Zebra with young
Zebra with young
Zebra with young
Zebra with young
Water Clock
The day after we had had our grand Chinese dinner we went into the city, and the first object we visited was the Clepsydra (or water clock), which is placed in a chamber erected on the tower called Kung-Pak-Lau. We saw four tubs containing water, which are placed on an inclined plane and connected by open spouts. The tube vary in size, the largest one being at the top. The water trickles from the one tub into the other. A copper dial resembling a carpenter's rule, with Chinese characters engraved on it marking its divisions, rests on a wooden float in the lowest tub. As this dial rises it shows the length of time expired. A man remains in the building night and day, for the purpose of giving the hour to the citizens of Canton. This he does during the day, by placing boards outside the clock tower, which are painted white, and bear large black Chinese characters marking the hour. A gong and drum are kept in the tower, by which the watchman makes known the various watches or hours of the night. A small shrine is placed immediately above the steps leading to the water clock, in honour of Pwan-Ku, who is described in Chinese mythology as having been the first man. As clothes were supposed to be unknown when he flourished, he is represented as wearing an apron or girdle of green leaves. He appears to be regarded as the tutelary god of the water clock.
View of Stereotype Foundry
Various representations of the gallop
Various representations of the gallop. Fig. 1.—From Géricault's picture, "The Epsom Derby, 1821." Figs. 2 and 3.—From gold-work on the handle of a Mycenæan dagger, 1800 b.c. Fig. 4.—From iron-work found at Koban, east of the Black Sea, dating from 500 b.c. Fig. 5.—From Muybridge's instantaneous photograph of a fox-terrier, showing the probable origin of the pose of the "flying gallop" transferred from the dog to other animals by the Mycenæans. Fig. 6.—The stretched-leg prance from the Bayeux tapestry (eleventh century). Fig. 7.—The stretched-leg prance used to represent the gallop by Carle Vernet in 1760. Fig. 8.—The stretched-leg prance used by early Egyptian artists.
Unmarried Village Girl
Thomas Curson Hansard
The Printing Press of the Stanhope Construction
The Printing Press of the original construction
The Lithographic Star Press
The Frame
The Babylonian Cylinder
The Babylonian Cylinder
The African elephant (Elephas Africanus) with rider mounted on its back
The African elephant (Elephas Africanus) with rider mounted on its back. The drawing is an enlarged representation of an ancient Carthaginian coin.
Terrified Horse
Terrified Horse
Speckled horse
Speckled horse
Soldier on horse
Soldier on horse
Skeleton of Indian Elephant
Skeleton of the Indian elephant. Only four toes are visible, the fifth concealed owing to the view from the side.
Sampans
Rodeo Rider
Rodeo Rider
Representations of the gallop
Representations of the gallop. Fig. 2.—One of the many admirable Chinese representations of the galloping horse. This is very early, namely, 100 a.d. Fig. 3.—From a Japanese drawing of the seventeenth century; the pose is a modification of the "flying gallop," Fig. 4.—The flex-legged prance from a bas-relief in the frieze of the Parthenon, b.c. 300. Fig. 5.—A modern French drawing. It is the most "effective" pose yet adopted by artists, and is an improvement on the full-stretched flying gallop, though failing to suggest the greatest effort and rapidity. Fig. 6.—Instantaneous photographs of four phases of a horse "jumping."
Representation of a man extracting the jewel from a toad's head
Representation of a man extracting the jewel from a toad's head; two "jewels", already extracted are seen dropping to the ground. From the "Hortus Sanitatis," published in 1490.
Prancing Horse
Prancing Horse
Palæomastodon
Restored model of the skull and lower jaw of the ancestral elephant Palæomastodon from the upper Eocene strata of the Fayoum Desert, Egypt. It shows the six molar teeth of the upper and lower jaw (left side), the tusk-like upper incisors and the large chisel-like lower incisors in front.
Open-air refreshment stall
I have observed a great number if open-air stalls, which are placed either under mat coverings, or simply under large umbrellas made of dried palm-leaves. I have seen most picturesque groups standing around these stalls drinking soup, or eating boiled rice with chopsticks, or perhaps taking cakes or other light refreshment.
Old English double curtail
The next step in the evolution produced the double curtail, a converted bass pommer an octave below the single curtail and therefore identical in pitch as in construction with the early fagotto in C. The instrument is shown the figure, the reproduction of a drawing in the MS. of The Academy of Armoury by Randle Holme,[16] written some time before 1688.
Need real food
Horse reaching for some leaves on rather barren tree
Nautch Girl
The Nautch Girls are the singing and dancing girls of the East. They are gorgeously attired in robes of embroidered silk and muslin, and covered with jewels. They attend the public and private festivals and entertain the company bu their soft and voluptuous songs, and graceful attitudes.
Myotragus
Drawing of the skull of the rat-toothed goat, Myotragus—the new extinct beast discovered in limestone fissures in the island of Majorca by Miss Bate. 1. Side view of the skull and lower jaw. 2. Appearance of the two rat-like teeth as seen when the end of the lower jaw is viewed from above.
Mr Bensley's Machine
molars of elephants
The crowns of three "grinders" or molars of elephants compared. a is that of an extinct mastodon with four transverse ridges; b is that of the African elephant with nine ridges in use and ground flat; c is that of the mammoth with sixteen narrow ridges in use—the rest, some eight in number, are at the left hand of the figure and not yet in use.
Man with two horses
Man with two horses
M R Mitford
Mary Russell Mitford (16 December 1787 – 10 January 1855) was an English author and dramatist.
Lamarck when old
Portrait of Lamarck, when old and blind, in the costume of a member of the institute, engraved in 1824.
Lamarck - Aged 35
Lamarck - Aged 35
Lamarck
Although there has been and still may be a difference of opinion as to the value and permanency of Lamarck’s theoretical views, there has never been any lack of appreciation of his labors as a systematic zoölogist. He was undoubtedly the greatest zoölogist of his time. Lamarck is the one dominant personage who in the domain of zoölogy filled the interval between Linné and Cuvier, and in acuteness and sound judgment he at times surpassed Cuvier. His was the master mind of the period of systematic zoölogy, which began with Linné—the period which, in the history of zoölogy, preceded that of comparative anatomy and morphology.
Koster
Jamestown as it is
Inscriptions on the Babylonian Bricks
Inscriptions on the Babylonian Bricks
Inscription of the Sigean Tablet
Hunting with the dogs
Hunting with the dogs
How to hold the Cello bow
The knuckles must not protrude in the least, the fingers also help by being allowed to bend easily at their middle joints, the upper phalanges having an almost horizontal position over the bow
How to hold the Cello
Most pupils are surprised I have no doubt, at the evident discrepancy seen in the plates usually published with 'cello schools, when compared with the manner in which our first class artists hold their instruments.
Horses running in snow
Horses running in snow
Horses in stall
Horses in stall
Horses Drinking
Horses Drinking
Horse with feedbag
Horse with feedbag
Horse staying by his owner
Horse staying by his owner
Horse legs
Horse legs
Horse in stall
Horse in stall
Horse in stall
Horse in stall
Horse Head
Horse Head
Horse family
Horse family
Horse drinking
Horse drinking
Horse cantering
Horse cantering
Horse and sheep show
Horse and sheep show
Horse and Foal
Horse and Foal
Horse and dogs ready for a ride
Horse and dogs ready for a ride
Horse and cart with dog driver
Horse and cart with dog driver
Horse affection
Horse affection
Horse
Horse