourteenth century, in the Royal Library, contains the following cruel diversion: horse baiting with dogs - A Green Man
- A Fool's Dance.—XIV. Century
The fool's dance, or a dance performed by persons equipped in the dresses appropriated to the fools, is very ancient, and originally, I apprehend, formed a part of the pageant belonging to the festival of fools. This festival was a religious mummery, usually held at Christmas time; and consisted of various ceremonials and mockeries, not only exceedingly ridiculous, but shameful and impious. A vestige of the fool's dance, preserved in a MS. in the Bodleian Library, written and illuminated in the reign of king Edward III. and completed in 1344, is copied below. - A Feat in the XIV. Century
Two boys are depicted holding the hoop, and the third preparing to leap through it, having deposited his cloak upon the ground to receive him. - A curious ancient Pastime
- A Cock dancing on Stilts to the Music of a Pipe and Tabor
- A Bear standing on his Head
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - 136
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- Unknown sport
The following engraving from a manuscript book of prayers of the fourteenth century, in the possession of Mr. Douce, represents two men with a pole or headless spear, who grasp it at either end, and are contending which shall dispossess the other of his hold. - Unknown sport
The contest between the two figures, seems to depend upon the breaking of the stick which both of them hold, or is a struggle to overthrow each other. - Living Quintain
And again where his opponent is seated in a swing and drawn back by a third person, so that the rope being left at liberty in the swing, the man of course descended with great force, and striking the foot of his antagonist with much violence, no doubt very frequently overthrew him. - Living Quintain
The living quintain, according to the representation just given, is seated upon a stool with three legs without any support behind; and the business, I presume, of the tilter, was to overthrow him; while, on his part, he was to turn the stroke of the pole or lance on one side with his shield, and by doing so with adroitness occasion the fall of his adversary. Something of a similar kind of exercise, though practised in a different way, appears in the engraving, where a man seated, holds up one of his feet, opposed to the foot of another man, who standing upon one leg endeavours to thrust him backwards. - Ancient sport
The Greeks had a pastime called Hippas, which, we are told, was one person riding upon the shoulders of another, as upon a horse; a sport of this kind was in practice with us at the commencement of the fourteenth century, but generally performed by two competitors who struggled one with the other, and he who pulled his opponent from the shoulders of his carrier was the victor. - Ancient sport
The Greeks had a pastime called Hippas, which, we are told, was one person riding upon the shoulders of another, as upon a horse; a sport of this kind was in practice with us at the commencement of the fourteenth century, but generally performed by two competitors who struggled one with the other, and he who pulled his opponent from the shoulders of his carrier was the victor. - XIV. Century
A man balancing a wheel on his shoulder - Water-Tub Quintain—XIV. Century
Below is a representation from a MS. in the Bodleian Library, dated 1343, of three boys tilting jointly, at a tub full of water, which is to be struck in such a manner as not to throw it over them. I presume they are learners only, and that therefore they are depicted without their clothes; they undressed themselves, I apprehend, in order to save their garments from being wetted in case the attempt should prove unsuccessful. - Two Saxon Archers—VIII. Century
Two Saxon Archers The one accompanied by his dog, is in search of the wild deer; the other has no companion, but is depicted in the act of shooting at a bird; and from the adornment of his girdle, appears to have been no bad marksman. The first represents Esau going to seek venison for his father, and the second, Ishmael, after his expulsion from the house of Abraham, and residing in the desert. - Two boys challenging each other
- Tutored Bear.—XIV. Century
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - Tutored Bear.—XIV. Century
One great part of the joculator's profession was the teaching of bears, apes, horses, dogs, and other animals, to imitate the actions of men, to tumble, to dance, and to perform a variety of tricks, contrary to their nature; and sometimes he learned himself to counterfeit the gestures and articulations of the brutes. - Tumbling.—XIV. Century
This representation of a girl turning over upon her hands, is from a MS. in the Bodleian Library at Oxford. It is not by any means my intention to insinuate, from what has been said, that there were no dances performed by the Saxon gleemen and their assistants, but such as consisted of vaulting and tumbling: on the contrary, I trust it may be proved, that their dances were varied and accommodated to the taste of those for whom the performance was appropriated; being calculated, as occasion required, to excite the admiration and procure the applause of the wealthy or the vulgar. - Tumbling.—XIII. Century
This engraving represents a woman bending herself backwards, from a MS. of the thirteenth century, in the Cotton Library - Trap-Ball.—XIV. Century
Trap-ball, so called from the trap used to elevate the ball when it is to be stricken by the batsman, is anterior to cricket, and probably coeval with most of the early games played with the bat and ball: we trace it as far back as the commencement of the fourteenth century, and a curious specimen of the manner in which it was then played is here presented from a beautiful MS. in the possession of Francis Douce, Esq - Sylvanus D. Locke's Harvester and Binder
- Gladstone's Reaping Machine (1806)
- Bell's Reaping-Machine (1826)
- Bailey's American Mowing Machine (1822)
- The 'Champion' Harvester
- Reaper in Gaul (70 AD)
The accompanying cut is a good restoration of the Gallic harvester of Pliny's day. Palladius wrote the De re Rustica in the fourth century A. D. and gives a good description of this contrivance, which was similar to our "heading-machines," having a row of sharp teeth at the front edge, between which the straw passed, the head being torn off at the angle where the teeth met, and falling into the box of the machine. The description of Palladius is as follows: —" In the plains of Gaul, they use this quick way of reaping, and without reapers cut large fields with an ox in one day. For this purpose a machine is made, carried upon two wheels; the square surface has boards erected at the side, which sloping outward, make a wider space above; the board on the fore part is lower than the others; upon it there are a great many small teeth, wide set in a row, answering to the hight of the can of the corn, and turned upward at the ends; on the back part of this machine two short shafts are fixed, like the poles of a litter; to these an ox is yoked with his head to the machine, and the yoke and traces likewise turned the contrary way: he is well trained, and does not go faster than he is driven. When this machine is pushed through the standing corn, all the ears are comprehended by the teeth, and heaped up in the hollow part of it, being cut off from the straw, which is left behind; the driver setting it higher or lower, as he finds it necessary; and thus, by a few goings and returnings, the whole field is reaped. This machine does very well in plain and smooth fields, and in places where there is no necessity for feeding with straw." - Binding and pulling grain in the Egypt of the pharaohs
Binding and pulling grain in the Egypt of the pharaohs - Boy
Boy - Football tackle
Football tackle - Catching the football
Catching the football - Kicking the football
Kicking the football - Archery
Of physical games archery was the most practised. This was the national physical exercise, one which had helped the English soldiers to gain a great reputation for themselves, as at Agincourt (1415). At York the "butts," where men practised archery, were outside the city walls. - An Abbot
The different kinds of religious men have already been mentioned from archbishops and abbots to the scurrilous impostors who used a religious exterior to rob poor people, at whose expense they lived well a wandering, loose, hypocritical life. In York, there were monks and friars, cathedral, parochial, and chantry priests, and clerks. The monastic life was a recognised profession. - Administering holy communion with the Housel cloth
From a 14th century manuscript - York in the 15th Century
To-day mediæval buildings are to be found all over England. The majority of them are examples of an architecture that has not been surpassed for majesty, beauty, size, and constructional skill. Such buildings, without the help of the literary and other memorials, testify by themselves to the greatness of the Middle Ages. - Cooking with the spit
Rooms were furnished with chairs, tables, benches, chests, bedsteads, and, in some cases, tub-shaped baths. Carpets were to be found only in the houses of the very wealthy. The floors of ordinary houses, like those of churches, were covered with rushes and straw, among which it was the useful custom to scatter fragrant herbs. This rough carpet was pressed by the clogs of working people and the shoes of the fashionable. The spit was a much used cooking utensil. Table-cloths, knives, and spoons were in general use, but not the fork before the fifteenth century. At one time food was manipulated by the fingers. York was advanced in table manners, for it is known that a fork was used in the house of a citizen family here in 1443. The richer members of the middle class owned a large number of silver tankards, goblets, mazer-bowls, salt-cellars and similar utensils and ornaments of silver, for this was a common form in which they held their wealth.