- Young Woman's dress - 14th Century
Young Woman's dress - 14th Century - Young Gentleman of the 14th Century
Young Gentleman of the 14th Century - Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640 - Womens fashion 1806 - 1820
- Women's Costume during the Directory - 1795 - 1800
Women's Costume during the Directory - 1795 - 1800 - With a long loaf of bread
- William Wordsworth
William Wordsworth - William Harrison Ainsworth
William Harrison Ainsworth - William Cobbett
William Cobbett - Wig types, second half 18th century
- Wig types, 1st half 18th century
- Which way looks better
Which way looks better - Which of these girls looks ready to do her work
Do you understand what appropriateness means? It means wearing the suitable kind of clothing for every occasion. It is our duty to be as well dressed as possible, for our friends' sakes as well as for our own; but a well-dressed girl is never conspicuous. Clothes which would be appropriate in a large city for a reception might be very inappropriate in a small town. Our daily clothes should be adapted to our uses, whether in country or city. Would you wear your party dress for gardening or for tennis or skating? - Which arrangement of hair and bow do you think most appropriate for school wear
Which arrangement of hair and bow do you think most appropriate for school wear - What might happen some time if these were love-matches
- Washington Irving
Washington Irving - Walter Scott
Walter Scott - Vigier's Baths
- View from Paul's Pier
- Vertical lines through the center of the costume make the figure appear thinner
Vertical lines through the center of the costume make the figure appear thinner - Variety of shapes and slashing. Henry VIII
- Types of Shoes - British, Roman, Norman to 13th century
- Two women
- Two girls sewing
Two girls sewing - Twelfth to thirteenth century
- Twelfth to fourteenth century
- Twelfth and thirteenth centuries
- To bring a queen back to Paris
- Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - Three hoops and four pannier forms
- Thomas Noon Talfourd
Thomas Noon Talfourd - Thomas Moore
Thomas Moore - Thomas Carlyle
Thomas Carlyle (4 December 1795 – 5 February 1881) was a British historian, satirical writer, essayist, translator, philosopher, mathematician, and teacher [Wikipedia] - Thomas Campbell
Thomas Campbell - Theodore S Hook
Theodore S Hook - Théâtre des Variétés
- The Tube
The Tube - The traders kept pushing their birch-bark canoes deeper into the wilderness
- The simple dress skirt and shirt waist
The simple dress skirt and shirt waist - The Sho
The instrument called Sho is blown with the mouth, and corresponds to the Chinese Cheng or Mouth Organ. The pipes are made of wood, with reed mouthpieces, and the notes are made by stopping the holes with the fingers. In some ways the construction is like that of a harmonium, but it is much more troublesome to play, and the performer, having to use his own breath to make the sounds, cannot sing at the same time. Unlike a harmonium also, it is difficult to keep in tune, and Miss Bird, a well-known traveller, tells of a concert at which the performer was obliged to be continually warming his instrument at a brazier of coals placed near. Some years ago a Japanese Commission was appointed to consider which of the national instruments were most suitable for use in schools; it rejected the Sho because its manufacture was troublesome and its tuning even worse. - The Savoy
The Savoy - The Restauraunt among the trees
- The Regent Canal at Maida Hill
The Regent Canal at Maida Hill - The Queens first council - Kensington Palace June 20 1837
Queen Victorias first council - Kensington Palace June 20 1837 The year 1837, except for the death of the old King and the accession of the young Queen, was a tolerably insignificant year. It was on June 20 that the King died. He was buried on the evening of July 9 at St. George’s Chapel, Windsor; on the 10th the Queen dissolved Parliament; on the 13th she went to Buckingham Palace; and on November 9 she visited the City, where they gave her a magnificent banquet, served in Guildhall at half past five, the Lord Mayor and City magnates humbly taking their modest meal at a lower table. - The Queen receiving the sacrament, after her coronation - Westminster Abbey, June 29, 1838
- The Pub
The Pub - The Physician
The Physician - The Party Promptly broke up
- The Old Tabard Inn, High Street, Southwark
The Old Tabard Inn, High Street, Southwark - The Old Bridge
The Old Bridge - The new bridge, with temporary underpinning
The new bridge, with temporary underpinning - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The microscope reveals many things
The microscope reveals many things - The merchants filled their coffers, while the indians acquired guns
- The Man that broke the bank at Monte Carlo
- The Juruparis in casing
Of all the so-called musical instruments of the world, that known as the Juruparis, used by the Indians of the Rio Negro, seems to involve most misery to humanity in general. To women and girls the very sight of it means death in some form or other, usually by poison, and boys are strictly forbidden to see it until grown to manhood, and then only after a most severe preliminary course of fasting. The Juruparis is kept concealed in the bed of some stream far away in the gloomy forest, and wherever that river may wander, or however brightly its waters may sparkle in the sunny glades, no mortal who values his life may cool his parching lips with its freshness, or bathe his aching limbs in its clear depths. Only for solemn festivals is the Juruparis brought out by night and blown outside the place of meeting, and it is restored to its forest home immediately afterwards. The word Juruparis means 'demon,' and it is supposed that its mysteries date back to some pre-historic Indian tradition, as various tribes inhabiting the vast forests round the Amazon district practise weird ceremonies in honour of the demons. The Juruparis in casing. The Juruparis in casing. In form the Juruparis is a slender tube from four to five feet long, made from strips of palm wood. Close to the mouth is an oblong hole, and when the instrument is to be used a piece of curved Uaruma or Arrowroot wood is inserted into the opening, which is then nearly closed with wet clay. - The Invasion of the Mongol Tartars
The Mongol invasion took place in the fourth year of Kōan [a. d. 1281] - The Infallible Remedy
TOOTHACHE is an universal plague. Every country has a special " nostrum " for its cure. China knows the plague, and China has a nostrum, which may well challenge all others for originality and efficacy. The quacks who in this case advance their specific are all women. I speak of them and their doings as I have seen and known them in the province of Chekeang. Whether they are found elsewhere in China I know not. The remedy they employ has never yet, to my knowledge, been published to the world ; and we must not feel sur-prised if, after this paper has once got abroad, a shipload of these charlatans should be sent for, and make their appearance " one fine morning," in the Thames. These female quacks maintain that the usual cause of toothache is a little worm or maggot, which has its nest in the gum under the root, and if this little offender can be driven or coaxed out, the gnawing pain will immediately cease. But how he is to be driven or coaxed out is the secret of their trade, the knowledge of which they confine most rigidly to those of their own profession. We had not been resident many years in the country before we heard talk of these women and their wonderful performances, and as my friend and I took our customary walks together, our con-versation not unfrequently turned their way. My friend stoutly maintained that it was all impos-ture ; it was impossible, he said, that maggots in the gums or teeth should have escaped the obser-vation of our dentists, who had examined hundreds of thousands, not merely of teeth, but of mouths for so many years. - The Incroyable of the Revolution Period - 1795
The Incroyable of the Revolution Period - 1795 "Incroyable" (incredible) was the sobriquet given to the fops or dandies of the later Revolutionary period. Here is the description of one of these remarkably dressed personages as given by the French writer, Honore de Balzac: The costume of his unknown presented an exact picture of the fashion which at that time called forth the caricatures of the Incroyables. Imagine a person muffled in a coat so short in front that there showed beneath five or six inches of the waistcoat and with skirts so long behind that they resembled a codfish tail, a term then commonly employed to designate them. An immense cravat formed round his neck such innumerable folds that the little head emerging from a labyrinth of muslin almost justified Captain Merle's kitchen simile. [Merle had described the Incroyable as looking "like a duck with its head protruding from a game pie."] The stranger wore tight breeches and boots a la Suwarrow; a huge white and blue cameo was stuck, as a pin, in his shirt. Two watch chains hung in parallel festoons at his waist, and his hair, hanging in corkscrew curls on each side of the face, almost hid his forehead. Finally, as a last touch of decoration, the collars of his shirt and his coat rose so high that his head presented the appearance of a bouquet in its paper wrappings. If there be added to these insignificant details, which formed a mass of disparities with no ensemble, the absurd contrast of his yellow breeches, his red waistcoat, his cinnamon brown coat, a faithful portrait will be given of the height of fashion at which dandies aimed at the beginning of the Consulate Preposterous as the costume was, it seemed to have been invented as a sort of touchstone of elegance to show that nothing can be too absurd for fashion to hallow it. - The Heart of the City
The Heart of the City