Mounted Crossbowman
A troop of mounted crossbowmen, of special skill and courage, usually formed the bodyguard of the king, and attended him in battle. Mounted crossbowmen were largely employed on the Continent in the fourteenth, and first half of the fifteenth century, and these men were usually allowed one and sometimes even two horses apiece, besides being supplied, when on the march, with carts to carry their crossbows and quarrels
Crossbowmen
The centre figure may be seen bending his crossbow with a windlass, with his foot in the stirrup of the weapon. From Manuscript, Froissart's ' Chronicles.
A store of crossbow bolts, shafts and heads
The crossbowman is aiming at a target to the left of the picture. From a catalogue of the Arsenal of the Emperor Maximilian I. (6. 1459, d. 1519).
Crossbowman approaching game
Crossbowman approaching game by means of a stalkig horse
How a crossbowman should approach animals
How a crossbowman should approach animals by means of a cart concealed with foliage.
Arbalestina
The narrow cruciform loophole, called by architects ' Arbalestina,' which is usually to be seen in the masonry of a mediaeval fortress, was designed for the special use of crossbowmen in repelling an assault. To enable the crossbow, or longbow, to be aimed to the right or left through a loophole, the aperture was greatly widened out on the inside face of the perforated wall.
Crossbowmen
They represent French soldiers at the defence of Rouen, 1419, shooting from behind the shelter of shields propped up in front of them.
Crossbowmen
The centre figure is winding up his windlass crossbow behind the shelter of a shield. From Manuscript, Froissarts ' Chronicles.' The larger shields, which were carried before the knights (by their pages) when on the march, and which were propped up in front of them as a protection from arrows in a battle or a siege, were known as pavises or mantlets.
Crossbowmen
The soldiers carry windlass crossbows. One man is winding up his weapon ; the other is shooting, with his windlass laid on the ground at his feet.
trebuchet
The trebuchet was another war machine used extensively during the Middle Ages. Essentially, it was a seesaw. Weights on the short arm swung the long throwing arm.
Costume of the Franks in the Eighth Century
Costume of the Franks in the Eighth Century
Battering-ram
In the cut we give a representation of the battering-ram It contains curious contrivances for throwing up scaling-ladders and affixing them to the battlements, from which the inventors of our fire-escapes may have borrowed suggestions; and others for bridging wide moats and rivers with light scaffolding, which could be handled and fixed as easily and quickly as the scaling-ladders. The drawing of the ram only indicates that the machine consists of a heavy square beam of timber, provided, probably, with a metal head, which is suspended by a rope from a tall frame, and worked by manual strength. The cut is especially interesting as an illustration of the style of armour of the latter part of the fifteenth century. It gives the back as well as the front of the figure, and also several varieties of helmet.
Bowmen and Arbalesters
The man on the right of the cut wears a visored helmet, but it has no amail; his body is protected by a skirt of mail, which appears at the shoulders and hips, and at the openings of his blue surcoat; the legs are in brown hose, and the feet in brown shoes. The centre figure has a helmet and camail, sleeves of mail, and iron breastplate of overlapping plates; the upper plate and the skirt are of red spotted with gold; his hose and shoes are of dark grey. The third man has a helmet with camail, and the body protected by mail, which shows under the arm, but he has also shoulder-pieces and elbow-pieces of plate; his surcoat is yellow, and his hose red. The artist has here admirably illustrated the use of the crossbow. In one case we see the archer stringing it by help of a little winch; in the next he is taking a bolt out of the quiver at his side with which to load his weapon; in the third we have the attitude in which it was discharged.
Cross-bow
The cross-bowman is winding up his weapon with a winch, his shield is slung at his back.
Long-bow, Arquebus, Cannon, and Greek Fire
We have specially to call attention to the two men who are throwing shells, which are probably charged with Greek fire. This invention, which inspired such terror in the Middle Ages, seems to have been discovered in the east of Europe, and to have been employed as early as the seventh century. We hear much of its use in the Crusades, by the Greeks, who early possessed the secret of its fabrication. They used it either by ejecting it through pipes to set fire to the shipping or military engines, or to annoy and kill the soldiers of the enemy; or they cast it to a distance by means of vessels charged with it affixed to javelins; or they hurled larger vessels by means of the great engines for casting stones; or they threw the fire by hand in a hand-to-hand conflict; or used hollow maces charged with it, which were broken over the person of the enemy, and the liquid fire poured down, finding its way through the crevices of his armour.
Quilted Armour
Of the quilted armours we know very little. In the illuminations is often seen armour covered over with lines arranged in a lozenge pattern, which perhaps represents garments stuffed and sewn in this commonest of all patterns of quilting; but it has been suggested that it may represent lozenged-shaped scales, of horn or metal, fastened upon the face of the garments. In the wood-cut here given from the MS. Caligula A. vii., we have one of the clearest and best extant illustrations of this quilted armour.
The Assault
Seizing that moment, a party of camp followers run forward with a couple of planks, which they throw over the moat to make a temporary bridge. They are across in an instant, and place scaling-ladders against the walls. The knights, following close at their heels, mount rapidly, each man carrying his shield over his head, so that the bare ladder is converted into a covered stair, from whose shield-roof arrows glint and stones roll off innocuous. It is easy to see that a body of the enemy might thus, in a few minutes, effect a lodgment on the castle-wall, and open a way for the whole party of assailants into the interior.
Use of the Pavis
The archers of the castle found shelter behind the merlons of the battlements, and had the windows from which they shot screened by movable shutters; as may be seen in the next woodcut of the assault on a castle. It would have put the archers of the assailants at a great disadvantage if they had had to stand out in the open space, exposed defenceless to the aim of the foe; all neighbouring trees which could give shelter were, of course, cut down, in order to reduce them to this defenceless condition, and works were erected so as to command every possible coigne of vantage which the nooks and angles of the walls might have afforded. But the archers of the besiegers sought to put themselves on more equal terms with their opponents by using the pavis or mantelet. The pavis was a tall shield, curved so as partly to envelop the person of the bearer, broad at the top and tapering to the feet.