- Surgical instruments of the Arabs
Surgical instruments of the Arabs, according to Abulcasim After plates in Gurlt’s “Geschichte der Chirurgie” 1. A pincher for extracting foreign bodies from the ear 2. An ear syringe for injections 3. A tongue depressor 4. Concave scissors for the removal of tonsils 5. Curved pinchers for foreign bodies in the throat 6 to 29. Instruments for the treatment of the teeth 19 and 20. Forceps 21 to 25. Levers and hooks for the removal of roots 26. Strong pinchers for the same 27. A tooth saw 28 and 29. Files for the teeth - Thirteenth-century hospital interior
Thirteenth-Century Hospital Interior (Tonerre) From “The Thirteenth: Greatest of Centuries,” by J. J. Walsh This was built by the sister of Louis IX of France, Marguerite of Bourgogne, who retired to it herself to spend her life caring for the ailing poor. - Medieval Surgical instruments
Surgical instruments of Guy de Chauliac, nos. 1, 2, 3, and 4 (fourteenth century); and surgical apparatus of Hans von Gerssdorff, nos. 5, 6 and 7 (fifteenth century) After plates in Gurlt’s “Geschichte der Chirurgie” 1. Trepan 2. Balista used for extraction of arrows 3. Cauterizing shears with cannula for cauterization of the uvula 4. Bistoury 5. Extension arrangement for reducing upper arm dislocations, called “The Fool” 6. Screwpiece for extending a knee contracture 7. Extension apparatus in the form of armour-arm and armour-leg plates (“harness instruments”) for contractures of the elbow and knee joints - Amputation below the knee
This is the first picture of an amputation known From Gerssdorff’s woodcut, reproduced in Gurlt’s “Geschichte der Chirurgie” - Brunschwig’s surgical armamentarium
From Gurlt’s “Geschichte der Chirurgie” Hans von Gerssdorff and Hieronymus Brunschwig, who flourished in the latter half of the fifteenth century in Germany, have both left early printed treatises on Surgery which give excellent woodcuts showing pictures of instruments, operations, and costumes, at the end of the medieval period. - Damoiseau’s terabdella
Damoiseau’s terabdella. (From Damoiseau, La Terabdelle ou machine pneumatique, Paris, 1862. - Ballet
Representation of a Ballet before Henri III. and his Court, in the Gallery of the Louvre.--Fac-simile of an Engraving on Copper of the "Ballet de la Royne," by Balthazar de Beaujoyeulx (folio, Paris, Mamert Patisson, 1582.) - Swiss Grand Provost
The executioner did not hold the same position in all countries. For whereas in France, Italy, and Spain, a certain amount of odium was attached to this terrible craft, in Germany, on the contrary, successfully carrying out a certain number of capital sentences was rewarded by titles and the privileges of nobility - Tunic
The earliest made-up garment, that in which the art of the tailor was called into play, was doubtless a simple bag, more or less closely fitting to the body and of varying length, with holes for the arms and an opening for the neck. Such a primitive garment has been worn in varying forms at all periods of the world's history, and is in use at the present time in the form of the ordinary singlet. The modern singlet is, in fact, the simple, primeval type of the tunic. - Musicians
Musicians accompanying the Dancing.--Fac-simile of a Wood Engraving in the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588). - Sword Dance
Sword-dance to the sound of the Bagpipe.--Fac-simile of a Manuscript in the British Museum (Fourteenth Century). - Entry of the Roi de l'Epinette
Entry of the Roi de l'Epinette at Lille in the Sixteenth Century .--From a Manuscript of the Library of Rouen. - An Exquisite
About the year 1658 petticoat breeches crossed the silver streak from Versailles, and became the vogue at the Court of Charles II. Randal Holme, writing in 1659, describes the dress as follows:—"A short-waisted doublet and petticoat breeches, the lining being lower than the breeches and tied above the knees; the breeches are ornamented with ribands up to the pocket, and half their breadth upon the thigh; the waistband is set about with ribands, and the shirt hanging out over them." The petticoat breeches were not ridiculous in themselves—the modern Scotch kilt, which is an extremely picturesque and even reasonable costume, is made upon precisely the same principle; it was the absurd{130} lace ruffles, which hung drooping below the knee, which were worn with the petticoats during the earlier period, and in which Charles II. is figured in Heath's Chronicle, 1662, which made the costume a banality. The figure of the exquisite of 1670 from Jacquemin wears the petticoat breeches, but without the ruffles or frills at the knees. It must be confessed, however, that the gentleman possesses a sufficiency of frill! - Beggar
Beggar playing the Fiddle, and his Wife accompanying him with the Bones.--From an old Engraving of the Seventeenth Century. - The Springboard
THe Spring-board Most of the bourgeois and the villagers played a variety of games of agility, many of which have descended to our times, and are still to be found at our schools and colleges. Wrestling, running races, the game of bars, high and wide jumping, leap-frog, blind-man's buff, games of ball of all sorts, gymnastics, and all exercises which strengthened the body or added to the suppleness of the limbs, were long in use among the youth of the nobility - German Beggar
German Beggar Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. - Sculptured Comb
Sculptured Comb, in Ivory, of the Sixteenth Century (Sauvageot Collection) - Gentleman of the French Court
Gentleman of the French Court, of the End of the Sixteenth Century. From the "Livre de Poésies," Manuscript dedicated to Henry IV. - German Knights
German Knights (Fifteenth Century). from Drawings by Albert Durer. - Costume of Slaves or Serfs, from the Sixth to the Twelfth Centuries
Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe. - Labouring Colon (Twelfth Century)
Labouring Colons (Twelfth Century), after a Miniature in a Manuscript of the Ste. Chapelle, of the National Library of Paris. At the onset, the slave only possessed his life, and this was but imperfectly guaranteed to him by the laws of charity; laws which, however, year by year became of greater power. He afterwards became colon, or labourer, working for himself under certain conditions and tenures, paying fines, or services, which, it is true, were often very extortionate. - Italians of the 15th Century
Notary and Sbirro (policeman)--From two Engravings in the Bonnart Collection. - Movable iron cage
Movable Iron Cage.--From a Woodcut in the "Cosmographie Universelle" of Munster, in folio, Basle, 1552. - Grand Procession
Grand Procession of the Doge, Venice (Sixteenth Century). - Punishment by Fire
Punishment by Fire When a criminal had been condemned to be burnt, a stake was erected on the spot specially designed for the execution, and round it a pile was prepared, composed of alternate layers of straw and wood, and rising to about the height of a man. Care was taken to leave a free space round the stake for the victim, and also a passage by which to lead him to it. Having been stripped of his clothes, and dressed in a shirt smeared with sulphur, he had to walk to the centre of the pile through a narrow opening, and was then tightly bound to the stake with ropes and chains. After this, faggots and straw were thrown into the empty space through which he had passed to the stake, until he was entirely covered by them; the pile was then fired on all sides at once - La Gaillard
-The Dance called "La Gaillarde."--Fac-simile of Wood Engravings from the "Orchésographie" of Thoinot Arbeau (Jehan Tabourot): 4to (Langres, 1588). - Miracle
- Exhibitor of strange animals
The Exhibitor of strange Animals From Twelfth Century Manuscript, Royal Library of Brussels. - Costumes of Thriteenth Century
Tristan and the beautiful Yseult.--From a Miniature in the Romance of "Tristan," Manuscript of the Fourteenth Century - Italian Kitchen
Interior of Italian Kitchen. From the Book on Cookery of Christoforo di Messisburgo, "Banchetti compositioni di Vivende," 4to., Ferrara, 1549. It was only in the course of the sixteenth century that the name of potage ceased to be applied to stews, whose number equalled their variety, for on a bill of fare of a banquet of that period we find more than fifty different sorts of potages mentioned. - Free judges
Free Judges From two Woodcuts in the "Cosmographie Universelle" of Munster: in folio, 1552. - Bookcases in the library of the University of Leiden
Another device for combining desk with shelf is to be seen at Trinity Hall, Cambridge, and, as these cases were set up after 1626, we have here a curious instance of a deliberate return to ancient forms. There is evidence that there once existed below the shelf a second desk, which could be drawn in and out as required, so that a reader could stand or sit as he pleased, as you will see from the next illustration. The University of Leiden in Holland adopted a modification of this design, for there the shelf is above the desk, and readers could only stand to use the books - Anglo-Saxon dress
A somewhat remarkable feature of Anglo-Saxon dress of the eighth century was the long super-tunic with long sleeves, worn in travelling or during cold weather. The sleeves not only cover the hands, but reach considerably below the tips of the fingers. - Tournaments
Tournaments in honour of the Entry of Queen Isabel into Paris--From a Miniature in the "Chroniques" of Froissart, Manuscript of the Fifteenth Century (National Library of Paris). - Damsel of the Court of Catherine de Medicis
Costumes of the Ladies and Damsels of the Court of Catherine de Medicis.--After Cesare Vecellio. - Costume of a rich Bourgeoise, and of a Noble, or Person of Distinction
A rich Bourgeoise, and of a Noble, or Person of Distinction, of the Time of Francis I.--From a Window in the Church of St. Ouen at Rouen, by Gaignières (National Library of Paris). - Herald
(Fourteenth Century).--From a Miniature in the "Chroniques de Saint-Denis" (Imperial Library of Paris). - Italian Jew
Costume of an Italian Jew of the Fourteenth Century.--From a Painting by Sano di Pietro, preserved in the Academy of the Fine Arts, at Sienna. - Richard crucified
The Infant Richard crucified by the Jews, at PontoiseFrom a Woodcut, with Figures by Wohlgemuth, in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493. - Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century - Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century2
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century.--Drawing attributed to Holbein. - Blind and poor sick
The sabouleux, who were commonly called the poor sick of St. John, were in the habit of frequenting fairs and markets, or the vicinity of churches; there, smeared with blood and appearing as if foaming at the mouth by means of a piece of soap they had placed in it, they struggled on the ground as if in a fit, and in this way realised a considerable amount of alms. These consequently paid the largest fees to the Coesre - Gardener and Woodman
Costumes of the Common People in the Fourteenth Century: Italian Gardener and Woodman.--From two Engravings in the Bonnart Collection. - How to catch a squirrel
"The Way to catch Squirrels on the Ground in the Woods"--Fac-simile of a Miniature in the Manuscript of the "Livre du Roy Modus" (Fourteenth Century) One of the best ways of pleasing Louis XI. was to offer him some present relating to his favourite pastime, either pointers, hounds, falcons, or varlets who were adepts in the art of venery or hawking - Free Distribution of bread
Free Distribution of Bread, Meat, and Wine to the People.--Reduced Copy of a Woodcut of the Solemn Entry of Charles V and Pope Clement VII into Bologna, in 1530. In these assemblies, where the King gathered together all his principal vassals once or twice a year, to hold personal communication with them, and to strengthen his power by ensuring their feudal services, large quantities of food and fermented liquors were publicly distributed among the people. The populace were always most enthusiastic spectators of military displays, of court ceremonies, and, above all, of the various amusements which royalty provided for them at great cost in those days: and it was on these state occasions that jugglers, tumblers, and minstrels displayed their talents. - Catching a bear
- 15th Century headdress
From Viollet le Duc (Fifteenth Century). - Saint Liedwi, Of Scheidam, Holland, A. D. 1396
The First known skating Illustration - Italian Beggar
Italian Beggar. From an Engraving by Callot. We must not forget the protobianti (master rogues), who made no scruple of exciting compassion from their own comrades - A painted face
By the reign of James I. this ridiculous fashion had become common. All sorts of curious devices were made use of—spots, stars, crescents, and in one woodcut a coach and coachman with two horses and postilions appear upon the lady's forehead. The fashion continued for a long period; in fact, during the greater part of the Georgian era, when it had degenerated into mere spots or small patches. At the close of the eighteenth century it had entirely disappeared. - Flemish Peasants
- Interior of a kitchen
Interior of a Kitchen of the Sixteenth Century. Fac-simile from a Woodcut in the "Calendarium Romanum" of Jean Staéffler, folio, Tubingen, 1518. - Jugglers
At first, and down to the thirteenth century, the profession of a juggler was a most lucrative one. There was no public or private feast of any importance without the profession being represented. Their mimicry and acrobatic feats were less thought of than their long poems or lays of wars and adventures, which they recited in doggerel rhyme to the accompaniment of a stringed instrument. The doors of the châteaux were always open to them, and they had a place assigned to them at all feasts. Jugglers exhibiting Monkeys and Bears.--Fac-simile of a Manuscript in the British Museum (Thirteenth Century). - Gipsies
Gipsies Fortune-telling.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. During the fifteen days which they spent at Bologna a number of the people of the town went to see them, and especially to see "the wife of the duke," who, it was said, knew how to foretell future events, and to tell what was to happen to people, what their fortunes would be, the number of their children, if they were good or bad, and many other things - Chaining of Books
The system of chaining, as adopted in this country, would allow of the books being readily taken down from the shelves, and laid on the desk for reading. One end of the chain was attached to the middle of the upper edge of the right-hand board; the other to a ring which played on a bar set in front of the shelf on which the book stood. The fore-edge of the books, not the back, was turned forwards. A swivel, usually in the middle of the chain, prevented tangling. The chains varied in length according to the distance of the shelf from the desk. The bar was kept in place by a rather elaborate system of iron-work attached to the end of the bookcase, and secured by a lock which often required two keys—that is, the presence of two officials—to open it. To illustrate this I will shew you a sketch of one of the bookcases in Hereford Cathedral. - Member of Brotherhood of death
Member of the Brotherhood of Death, whose duty it was to accompany those sentenced to death - Heart-shaped headdress
There was also the "balloon" or turban. This, like the heart-shaped head-dress, commenced with a flat pad, like a cake, which in its earlier stage was invariably richly ornamented, offering no particular variety in its form; when it became round, it developed a second roll around the forehead, with bands at intervals, which formed its constructive elements. - Part of a single bookcase in the Library
Part of a single bookcase in the Library showing a book chained to the bookcase