Urn burial
There is considerable evidence of "pottery hunting" by amateurs in the mounds of Oldtown, and it is said that several highly decorated food bowls adorned with zoic figures have been taken from the rooms. It appears that the ancient inhabitants here, as elsewhere, practised house burial and that they deposited their dead in the contracted position, placing bowls over the crania.
Unidentified animal
Unidentified animal. Oldtown Ruin. (Osborn collection.) The presence of only two legs in this figure would seem to indicate that a bird was intended, but no bird has a tail like this figure; and the prehistoric potters of the Mimbres certainly knew how to draw a bird much better than this would imply. The exceptional features of this drawing, doubtless intentional, belong neither to flesh, fish, nor fowl, rendering its identification doubtful.
Two Wolves
Two Wolves Black and White Ware. 11 by 5½ inches. Osborn Ruin.
Stone axe
Stone axe. Length 8¾″ The stone axes are not very different from those of the Rio Grande and the Gila, but it is to be noticed that they are not so numerous as in the latter region, and are probably inferior in workmanship, fine specimens indeed being rare. The majority of the axes are single grooved, but a few have two grooves. In Dr. Swope's collection, now in the Deming High School, there is a fairly good double-bladed axe.
Small bowl
The comparatively large number of vases, food bowls, and other forms of decorated smooth ware in collections from the Mimbres is largely due to their use in mortuary customs, and the fact that almost without exception they were found placed over the skulls of the dead. Although the largest number of vessels are food bowls, there are also cups with twisted handles, vases, dippers, and other ceramic forms found in pueblo ruins.
Serpent
Serpent. Osborn Ruin. (Osborn collection. E. D. O. Jr. del.) The head shown has a horn curving forward almost identical with that on the head of a horned serpent on a bowl from Casas Grandes in the Heye collection. Its gracefully sinuous body is decorated with alternating geometric figures, curves and 45straight lines.49 Accompanying the figure of a serpent is a well-drawn picture of a turtle which is decorated on the carapace with a rectangular area on which is painted a geometric figure recalling that on bodies of birds and some other animals.
Rabbit
Rabbit. Oldtown Ruin. Diam. 7½″. The author excavated at Oldtown a food bowl, the figure on which was undoubtedly intended for a rabbit. The head, ears, body, legs, and tail are well made, leaving no question of the intention of the artist; but if there were any doubt of the identification it is dispelled by the representation of the mouth, on which the sensitive hairs or bristles are represented.
Problematical Animal
Problematical Animal (Unidentified animal) Black and White ware 15 by 6 inches Osborn Ruin
Problematic Animal
Problematic Animal Red Decoration Osborn Ruin It is difficult to tell exactly what animal was intended to be represented by that shown. Its head and mouth are not those of any of the horned animals already considered, although it has some anatomical features recalling a mountain sheep. The extension back of the body has a remote likeness to a fish, but may be a bird or simply a conventional design.
Priest smoking
The third human figure, found on a black and white bowl from a Mimbres ruin, is duplicated by another of the same general character depicted on the opposite side of the bowl. These figures are evidently naked men with bands of white across the faces. The eyes are represented in the Egyptian fashion. In one hand each figure holds a tube, evidently a cloud-blower or a pipe, with feathers attached to one extremity, and in the other hand each carries a triangular object resembling a Hopi rattle or tinkler. The posture of these figures suggest sitting or squatting, but the objects in the extended left hand would indicate dancing. The figure is identified as a man performing a ceremonial smoke which accompanies ceremonial rites.
Pictographs
Pictographs occur at several localities along the Mimbres. As these have a general likeness to each other and differ from those of other regions, they are supposed to be characteristic of the prehistoric people. They are generally pecked on the sides of boulders or on the face of the cliffs in the neighborhood of prehistoric sites of dwellings. Although there is only a remote likeness between these pictographs and figures on pottery, several animal forms are common to the two. The most important group of pictographs seen by the author are situated about nine miles from Deming in the western foot-hills of Cook's Peak.21 Some of the pictographs recall decorations on bowls from Pajarito Park.
Paint mortar, Diam 2½″.
About seven miles northwest of Deming, in a field on the north side of the Southern Pacific Railroad, there is a small tract of land showing aboriginal artifacts strewn over the surface, affording good evidence of prehistoric occupation. There are no house walls visible at this place, and only a few fragments of food bowls, but in the course of an hour's search several small mortars , paint grinders and other objects were procured at this place
Old English double curtail
The next step in the evolution produced the double curtail, a converted bass pommer an octave below the single curtail and therefore identical in pitch as in construction with the early fagotto in C. The instrument is shown the figure, the reproduction of a drawing in the MS. of The Academy of Armoury by Randle Holme,[16] written some time before 1688.
Mountain Sheep
Mountain Sheep.—It is evident from the form of the unbranched horns, the slender legs, and the head, that either a mountain sheep or mountain goat was intended to be represented. The markings on the body are symbolic, suggesting lightning, and it may be added that the Hopi depict the lightning on the artificial horns mounted on caps and worn by them in presentations of dances in which they personate mountain sheep.
Man with curved stick
One of the most instructive food bowls found at Oldtown, now owned by Mr. Osborn, has on it a picture of two hunters, one on each side of an animal (fig. 15). One of these hunters carries in his hand a stick crooked at the end, its form suggesting a throwing stick. Both hunters have laid aside their quivers, bows, and arrows, which are shown behind them. The picture of an animal between them has been so mutilated by "killing" or breaking the bowl that it is impossible28 to identify it. From the end of this crook to the body of the animal there extend two parallel lines of dots indicating the pathway of a discharged weapon. Near the body of the animal these rows of dots take a new direction, as if the weapon had bounded away or changed its course. The rows of dots are supposed to represent lines of meal by which Pueblos are accustomed to symbolically indicate trails or "roads."
Lamarck when old
Portrait of Lamarck, when old and blind, in the costume of a member of the institute, engraved in 1824.
Lamarck - Aged 35
Lamarck - Aged 35
Lamarck
Although there has been and still may be a difference of opinion as to the value and permanency of Lamarck’s theoretical views, there has never been any lack of appreciation of his labors as a systematic zoölogist. He was undoubtedly the greatest zoölogist of his time. Lamarck is the one dominant personage who in the domain of zoölogy filled the interval between Linné and Cuvier, and in acuteness and sound judgment he at times surpassed Cuvier. His was the master mind of the period of systematic zoölogy, which began with Linné—the period which, in the history of zoölogy, preceded that of comparative anatomy and morphology.
Hunters
Hunters. Oldtown Ruin. (Osborn collection.) An instructive group of human figures is drawn on a deep red and white food bowl, which measures ten inches in diameter. It is evident that this design represents three hunters following the trail of a horned animal, probably a deer. This trail is represented on the surface of the bowl by a row of triangles, while the footprints of the hunters extend along its side. It may be noted that although there are three hunters, the trails of two only are represented, and that the hunters are barefoot. They have perhaps lost the trail and25 are looking the opposite way, while the animal has turned back on his path. The footprints of the deer in advance of the hunters are tortuous, showing want of decision on the part of the animal. The three hunters are dressed alike, wearing the close-fitting jacket probably made of strips of skin woven together like that found by Dr. Hough in a sacrificial cave at the head of the Tulerosa, New Mexico.
Hopi curved stick
Hopi curved stick. Length 8″. We find a survival of a similar crook used as sacred paraphernalia in several of the Hopi ceremonies, where they play an important rôle. As the author has pointed out, crooked sticks or gnelas (fig. 16) identified as ancient weapons surround the sand picture of the Antelope altar in the Snake Dance at Walpi, and in Snake altars of other Hopi pueblos, but it is in the Winter Solstice Ceremony, or the Soyaluña, at the East Mesa of the Hopi, that we find special prominence given to this warrior emblem. During this elaborate festival every Walpi and Sitcomovi kiva regards one of these gnelas as especially efficacious for the warriors, and it is installed in a prominent place on the kiva floor, as indicated in the author's account of that ceremony.
Handled mortar
Handled mortar. (Swope collection.) Length 10¾″ Lateral and top views of one of the characteristic forms of small stone mortars with a handled projection on one side is shown in figure. This specimen is in the Swope collection in the Deming High School. In the same collection there are also two beautiful tubular pipes, or cloud-blowers, from the same spring.
Grasshopper
A figure on a bowl here represented is painted in "black or brown on a background of bluish wash over a yellow color." This bowl is eleven inches in diameter, five inches in depth. The figure is a remarkable one, having features of several animals, but none of these are more pronounced than its insectiform characters, among which may be mentioned the antennæ, three legs on one side (evidently three pairs of legs, for that in the back is simply introduced in violation of perspective), and an extended segmented abdomen attached to the thorax and terminating in a recurved tip. The character of the appendages to the thorax, or the wings, leaves no doubt that a flying animal was intended, and the legs and head being like an orthopterous insect, it may be provisionally identified as a "grasshopper."
Frogs and Birds
Frogs and Birds. Black and White Ware. Diameter about 12 inches. Oldtown Ruin
Frog fetish
Frog fetish. Black Mountain Ruin. (Swope collection.) Length 3½″. These idols represent frogs, bears, mountain lions, and other quadrupeds, and have much the same form as those from ancient ruins in Arizona. On the backs of several of these stone idols are incised figures, like arrowheads tied to Zuñi fetishes, or possibly rain-cloud figures.
Frog
Frog. Diameter 10 inches. Osborn Ruin On another bowl there is depicted a frog very like that last mentioned. The frog being an amphibian was undoubtedly greatly reverenced by the ancient people of the Mimbres Valley.
Fishes
Fishes. Black and White ware. 11 by 4½ inches. The most problematical of all the life figures on the Mimbres pottery is shown. This figure occurs on a black and white food bowl, eleven inches in diameter, four and one-half inches in depth. In support of the theory that the two figures here depicted represent fishes, we have the pointed head without neck, the operculum as a white crescentic design, two fins (pectoral, ventral, and anal), the median (adipose?) dorsal fin unpaired, and a long tail bifurcated at the extremity. The resemblance of these figures to the undoubted fishes on bowls previously mentioned is conclusive evidence that they represent the same animal.
Fish
Fish. Oldtown Ruin. Diam. 9″ One of the bowls from the Oldtown ruin has two fishes depicted on opposite sides of the inner surface. These fishes resemble trout and are of different colors, black and reddish brown figures painted on a white ground. They are represented as hanging from two parallel lines surrounding the rim of the bowl. These fishes are so well drawn that there is no doubt what animal was intended to be here represented.
Fetish
Fetish. Byron Ranch. (Swope collection.) Length 6¾″
Fetish
Fetish. Byron Ranch. (Swope collection.) Length 5¾″.
Fawn
Fawn. Oldtown Ruin. Another figure referred to as an antelope appears to represent a young fawn, since, while it has all the characteristics of this animal, 34the horns are wanting. This specimen was found at Oldtown. The rectangular shape so often given to the bodies of animals drawn on Mimbres pottery is well shown in this specimen.
Divider
Flaming Torch Divider
Dancing Figure
The well-drawn figure painted on a bowl from Oldtown ruin represents a man with knees extended and arms raised as if dancing. This picture has characteristic markings on the face, but otherwise is not distinctive.
Cloud blowers
Cloud blowers. Faywood Hot Springs. (Swope collection.) The pipes from the Mimbres take the form of tubular cloud-blowers, specimens of which are shown. Apparently these pipes were sometimes thrown into sacred springs, but others have been picked up on the surface of village sites or a few feet below the surface.
Braided handle
The comparatively large number of vases, food bowls, and other forms of decorated smooth ware in collections from the Mimbres is largely due to their use in mortuary customs, and the fact that almost without exception they were found placed over the skulls of the dead. Although the largest number of vessels are food bowls, there are also cups with twisted handles, vases, dippers, and other ceramic forms found in pueblo ruins.
Birthplace of Lamarck - Front View
Birthplace of Lamarck - Front View
Birthplace of Lamarck
Birthplace of Lamarck
Bird F
The bird shown is different from any of the above and is distinguished readily by the four curved lines on the head suggesting the quail. The pointed tail is marked above and below with dentations, formed by a series of rectangular figures which diminish in size from body attachment to tip. The body itself is marked posteriorly with parallel lines, rectangular and curved figures suggesting wings.
Bird C
Bird C occurs on a black and white bowl that measures ten inches in diameter, five and one-half inches in depth. The figure occupies the circular zone in the middle of the bowl and is enclosed by parallel lines which surround the bowl near the rim. The top of the head, which is globular, is white in color, the beak projecting and the eyes comparatively large. The body is likewise globular and is covered by a square geometrical design the details of which are considerably obscured by the hole in the middle of the jar. A number of parallel lines of unequal length, turned downward, hang from the rear of the body and form the tail. The long legs suggest a wading bird, and the widely extended claws point to the same identification.
Bird B
Bird B is painted on the interior of a food bowl of black and white ware, ten inches in diameter by five inches deep. Its body is oval, the head erect and undecorated, and the tail twisted from a horizontal into a vertical plane as is customary in representation of lateral views of birds from Pueblo ruins.
Bird A
The figure shown is represented by two designs, practically the same, repeated so far as appendages go, but quite different in the ornamentation of their bodies. One of these has the same geometrical figure on its body as on one of the quadruped pictures, the second has a different design. Both birds have wings outspread as if in flight, in which the feathers are well drawn in detail, especially the wing on the side turned toward the observer. That on the opposite side is simply uniformly black. The feathers of its companion on the other side of the bowl are indicated by parallel lines. The tail is long and forked at the extremity, suggesting a hawk, and is decorated for two-thirds of its length with cross-hatched and parallel lines.
Bassoon
Bassoon, a woodwind instrument with double reed mouthpiece, a member of the oboe (q.v.) family, of which it is the bass. The German and Italian names of the instrument were bestowed from a fancied resemblance to a bundle of sticks, the bassoon being the first instrument of the kind to be doubled back upon itself; its direct ancestor, the bass pommer, 6 ft. in length, was quite straight. The English and French names refer to the pitch of the instrument as the bass of the wood-wind.
Basset Horn
Basset Horn: a wood-wind instrument, not a "horn," member of the clarinet family, of which it is the tenor. The basset horn consists of a nearly cylindrical tube of wood (generally cocus or box-wood), having a cylindrical bore and terminating in a metal bell wider than that of the clarinet.
Barrel Organ
Large stationary barrel-organ worked by hydraulic power, from Solomon de Caus, Les Raisons des forces mouvantes (Frankfort-on-Main, 1615). The origin of the barrel-organ is now clearly established, and many will doubtless be surprised to find that it must be sought in the Netherlands as early as the middle of the 15th century, and that accurate and detailed diagrams of every part of the mechanism for a large stationary barrel-organ worked by hydraulic power were published in 1615
Barbiton
Barbiton , an ancient stringed instrument known to us from the Greek and Roman classics, but derived from Persia. Although in use in Asia Minor, Italy, Sicily, and Greece, it is evident that the barbiton never won for itself a place in the affections of the Greeks of Hellas; it was regarded as a barbarian instrument affected by those only whose tastes in matters of art were unorthodox. It had fallen into disuse in the days of Aristotle, but reappeared under the Romans.
Babirusa
Babirusa("pig-deer"), the Malay name of the wild swine of Celebes and Buru, which has been adopted in zoology as the scientific designation of this remarkable animal (the only representative of its genus), in the form of Babirusa alfurus.
Baalbek
Baalbek (anc. Heliopolis), a town of the Buka‛a (Coelesyria), altitude 3850 ft., situated E. of the Litani and near the parting between its waters and those of the Asi. Pop. about 5000, including 2000 Metawali and 1000 Christians (Maronite and Orthodox). Since 1902 Baalbek has been connected by railway with Rayak (Rejak) on the Beirut-Damascus line, and since 1907 with Aleppo. It is famous for its temple ruins of the Roman period, before which we have no record of it, certain though it be that Heliopolis is a translation of an earlier native name, in which Baal was an element.
Arrow polisher
Arrow polisher. Length 3¼″, breadth 2½″. A beautiful arrow polisher found near Deming.