- Hand-Ball.—XIV. Century
The following engraving represents a gentleman and lady playing at hand-ball, and as far as one can judge from the representation, the pastime consisted in merely beating the ball from one to the other. - Hand-bells.—XIV. Century
- Hand-Cuffs
A pair of the iron hand-cuffs with which the men-slaves are confined. The right-hand wrist of one, and the left of another, are almost brought into contact by these, and fastened together, by a little bolt with a small padlock at the end of it. - Handel's Harpsichord
Handel's Harpsichord. Case of deal, black japanned; with internal ornaments of flowers painted, and inscriptions in gold. Made by Andrea Ruckers, of Antwerp, 1651 - Handels Birthplace
Handel's birthplace, Halle, Saxony. George Frederick Handel, as the boy was named, was the son of a surgeon of Halle, Lower Saxony, in which town the child was born on February 23, 1685. Even before he could speak little George had shown a remarkable fondness for music, and the only toys he cared for were such as were capable of producing musical sounds. With this love for music, however, the father showed no sympathy whatever; he regarded the art with contempt, as something beneath the serious notice of one who aspired to be a gentleman, and that his child should have expressed an earnest desire to be taught to play only served to make him angry. - Hands in pockets
Hands in pockets - Hanging to music
Hanging to Music. (A Minstrel condemned to the Gallows obtained permission that one of his companions should accompany him to his execution, and play his favourite instrument on the ladder of the Gallows.)--Fac-simile of a Woodcut in Michault's "Doctrinal du Temps Présent:" small folio, goth., Bruges, about 1490. - Hanuman
Hanuman - Hapimou
Next was Hapimou, the Nile, whose waters were the chief source of their food, whose overflow marked the limits between the cultivated land and the desert; to him they owed nothing but grateful thanks. He is a figure of both sexes, having the beard of a man and the breastes of a child-bearing woman. He carries in his arms fruits and flowers and sometimes waterfowls. - Happy Birthday
Child celebrating a birthday with birthday cake - Happy Days
"Are you going next week to see Phillis and Phoebe? Phillis on Monday will be just fourteen. She says we shall all have our tea in the garden, And afterwards have some nice games on the green. "I wanted a new frock, but mother said, 'No,' So I must be content with my old one you see. But then white is so pretty, and kind Aunt Matilda Has sent down a beautiful necklace for me." "Oh, yes, I am going, and Peggy is going, And mother is making us new frocks to wear; I shall have my red sash and my hat with pink ribbons— I know all the girls will be smart who are there. "And then, too, we're going to each take a nosegay— The larger the better—for Phillis to say That all her friends love her, and wish her so happy, And bring her sweet flowers upon her birthday. "And won't it be lovely, in beautiful sunshine, The table spread under the great apple tree, To see little Phillis—that dear little Phillis— Look smiling all round as she pours out the tea!" - Happy Family
Cat and birds - Har-Hari
Har-Hari - Hardwearing clothes
For everyday use the Jamestown settlers wore hardwearing clothes made of homespun cloth. (conjectural sketch by Sidney e. King.) - Hardy
Hardy - Hare
The members of the genus Hare (Lepus)are distinguished by ears, which are almost as long as the head, by the shortness of the thumb of the forefeet, the large length of the hind legs (almost double those of the forelegs), the upward-facing tail stump, and the 6 molars in each upper jaw half (in the lower jaw there are 5 on each side). - Hare and Tabor
- Hare Mouse
The Hare Mouse depicted on this page (Lagidium Cuvieri) inhabits the high plains of southern Peru and Bolivia and is close to the stature and size of a Rabbit. Her coat is very soft and long-haired. - Hariti
The kingdom of Gandhara on the northwest frontier near Peshawar, which flourished in the third century B.C., was a typical meeting-place of the Hellenic and Indian worlds. Here are to be found the earliest Buddhist sculptures, and interwoven with them are figures which are recognizably the figures of Serapis and Isis and Horus already worked into the legendary net that gathered about Buddha. No doubt the Greek artists who came to Gandhara were loath to relinquish a familiar theme. But Isis, we are told, is no longer Isis but Hariti, a pestilence goddess whom Buddha converted and made benevolent. - Harlequin Spider
Harlequin Spider ( Salticus scenicus ): a) Female, b) Male, both enlarged. c) Female, full size, d) Front part of the head bust, seen from behind to show eye placement (enlarged). - Harold taken prisoner by the Count of Ponthieu
Harold taken prisoner by the Count of Ponthieu - Harp, ninth century
In the illustration from the manuscript of the monastery of St. Blasius twelve strings and two sound holes are given to it. A harp similar in form and size, but without the front pillar, was known to the ancient Egyptians. - Harpa musica.
Harpa musica. - Harper
The custom of having instrumental music as an accompaniment of dinner is still retained by her Majesty and by some of the greater nobility, by military messes, and at great public dinners. But the musical accompaniment of a mediæval dinner was not confined to instrumental performances. We frequently find a harper introduced, who is doubtless reciting some romance or history, or singing chansons of a lighter character. He is often represented as sitting upon the floor. - Harps, pipe, and flute, from an ancient tomb near the Pyramids
- Harriet Beecher Stowe
- Harriet Goodhue Hosmer
Harriet went to school in Watertown, and later attended a private school at Lenox, Massachusetts. After three years at Lenox, Harriet returned home. She then began to study drawing and modeling in Boston. Often she walked both to and from her lessons, a distance of fourteen miles. By this time, Harriet Hosmer realized that nothing made her happier than to turn formless bits of clay into beautiful objects. She felt that she would like to go still further in her work; she wanted to see some of her ideas take shape in marble. - Harriet Martineau
Harriet Martineau - Harrisburg and Bridges over the Susquehanna
- Harrison boar
Harrison boar - Harry tending his mother
Young boy looking after his sick mother - Hartebeest
Hartebeest - Harvest mites. (Larvæ of Trombidium)
- Harvesting Ice
“Harvesting” Ice, about 1650. Archeological excavations revealed that icehouses were built on the historic island over 300 years ago. (painting by Sidney e. King - Harvesting tobacco at Jamestown, about 1650
Harvesting tobacco at Jamestown, about 1650. (Painting by Sidney E. King.) - Hat of Northwest Coast, Top and Side View
- Hatfield House
- Hats 1
These two examples show how even a hat with drooping brim, if not too wide, can be worn by the stout person if trimming is adeptly used to direct the vision upward and lend an illusion of height. - Hats 2
Here trimming is used on two entirely different types of hats to give in each case added height to the figure and help in attaining a slenderizing appearance. Left—Hats with medium brims and high trimming are often becoming, especially if wide enough to avoid the pyramid effect. Right—High built trimming and delicate veils are advantageous where a double chin is the handicap. - Hatter
Three people making hats in the middle ages. One appears to be a child. - Haughty look from a young woman
Haughty look from a young woman - Haughty maid talking to a man visiting lady in bed
- Hawken Rifle
Hawken Rifle - Hawking—XIV. Century
We see a party of both sexes hawking by the water side; the falconer is frightening the fowls to make their rise, and the hawk is in the act of seizing upon one of them. From a manuscript of the 14th century - Hawks-Bill Turtle
- Hawks-Bill Turtle (underneath)
- Hay Carriers
Hay Carriers - Haymouse (singing vole)
Haymouse (singing vole) - Hazel Dormouse
Over the day, the Hazel mouse is sleeping in one or another shelter, the night she goes to find her food, which consists of nuts, acorns, hard seeds, juicy fruits, berries and buds of trees; prefers, however, to eat hazelnuts, which she artfully opens and empties, without picking them or removing them from the nap. She also seeks thrush berries and is therefore not infrequently caught in thrush snares. - He called to the coachman to stop
One day, when Handel was seven years old, his father announced his intention of paying a visit to the castle of the Duke of Saxe-Weissenfels. Handel was most anxious to be allowed to accompany his father, because he had heard that the Duke kept a great company of musicians to perform in his chapel. But the father refused his consent, and the boy turned away with a look of fixed determination in his eyes. 'I will go, even if I have to run every inch of the way!' Handel did not know then that forty miles lay between his home and the castle, but having formed his bold resolution he awaited the moment when his father set forth on his journey, and then, running behind the closed carriage, he did his best to keep pace with it. The roads were long and muddy, and although he panted on bravely for a long distance, the child's strength began at last to fail, and, fearing that he would be left behind, he called to the coachman to stop. At the sound of the boy's voice his father thrust his head out of the window, and was about to give vent to his anger at George's disobedience; but a glance at the poor little bedraggled figure in the road, with its pleading face, melted the surgeon's heart. They were at too great a distance from home to turn back, and so Handel was lifted into the carriage and carried to Weissenfels, where he arrived tired and footsore, but supremely happy at having won his point. - He Felt giddy
- He placed the 'drum' on a chair, and practised diligently
What is to be done? Nothing could be more inconvenient. Easter-time, and so much new music to be played!' Master Frank Haydn, Master of the Orchestra at the parish church of Hamburg, in Southern Germany, all but tore his brown wig in his despair, at hearing of the death of the man who played the kettle-drum in his orchestra. 'I know of no one to take his place at such short notice,' he went on, though there were only his wife and little nephew to hear him. The nephew, Joseph Haydn by name, had only lately come into the choir-master's family. He was a child of six years old, but had already shown such wonderful musical genius, that his parents had decided to place him with his uncle, where he would have great opportunities for musical study. The little fellow now looked up from an old music book, for he could read music perfectly, and said timidly, 'I think I could manage the kettle-drum, uncle, if you would just show me a little how it should be played.' 'You, Joseph?' said the choir-master in surprise, as he looked down at the serious little face. 'It is not a violin, you know; if it were you could manage well enough, but you know nothing of kettle-drums.' 'Let me try, Uncle!' pleaded Joseph. Before long he had his wish, and both were in the big room over the church porch where the practices always took place. Joseph's little fingers seemed to hold the drum-sticks as if to the manner born, and after a short rehearsal of the music to be played on the festival, the old man felt an immense load lifted off his shoulders. 'Capital! capital!' he exclaimed. 'I shall not miss poor Schmidt now; your touch is crisper than his!' Then the door of the room was locked, and uncle and nephew returned home. Joseph, however, as Easter drew near, became very anxious, and longed for an opportunity for further practice on the drum. His fingers might not be skilful enough: he could be sure of the notes without practice, but could he handle the sticks properly? He dared not ask his uncle for leave to go into the choir-room, and he had no drum in the house. What could he do? Practise he must, or he would never feel sure of himself. 'I will make a drum!' said the little fellow; 'I have an idea.' There was a round basket in the out-house. It was generally used for flour, but it happened to be nearly empty now, and Joseph seized on this, as it was the shape of a drum; over it he stretched a clean dishcloth, fastening it as tightly as possible with string. 'It makes a beautiful drum!' he said joyfully, as he beat it with two sticks, and carrying his 'drum' into the parlour, he placed it on a chair, propped the music up in front of him, and practised the fingering diligently and noiselessly for an hour or more, till he felt quite sure of himself. Alas, for Joseph, however! He had been too absorbed in his drumming to notice the small quantity of flour which had been left in the basket. It was shaken out with each beat of the drum-sticks, and now lay thick on the velvet cover of the chair. Joseph got a whipping for his thoughtlessness, but that was nothing uncommon for children in the eighteenth century, and was soon forgotten. Easter arrived, and the little fellow played his drum so well, that for many years after he played that instrument in the choir. - He Ran away from the crowd
He Ran away from the crowd - He set a little child in the midst of them
Mathew 18:1 - 3 - He was pale and haggard
- Head and pronotum of (a) dog flea; (b) of cat flea; (c) of hen flea (d) Nycteridiphilus (Ischnopsyllus) hexactenus
- Head of a spider showing poison gland (c) and its relation to the chelicera (a)
- Head of a well-marked Striped Brown Tabby
Head of a well-marked Striped Brown Tabby - Head of Hatasu
Hasheps, or Hatasu, was the daughter of the great warrior king, Thothmes the First, and, according to some, was, during his later years, associated with him in the government. An inscription is quoted in which he assigns to her her throne-name of Ra-ma-ka, and calls her "Queen of the South and of the North," But it was not till after the death of her father that she came prominently forward, and assumed a position not previously held by any female in Egypt, unless it were Net-akret (Nitocris). Her father had left behind him two sons, as well as a daughter; and the elder of these, according to Egyptian law, succeeded him. He reigned as Thothmes-nefer-shau, and is known to moderns as Thothmes the Second. He was, however, a mere youth, of a weak and amiable temper; while Hatasu, his senior by some years, was a woman of great energy and of a masculine mind, clever, enterprizing, vindictive, and unscrupulous. The contrast of their portrait busts is remarkable, and gives a fair indication of the character of each of them. Thothmes has the appearance of a soft and yielding boy: he has a languishing eye, a short upper lip, a sensuous mouth and chin. Hatasu looks the Amazon: she holds her head erect, has a bold aquiline nose, a firmly-set mouth, and a chin that projects considerably, giving her an indescribable air of vigour and resolution. The effect is increased, no doubt, by her having attached to it the male appendage of an artificial beard; but even apart from this, her face would be a strong one, expressive of firmness, pride, and decision. It is thought that she contracted a marriage with her brother, such unions being admissible by the Egyptian marriage law, and not infrequent among the Pharaohs, whether of the earlier or the later dynasties. In any case, it is certain that she took the direction of affairs under his reign, reducing him to a cipher, and making her influence paramount in every department of the government. - Head of Indian Elephant