King of the Franks
The King of the Franks, in the midst of the Military Chiefs who formed his Treuste, or armed Court, dictates the Salic Law (Code of the Barbaric Laws). The tariff of indemnities or compensations to be paid for each crime formed the basis of the code of laws amongst the principal tribes of Franks, a code essentially barbarian, and called the Salic law, or law of the Salians. Such, however, was the spirit of inequality among the German races, that it became an established principle for justice to be subservient to the `rank` of individuals. The more powerful a man was, the more he was protected by the law; the lower his `rank`, the less the law protected him.
King or Chief of Franks armed with the Seramasax, from a Miniature of the Ninth Century
When the Franks took root in Gaul, their dress and institutions were adopted by the Roman society. This had the most disastrous influence in every point of view, and it is easy to prove that civilisation did not emerge from this chaos until by degrees the Teutonic spirit disappeared from the world. As long as this spirit reigned, neither private nor public liberty existed. Individual patriotism only extended as far as the border of a man's family, and the nation became broken up into clans. Gaul soon found itself parcelled off into domains which were almost independent of one another. It was thus that Germanic genius became developed.
Costumes of Slaves or Serfs
Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe.
- Costume of Slaves or Serfs, from the Sixth to the Twelfth Centuries
Costumes of Slaves or Serfs, from the Sixth to the Twelfth Centuries, collected by H. de Vielcastel, from original Documents in the great Libraries of Europe. 
German Soldier
The Germans had brought with them over the Rhine none of the heroic virtues attributed to them by Tacitus when he wrote their history, with the evident intention of making a satire on his countrymen. Amongst the degenerate Romans whom those ferocious Germans had subjugated, civilisation was reconstituted on the ruins of vices common in the early history of a new society by the adoption of a series of loose and dissolute habits, both by the conquerors and the conquered.
Costume of the Franks in the Eighth Century
Costume of the Franks in the Eighth Century
Costumes of the Franks from the Fourth to the Eighth Centuries
The period known as the Middle Ages, says the learned Benjamin Guérard, is the produce of Pagan civilisation, of Germanic barbarism, and of Christianity. It began in 476, on the fall of Agustulus, and ended in 1453, at the taking of Constantinople by Mahomet II., and consequently the fall of two empires, that of the West and that of the East, marks its duration. Its first act, which was due to the Germans, was the destruction of political unity, and this was destined to be afterwards replaced by religions unity. Then we find a multitude of scattered and disorderly influences growing on the ruins of central power. The yoke of imperial dominion was broken by the barbarians; but the populace, far from acquiring liberty, fell to the lowest degrees of servitude. Instead of one despot, it found thousands of tyrants, and it was but slowly and with much trouble that it succeeded in freeing itself from feudalism. Nothing could be more strangely troubled than the West at the time of the dissolution of the Empire of the Caesars; nothing more diverse or more discordant than the interests, the institutions, and the state of society, which were delivered to the Germans
German Sportsman
German Sportsman, drawn and engraved by J. Amman in the Sixteenth Century.
Movable iron cage
Movable Iron Cage.--From a Woodcut in the "Cosmographie Universelle" of Munster, in folio, Basle, 1552.
Punishment by Fire
Punishment by Fire When a criminal had been condemned to be burnt, a stake was erected on the spot specially designed for the execution, and round it a pile was prepared, composed of alternate layers of straw and wood, and rising to about the height of a man. Care was taken to leave a free space round the stake for the victim, and also a passage by which to lead him to it. Having been stripped of his clothes, and dressed in a shirt smeared with sulphur, he had to walk to the centre of the pile through a narrow opening, and was then tightly bound to the stake with ropes and chains. After this, faggots and straw were thrown into the empty space through which he had passed to the stake, until he was entirely covered by them; the pile was then fired on all sides at once
Swiss Grand Provost
The executioner did not hold the same position in all countries. For whereas in France, Italy, and Spain, a certain amount of odium was attached to this terrible craft, in Germany, on the contrary, successfully carrying out a certain number of capital sentences was rewarded by titles and the privileges of nobility
Costume of Emperors at their Coronation
Costume of Emperors at their Coronation since the Time of Charlemagne.--From an Engraving in a Work entitled "Insignia Sacre Majistatis Cæsarum Principum." Frankfort, 1579, in folio.
King Childebert
King Childebert III (Seventh Century).--From a Statue formerly placed in the Refectory of the Abbey of St. Germain-des-Prés.
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century2
Costumes of the German Bourgeoisie in the Middle of the Sixteenth Century.--Drawing attributed to Holbein.
Empalement
Empalement (Pal) From a Woodcut in the "Cosmographie Universelle" of Munster Mediæval punishments included more or less atrocious punishments, which were in use at various times and in various countries; such as the Pain of the Cross, specially employed against the Jews; the Arquebusade, which was well adapted for carrying out prompt justice on soldiers; the Chatouillement, which resulted in death after the most intense tortures; the Pal, flaying alive, and, lastly, drowning, a kind of death frequently employed in France
Free judges
Free Judges From two Woodcuts in the "Cosmographie Universelle" of Munster: in folio, 1552.
German Beggar
German Beggar Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552.
German Knights
German Knights (Fifteenth Century). from Drawings by Albert Durer.
Gipsies
Gipsies Fortune-telling.--Fac-simile of a Woodcut in the "Cosmographie Universelle" of Munster: in folio, Basle, 1552. During the fifteen days which they spent at Bologna a number of the people of the town went to see them, and especially to see "the wife of the duke," who, it was said, knew how to foretell future events, and to tell what was to happen to people, what their fortunes would be, the number of their children, if they were good or bad, and many other things
Jews burnt alive
The Jews of Cologne burnt alive From a Woodcut in the "Liber Chronicarum Mundi:" large folio, Nuremberg, 1493. In 1370, the people of Brussels were startled in consequence of the statements of a Jewess, who accused her co-religionists of having made her carry a pyx full of stolen hosts to the Jews of Cologne, for the purpose of submitting them to the most horrible profanations. The woman added, that the Jews having pierced these hosts with sticks and knives, such a quantity of blood poured from them that the culprits were struck with terror, and concealed themselves in their quarter. The Jews were all imprisoned, tortured, and burnt alive. In order to perpetuate the memory of the miracle of the bleeding hosts, an annual procession took place, which was the origin of the great kermesse, or annual fair.
Krupp's 15.6 Breech-loading Gun (breech open)
Amongst the class of modern cannon, one of the most powerful is Krupp's seventy-one-ton gun. This, like all others of his make, is a breech-loader. Its dimensions are—length, thirty-two feet nine inches; diameter at breech end, five feet six inches; length of bore, twenty-eight feet seven inches; diameter of bore, 15.75 inches; diameter of powder-chamber, 17.32 inches. The internal tube is of two parts, exactly joined; and over this are four cylinders, shrunk on, and a ring round the breech. Its rifling has a uniform twist of one in forty-five. It cannot possibly be fired until the breech is perfectly closed. Its maximum charge is four hundred and eighty-five pounds of powder, and a chilled iron shell of seventeen hundred and eight pounds.
Pestalozzi
The enthusiastic philanthropist and educational reformer, Pestalozzi
Archlute
Archlute Wood, inlaid with ivory and tortoise-shell, engraved. Two sets of tuning pegs, the lower containing fourteen, and the higher, ten. On the middle of the neck is an ovl plate of mother-of-pearl, bering the German inscription, Gott der Herr ist Sonne und Schield ("God, the Lord, is sun and shield.") About 1700
Viola di Bardone
Viola di Bardone The finger-board is carved in open fret-work terminating in three lions' heads; above the bridge are two figures of negrose, carved and gilt. German 1686
Virginal
Virginal The instruments has mtal strings, one for each tone, whiched are twanged by means of small portions of quill, attached to slips of wood called "jacks" and provided with thin metal springs. German. About 1600
Bismarck
Prussian affairs were then very much in the hands of a minister of the seventeenth-century type, Von Bismarck (count in 1865, prince in 1871), and he saw brilliant opportunities in this trouble. He became the champion of the German nationality in these duchies—it must be remembered that the King of Prussia had refused to undertake this rôle for democratic Germany in 1848—and he persuaded Austria to side with Prussia in a military intervention. Denmark had no chance against these Great Powers; she was easily beaten and obliged to relinquish the duchies. Then Bismarck picked a quarrel with Austria for the possession of these two small states. So he brought about a needless and fratricidal war of Germans for the greater glory of Prussia and the ascendancy of the Hohenzollern dynasty in Germany. German writers of a romantic turn of mind represent Bismarck as a great statesman planning the unity of Germany; but indeed he was doing nothing of the kind.
Emperor William II
By one of those accidents in history that personify and precipitate catastrophes, the ruler of Germany, the emperor William II, embodied the new education of his people and the Hohenzollern tradition in the completest form. He came to the throne in 1888 at the age of twenty-nine; his father, Frederick III, had succeeded his grandfather, William I, in the March, to die in the June of that year. William II was the grandson of Queen Victoria on his mother’s side, but his temperament showed no traces of the liberal German tradition that distinguished the Saxe-Coburg-Gotha family. His head was full of the frothy stuff of the new imperialism. He signalized his accession by an address to his army and navy; his address to his people followed three days later. A high note of contempt for democracy was sounded: “The soldier and the army, not parliamentary majorities, have welded together the German Empire. My trust is placed in the army.” So the patient work of the German schoolmasters was disowned, and the Hohenzollern declared himself triumphant.
Germany after the Peace Treaty, 1919
Germany after the Peace Treaty, 1919
Martin Luther
Very few religious-spirited men had the daring to break away or the effrontery to confess that they had broken away from all authoritative teaching, and that they were now relying entirely upon their own minds and consciences. That required a very high intellectual courage. The general drift of the common man in this period in Europe was to set up his new acquisition, the Bible, as a counter authority to the church. This was particularly the case with the great leader of German Protestantism, Martin Luther (1483-1546).
The Original German Plan, 1914
The Battle of the Marne shattered the original German plan. For a time France was saved. But the German was not defeated; he had still a great offensive superiority in men and equipment. His fear of the Russian in the east had been relieved by a tremendous victory at Tannenberg. His next phase was a headlong, less elaborately planned campaign to outflank the left of the allied armies and to seize the Channel ports and cut off supplies coming from Britain to France. Both armies extended to the west in a sort of race to the coast. Then the Germans, with a great superiority of guns and equipment, struck at the British round and about Ypres. They came very near to a break through, but the British held them.
The Western Front, 1915-18
The Western Front, 1915-18 For a year and a half, until July, 1916, the Western front remained in a state of indecisive tension. There were heavy attacks on either side that ended in bloody repulses. The French made costly{v2-517} but glorious thrusts at Arras and in Champagne in 1915, the British at Loos.
A Prussian King's Daughter
Princess Wilhelmine of Prussia was a princess of the German Kingdom of Prussia and composer. She was the eldest daughter of Frederick William I of Prussia and Sophia Dorothea of Hanover, and granddaughter of George I of Great Britain. In 1731, she married Frederick, Margrave of Brandenburg-Bayreuth. [Wikipedia]
Illustration from U.S. patent 385087
Illustration from U.S. patent 385087, issued to Carl Benz, showing the horizontal plane of the flywheel, a feature utilized by the Duryeas in their machine.
Phantom illustration of Benz' first automobile
Phantom illustration of Benz' first automobile. (From Carl Benz, Father of the Automobile Industry, by L. M. Fanning, New York, 1955.)
Drawing of 1885 Benz engine
Drawing of 1885 Benz engine, showing similarity in general appearance to Duryea engine. From Karl Benz und sein Lebenswerk, Stuttgart, 1953. (Daimler-Benz Company publication.)
By the light of the moon he began his task
Bach copying from his brothers book which he 'borrowed' Then, taking his pen and some manuscript music-paper with which he had provided himself, he began his task of copying out the pieces contained in the book. An hour or more slipped away in this absorbing occupation, and it was not until the moon had shifted her position, so that her rays no longer afforded the necessary light, that Sebastian ceased to ply his pen. Then, having hidden the book away and removed all traces of his work, the now wearied little musician sought his pillow and fell fast asleep.
Christoph seized the manuscript book and the copy
With his mouth curved into a cruel smile, Christoph seized the manuscript book and the copy, and, taking them from the room, hid them away in a [11]new place where Sebastian could not possibly find them
Scholars went out to sing
Lüneburg possessed two schools, attached respectively to the Churches of St. Michael and St. John, and the rivalry between the two was so keen that when, as was the custom during the winter months, the scholars were sent out to sing in the streets in order to collect money for their support, the respective routes to be traversed had to be carefully marked out so as to prevent a collision.
Sebastian Bach
Johann Sebastian Bach
Only one Bach!
The King next requested him to play a six-part fugue, and Bach extemporised one on a theme selected by himself. The King, who stood behind the composer's chair, clapped his hands with delight, and exclaimed repeatedly, 'Only one Bach! Only one Bach!' It was a visit replete with honours for the old master, and when he returned home he expressed his gratitude by writing down and elaborating the piece which he had composed on the King's theme, dedicating it to His Majesty under the title of 'Musikalisches Opfer' (Musical Offering), and sending it to Potsdam with a letter begging its acceptance.
Handels Birthplace
Handel's birthplace, Halle, Saxony. George Frederick Handel, as the boy was named, was the son of a surgeon of Halle, Lower Saxony, in which town the child was born on February 23, 1685. Even before he could speak little George had shown a remarkable fondness for music, and the only toys he cared for were such as were capable of producing musical sounds. With this love for music, however, the father showed no sympathy whatever; he regarded the art with contempt, as something beneath the serious notice of one who aspired to be a gentleman, and that his child should have expressed an earnest desire to be taught to play only served to make him angry.
George Frederick Handel
George Frederick Handel
Beckoned silently to the rest to follow him
For some time this secret practising continued without arousing suspicion on the part of the other inmates of the house. One night, however, when the child had resorted to his favourite spot, he was suddenly missed by those below, and, as it was known that he had been sent to bed, some fears were felt as to what could have become of him. The servants were summoned, but could give no account of him; the father was fetched from his study, whither he had retired, and a search began. The alarm increased when it was ascertained that the child was in none of the living-rooms of the house, and it was decided that the garrets and lofts must be searched. Calling for a lantern, the surgeon ascended the stairs leading to the lumber-room; it was possible that the boy might have found his way thither on some childish expedition, and there fallen asleep. Great was the father's surprise, on reaching the top-most landing, to hear faint musical sounds proceeding from behind the closed door. Noiselessly retracing his steps, he summoned the rest of the household, and then, ascending the stairs in a body, they paused outside to listen. Sure enough the old garret was full of melodic sounds! Now near, now far off, they seemed to the listeners to be wafted from another world; there was something uncanny about it, and the maids gazed into each other's faces with a scared expression, as the master softly lifted the latch, and, having peeped [41]into the room, beckoned silently to the rest to follow him.
He called to the coachman to stop
One day, when Handel was seven years old, his father announced his intention of paying a visit to the castle of the Duke of Saxe-Weissenfels. Handel was most anxious to be allowed to accompany his father, because he had heard that the Duke kept a great company of musicians to perform in his chapel. But the father refused his consent, and the boy turned away with a look of fixed determination in his eyes. 'I will go, even if I have to run every inch of the way!' Handel did not know then that forty miles lay between his home and the castle, but having formed his bold resolution he awaited the moment when his father set forth on his journey, and then, running behind the closed carriage, he did his best to keep pace with it. The roads were long and muddy, and although he panted on bravely for a long distance, the child's strength began at last to fail, and, fearing that he would be left behind, he called to the coachman to stop. At the sound of the boy's voice his father thrust his head out of the window, and was about to give vent to his anger at George's disobedience; but a glance at the poor little bedraggled figure in the road, with its pleading face, melted the surgeon's heart. They were at too great a distance from home to turn back, and so Handel was lifted into the carriage and carried to Weissenfels, where he arrived tired and footsore, but supremely happy at having won his point.
The Duke praised his performance
On several occasions after this the organist came to the chapel on purpose to listen to Handel as the latter played, and he was so struck by the boy's genius that he determined to surprise the Duke by letting Handel play His Highness out of chapel. Accordingly, on the following Sunday, when the service was concluded, the organist lifted Handel on to the organ-stool, and desired him to play. The Duke and his friends had risen to their feet as Handel began to play, but the Duke instantly detected a difference in the playing, and, glancing towards the organ-loft, he was astonished to behold the figure of a child bending over the keys. But as he listened his astonishment became greater, for it was no longer the child's figure that arrested his attention, but the melody which was pouring forth from the instrument. Instead of walking out of the chapel, the Duke remained standing where he had risen, with his gaze riveted upon the child player, and of course the members of the household likewise kept their places. At length, when Handel ceased to play, the Duke turned to those about him with the inquiry: 'Who is that child? Does anybody know his name?' As no one present seemed to know, the organist was sent for to explain matters. After a few words from this official the Duke commanded that Handel should be brought before him. When the boy appeared he patted him on the head, and praised his performance, telling him that he was sure that he would make a good musician.
Battle between aeroplane and British tank
Battle between aeroplane and British tank
Blimp bombing a submarine
Blimp bombing a submarine
Fighting Zeppelin raiders
Fighting Zeppelin raiders
The depth bomb destroys a U-Boat
The depth bomb destroys a U-Boat
German rotte
One of the most interesting stringed instruments of the middle ages is the rotta (German, rotte; English, rote). It was sounded by twanging the strings, and also by the application of the bow. The first method was, of course, the elder one. There can hardly be a doubt that when the bow came into use it was applied to certain popular instruments which previously had been treated like the cithara or the psalterium.
German fiddle, ninth century
A German fiddle of the ninth century, called lyra, copied by Gerbert from the manuscript of St. Blasius, has only one string.
Otto von Bismarck
Otto von Bismarck
He placed the 'drum' on a chair, and practised diligently
What is to be done? Nothing could be more inconvenient. Easter-time, and so much new music to be played!' Master Frank Haydn, Master of the Orchestra at the parish church of Hamburg, in Southern Germany, all but tore his brown wig in his despair, at hearing of the death of the man who played the kettle-drum in his orchestra. 'I know of no one to take his place at such short notice,' he went on, though there were only his wife and little nephew to hear him. The nephew, Joseph Haydn by name, had only lately come into the choir-master's family. He was a child of six years old, but had already shown such wonderful musical genius, that his parents had decided to place him with his uncle, where he would have great opportunities for musical study. The little fellow now looked up from an old music book, for he could read music perfectly, and said timidly, 'I think I could manage the kettle-drum, uncle, if you would just show me a little how it should be played.' 'You, Joseph?' said the choir-master in surprise, as he looked down at the serious little face. 'It is not a violin, you know; if it were you could manage well enough, but you know nothing of kettle-drums.' 'Let me try, Uncle!' pleaded Joseph. Before long he had his wish, and both were in the big room over the church porch where the practices always took place. Joseph's little fingers seemed to hold the drum-sticks as if to the manner born, and after a short rehearsal of the music to be played on the festival, the old man felt an immense load lifted off his shoulders. 'Capital! capital!' he exclaimed. 'I shall not miss poor Schmidt now; your touch is crisper than his!' Then the door of the room was locked, and uncle and nephew returned home. Joseph, however, as Easter drew near, became very anxious, and longed for an opportunity for further practice on the drum. His fingers might not be skilful enough: he could be sure of the notes without practice, but could he handle the sticks properly? He dared not ask his uncle for leave to go into the choir-room, and he had no drum in the house. What could he do? Practise he must, or he would never feel sure of himself. 'I will make a drum!' said the little fellow; 'I have an idea.' There was a round basket in the out-house. It was generally used for flour, but it happened to be nearly empty now, and Joseph seized on this, as it was the shape of a drum; over it he stretched a clean dishcloth, fastening it as tightly as possible with string. 'It makes a beautiful drum!' he said joyfully, as he beat it with two sticks, and carrying his 'drum' into the parlour, he placed it on a chair, propped the music up in front of him, and practised the fingering diligently and noiselessly for an hour or more, till he felt quite sure of himself. Alas, for Joseph, however! He had been too absorbed in his drumming to notice the small quantity of flour which had been left in the basket. It was shaken out with each beat of the drum-sticks, and now lay thick on the velvet cover of the chair. Joseph got a whipping for his thoughtlessness, but that was nothing uncommon for children in the eighteenth century, and was soon forgotten. Easter arrived, and the little fellow played his drum so well, that for many years after he played that instrument in the choir.