- Indian dancing-girl
Indian dancing-girl - Man in London
Man in London - From the Great Seal of Alexander I, King of Scotland
Seal of Alexander I., King of Scotland : 1107-1124. The figure is armed in hauberk with continuous coif, apparently of chain-mail ; worn over a tunic or gambeson, seen at the wrist and skirt. Conical nasal helmet, lance with streamer, kite-shield, and goad-spur, are the other items of the equipment. The leg does not shew any armour, though the softening of the wax may have obliterated markings which originally indicated a defensive provision at this part. The ornaments of the portrait are usual at this period. - Great Shield of William the Conqueror
Great Seal of King William the Conqueror : from the fine impression appended to a charter preserved at the Hotel Soubise in Paris. The charter is a grant to the Abbey of St. Denis of land at Teynton, in England. The king wears the hauberk of chain-mail over a tunic. The hemispherical helmet is surmounted by a small knob, and has laces to fasten it under the chin. The legs do not appear to have any armour : the spur has disappeared. A lance with streamer and a large kite-shield complete the warrior's equipment. The legend is + Hoc NORMANNORUM WILLELMUM ITOBCE PATRONUM sI(GNO). - Anglo-Saxon warriors
Group from Cottonian MS., Claudius, B. iv., folio 24: Aelfric's Anglo-Saxon Paraphrase of the Pentateuch, &c. Date about 1000. The crowned figure in the centre appears to be armed in a coat of chain-mail - Anglo-Saxon soldiers
Another group from Cotton MS., Claudius, B. iv. - Great Seal of King Stephen
Great Seal of King Stephen. Drawn from an impression among the Select Seals in the British Museum, and from that appended to Harleian Charter, 43, C. 13. The helmet seems to have had a nasal, but the seals at this part are so imperfect that it cannot be clearly traced. Behind is seen a portion of the lace which fastened the coif or the casque. - French Soldier 12 th Century
From Cotton MS., Nero, C. iv. French art. Date, about 1125. The figure is one of a group representing the Massacre of the Innocents : a subject, with those of the Conflict of David and Goliath, the Soldiers at the Holy Sepulchre, and the Martyrdom of Thomas a Becket, very fertile in illustrations of ancient military equipment. - Small Wigs and Big Fees
The greatest variety of expressions are to be seen in the audiences that come together at the law courts. There is the never-changing face of the judge, and the ever-changing face of the witness rocking from side to side in his box, and there are the black-robed barristers with small wigs and big fees, and pale law students crowding in at the doors and filling the passage-ways; and in front of the long table that is covered with papers and high hats sit those most interested in what is going on—care-worn parents and women thickly veiled. - Lady in scarf and hat
Lady in scarf and hat - Profile of lady
Profile of lady - Anglo-Saxon Spearmen
Anglo-Saxon spearmen, from the fine manuscript of Prudentius in the Tenison Library. Date, the beginning of the eleventh century. The drawings are in pen-and-ink only, but very carefully executed: the later subjects by a fresh hand, but all Anglo-Saxon work. - Lady
Lady - [he Queen
3 men raising their glasses to toast the Queen - A first night
A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. - 10th Century soldier
Figure of Goliath, from a Latin Psalter of the tenth century in the British Museum Additional MS., No. 18,043. The hauberk is coloured blue in the original, apparently indicating chain-mail. The curious combed helmet is of the same hue, clearly implying a defence of iron. - Akhnaton driving with his Wife and Daughter
Akhnaton driving with his Wife and Daughter - At the Pavilion
A Music Hall audience is the most demonstrative and amusing. It will applaud the longest, hiss the loudest, and sometimes join in the chorus. From the moment the numbers are posted announcing the next turn, it is easy to tell what the performer’s reception will be. On both sides of the orchestra are bars, and when a London barmaid stops work to listen and laugh you may be sure that the turn is a good one. Last winter they paid Dan Leno this compliment. The air is filled with tobacco-smoke, and the calcium-light, on its way from the gallery to the stage, looks like a sunbeam in a dusty hayloft. - Swords
Fig. 7. Norwegian Sword. The pommel and cross-piece are of iron. Figs. 8 to 11. From Livonian graves : the originals are in the British Museum. Fig. 10 is single-edged : its pommel and the chape of the scabbard are of bronze. Fig. 11 has its pommel and guard ornamented with silver - Between Times, Leicester Square
Between Times, Leicester Square - In the Row
The old gentleman in the Row undoubtedly first appeared there on Shetland ponies under the watchful eye of the groom. It is not a thing to tire of, and Sunday after Sunday these well-dressed people attend church-parade as seriously as they attend church. - Two men in Top hats
Two men in Top hats - Great Seal of King Henry the First
Great Seal of King Henry I., circa 1100. From Cotton Charter, ii. 2 (in British Museum). The instrument is a confirmation of the gift of Newton by "Radulfus filius Godrici," and is witnessed by Queen Matilda and others. The material of the hauberk is represented by that honeycomb-work so often observed in seals of this period, and which appears to be one of the many modes in use to imitate the web of interlinked chain-mail. The leg does not shew any markings as of armour, but these may have disappeared from the softening of the wax, and the prominence of the seal at this part. The helmet is a plain conical cap of steel, without nasal : the spur a simple goad. The lance-flag terminating in three points, is ensigned with a Cross. The shield is of the kite-form, shewing the rivets by which the wood and leather portions of it were held together. The peytrel of the horse has the usual pendent ornaments of the time. - A Sidewalk Artist
In the early part of the day the parks are occupied by very young people; the visitors become older with the day. The nurses and their charges leave, and evening finds an old lady leaning on her husband’s arm, walking slowly along their favorite path, while their carriage follows at a little distance. And as night comes on they roll back into the great city among the never-ceasing tread of feet, past the side-walk artist sitting by his pictures on the pavement, looking anxiously at the passers-by—and the park’s day is done—a curtain of darkness falls on the great stage - Soldiers - 12 th Century
From Harleian Roll, Y. 6. The Life of Saint Guthlac. Date, about the close of the twelfth century. The figures wear the tunic, hauberk of chain-mail, and square-topped helmets, of which one only has the nasal. The triangular shields are suspended round the neck by the guige : their ornaments are mere fanciful patterns, not heraldic. No armour appears to be provided for the lower part of the figures. - Trapper type—American
The rendezvous of 1826 took place near Great Salt Lake. The turnover of furs was immense and, having made his fortune, General Ashley sold his interests to three of his most able employees, Jedediah Smith, David E. Jackson, and William Sublette. Smith left the rendezvous to lead a band southwest across the desert to the Spanish settlements of California, being the first to make this perilous passage. Jackson and Sublette headed for the Snake River country to trade with the Flatheads, taking a large force of trappers. - Phil May
The fact that Phil May is a prophet in his own country should alone clear Englishmen of the suspicion that they are slow to see fun. On an Englishman’s love of fair play and good sport no suspicion has ever rested. It is the most attractive thing about him, and it is only natural that the greatest assortment of good-natured people are to be found at the Derby. I had already met them in May’s drawings, and I was prepared to find the good-nature contagious. Last year a party on a coach opposite the Royal box and a policeman, who looked after that particular part of the course, drank champagne out of the same bottle. - A Sprinkle or Hand-Flail of bronze
From the Museum of Mitau in Courland - Ladies' Cheeky look while reading the newspaper
Ladies' Cheeky look while reading the newspaper - Outside the pit entrance
Nowhere is caste more noticeable than in a London audience. A little board fence divides the ground-floor of a theatre into orchestra stalls and a pit. It would cost you ten shillings less and your social position to sit on the wrong side of this fence. It does not follow that sitting on the right side of it assures your position. But it does give you an uninterrupted view of the stage. No hats are worn, and that alone makes it worth extra charge. There is, in most of the theatres, room for your knees, and in some, additional room for the man who goes out between the acts, and people who arrive after the curtain is up. A London audience is brilliant. Everyone is in evening dress, and the audience is often more entertaining than the play. This is especially true on a first night. At such times the pit is watched most anxiously by the management, as the success of the piece generally depends on their verdict. It has often occurred to me, when I have seen them on a stormy night forming a line on the pavement outside the pit entrance, taking it all seriously enough to stand there for hours before the doors were opened, that by letting them inside the management might improve their spirits, and they in their turn might be more gentle. - Man sneaking into the bedroom
Man sneaking into the bedroom so he doesn't waken his wife - Young woman
Young woman - Haughty look from a young woman
Haughty look from a young woman - George du Maurier
English-speaking people have been introduced to each other by a long line of clever draughtsmen. They have laughed together about the same people in the truest and sweetest-natured way in all the world. Above all others, one hand awakened the interest resulting in people knowing themselves and others better. The beautiful was safe in that gentle hand. Although the heart that guided it no longer beats, the human interest and kindly feeling that it awakened will live forever, and all the world has placed among the foremost men of his day the affectionately remembered name of George Du Maurier. - Lady
Lady - At Dinner
At Dinner - Lady
Lady - Swords
Fig. 1. Found in the Anglo-Saxon cemetery at Fairford. It measures upwards of 2 ft. 11 inches, and is one of the finest examples extant. Fig. 2. In the Hon. Mr. Neville's collection : found in the Anglo-Saxon cemetery at Wilbraham, Cambridgeshire. Length of blade, 2 ft. 7 in. It retains the bronze mountings of the sheath, which have been gilt. Fig. 3. Same collection and find • a specimen re-markable for the cross-piece at the hilt. Fig. 4 Ancient-. Irish Sword of the same period : length, 30 inches. From Mr. Wakeman's paper in vol. iii. of Colleetanea Antigua. Fig. 5. Danish sword with engraved runes : in the Copenhagen Museum. Fig. 6. Danish : from the Annaler for Nordisk Oldkyndighed. Remarkable for the form of its cross-piece - At the Savoy
At the Savoy - Ladies head
Ladies head - After Dinner
After Dinner - Lady
Lady - Thoughtful look on a young lady
Thoughtful look on a young lady - First Great Seal of King Richard I
Great Seals of King Richard Coeur-de-Lion. The first of these has been drawn from impressions appended to Harleian Charters, 43, C. 27 ; 43, C. 29 ; and 43, C. 30 ; and Carlton Ride Seals, i. 19. The king wears the hauberk of chain-mail with continuous coif, over a tunic of unusual length. The chausses are also of chain-mail, and there is an appearance of a chausson at the knee, but the prominence of the seal at this part has caused so much obliteration, that the existence of this garment may be doubted. The helmet is rounded at the top, and appears to be strengthened by bands passing round the brow and over the crown. The shield is bowed, and the portion in sight ensigned with a Lion: it is armed with a spike in front, and suspended over the shoulders by the usual guige. - Hamlet
An actor in the park - Second Great Seal of King Richard I
Second Great Seal of Richard I. Drawn from impressions in the British Museum : Harl. Charter, 43, C. 31, and Select Seals, xvi. 1; and Carlton Ride Seals, H 17. The armour, though differently expressed from that of the first seal, is probably intended to represent the same fabric ; namely, interlinked chain-mail. The tunic is still of a length which seems curiously ill-adapted to the adroit movements of a nimble warrior. The shield of the monarch is one of the most striking monuments of the Herald's art: the vague ornament of Richard's earlier shield has given place to the Three Lions Passant Gardant so familiar to us all in the royal arms of the present day. The king wears the plain goad spur, and is armed with the great double-edged sword, characteristic of the period. The saddle is an excellent example of the War-saddle of this date. - Callihan's Velocipede
This velocipede was patented January 5th, 1869. It has been thoroughly tested and is pronounced a complete success. It will be seen that it is very different from Bradford's machine. The front wheels are used as guiding wheels, the rear as the driving ones. It is propelled by both hands and feet, acting together or separately. The propelling power is almost unlimited, and is furnished by cranks in the hind axles, with lever attachments. It has three different steering arrangements, either of which can be applied, according to the taste of the purchaser. In all these, the forward wheel and axle are turned with a lever arrangement, operated upon by the band. The machine develops both chest and limbs, and can be readily used by ladies and children. A little girl of six years has ridden it for an hour without fatigue. It is so constructed, that scruples of delicacy need prevent no lady from driving it. It can be driven either backwards or forwards, will run upon the road, at the rate of fifteen miles an hour, and will ascend any ordinary hill with ease. It is claimed, that it is the only machine made that can be checked in going down hill, or that can be stopped instantly. The machine varies in size and weight. That most in favor, has a wheel of three feet and a half in diameter, and a weight of about one hundred pounds. It is constructed of the best material, and is neat and nobby in appearance. Its price is $125. - An Old Monarch
After Rosa Bonheur had painted horses, cows, and other tame animals a great many times, she began to want to paint wild animals, such as tigers and bears. She could not go to the far-away countries where they live, so she bought a lion and lioness from a man who had been there. These she kept in a very strong cage of heavy iron bars. Here she came to watch them every day. This is one of the pictures she painted of the lion. She called him “Nero,” and was so kind to him that after a while he became quite tame. The lioness was always wild, but good old Nero soon became so gentle that Rosa Bonheur could pet him and even go into his cage. - A Constitutional in the Park
A Constitutional in the Park - The hieroglyphics describe the dance
A favourite figure dance was universally adopted throughout the country, in which two partners, who were usually men, advanced toward each other, or stood face to face upon one leg, and having performed a series of movements, retired again in opposite directions, continuing to hold by one hand and concluding by turning each other round. - Cheeky little smile on a young lady
Cheeky little smile on a young lady - Bradford's Velocipede
If any of our readers desire the luxury of a ride on a velocipede without the necessity of taking lessons, or the danger of getting a fall, they will find " Bradford's Four-Wheeled Velocipede" ready and able to afford them the pleasure. The inventor of this vehicle, Mr. C. K. Bradford, has devoted the greater part of the last five years to experiments upon the velocipede, and took out his first patent three years and a half ago. The machine, as now constructed and improved, obtained its American patent October 13th, 1868. It has since been patented in England, France, and Belgium. It is made of the best material, and finished like a gentleman's trotting wagon. It weighs but sixty-five pounds, and combines in a high degree both lightness and strength. Any man, woman or child, can learn to guide it easily with but a few moments practice. The inventor claims that it is able to maintain a speed of a mile in three minutes, and that the extraordinary time of a half mile in one minute and forty-five seconds, has been made upon a country road. It can be driven by almost any man, at the rate of a mile in four minutes, on almost any road, without greater exertion than is ordinarily used in walking. This velocipede, unlike all others, is seen to best advantage on the street. In Mr. Bradford's tasteful little curricle, the rider can sit at ease as carelessly as in a carriage, giving himself up wholly to the exhilaration of the rapid movement, and the pleasurable exercise of the muscles, which is just enough to make the machine skim over the ground, and give an enjoyable sense of power. The increase of friction, which would naturally result from the additional number of wheels, is prevented by an application of anti-friction rollers, which reduce the labor of propelling the machine to a minimum, a requisite of the highest importance to a person seeking either recreation or utility. - Two men talking
Two men talking - Your Hostess
Your Hostess - An Early Departure
Man in Top hat - Thothmes IV. slaying Asiatics
When Thothmes IV. ascended the throne he was confronted by a very serious political problem. The Heliopolitan priesthood at this time was chafing against the power of Amon, and was striving to restore the somewhat fallen prestige of its own god Ra, who in the far past had been the supreme deity of Egypt, but had now to play an annoying second to the Theban god. Thothmes IV., as we shall presently be told by Akhnaton himself,[8] did not altogether approve of the political character of the Amon priesthood, and it may have been due to this dissatisfaction that he undertook the repairing of the great Sphinx at Gizeh, which was in the care of the priests of Heliopolis. The sphinx was thought to represent a combination of the Heliopolitan gods Horakhti, Khepera, Ra, and Atum, who have been mentioned above; and, according to a later tradition, Thothmes IV. had obtained the throne over the heads of his elder brothers through the mediation of the Sphinx—that is to say, through that of the Heliopolitan priests. By them he was called “Son of Atum and Protector of Horakhte, ... who purifies Heliopolis and satisfies Ra,” and it seems that they looked to him to restore to them their lost power. The Pharaoh, however, was a physical weakling, whose small amount of energy was entirely expended upon his army, which he greatly loved, and which he led into Syria and into the Sudan. His brief reign of somewhat over eight years, from 1420 to 1411 B.C., marks but the indecisive beginnings of the struggle between Amon and Ra, which culminated in the early years of the reign of his grandson Akhnaton. - Young lady
Young lady - On Bond Street
On Bond Street - Patiently Listening
Patiently Listening - In the 'Whispering Gallery'—A Small Loan
In the 'Whispering Gallery'—A Small Loan