- Front View of the Guards
- Le Ballet De La Reine
A French Court Ballet In The Early Seventeenth Century - Marie Antoinette on the way to the Guillotine
- Positions for the use of the sword
- The Bayonet Exercise
- 50
- 48
- 33
- Augustine Preaching before Ethelbert
In the year 596 Augustine with forty other priests landed in Kent. The name of the king of that part was Ethelbert, whose wife Bertha was a Christian. Ethelbert allowed Augustine to preach before him in the open air ; and very soon he saw how wrong it was to worship idols, and was baptized in the Christian faith. The Britons soon followed the good example shown them by Ethelbert, and gave up their false gods, and became Christians. - On guard
- Near Side protect and Giving Point
- The Cut of the Cavalry
- Quarte
- The Cut and Thrust in Quarte
- The Head guarded against any cut
- Advancing, ... her clear eyes fixed on mine
- The Bastille
- Dancer and Guitarist
- The Situation of the Cavalry man on the near side
- And from that hour they were fast friends
- Louis XIII, King of France
- Mitch
- was glad ... that she had not died elsewhere
- There was a useless battle
- Technique of Roman soldier
- Mack
Cat trying to open the door - Louis XVI
- Pete
- Madam Campan
Lady-In-waiting to Marie Antoinette - Ancient Britons
The country we live in is a large island, called BRITAIN. It is divided into two parts : the northern part is now named SCOTLAND, and the southern part, ENGLAND. At first there were no houses, gardens, or fields, such as we see now; but most of the island was covered with great forests and marshes. The people who lived in it were called BRITONS, and were wild, ignorant savages. In summer they went about naked ; and in winter they clothed them-selves with the skins of the wild beasts which they killed in hunting. Their hair was allowed to grow very long, and they stained their bodies of a blue colour, to frighten their enemies. They ate acorns and other wild fruits, and lived in caves, or in huts made of branches of trees covered over with mud. These were generally built together in little villages in the midst of forests. Their time was chiefly spent in hunting in the woods, or in fishing. For the latter, they used small boats called coracles, made of wicker-work covered with skins. They were often at war with each other, and fought with a rude kind of spear and arrows, of which the heads were made of sharp pieces of stone. The Britons were divided into many tribes. Each tribe had a chief, who led them in battle, and ruled over them in time of peace. - And still looked directly in my eyes
- Thomas
- Jimmie
- Collar and Bodice types. Period Charles I
- Bodice types. 1700-1725
- Cat looking up
- In company of the everlasting tortoise
- Snooks
- Dump
- Sammy
- Jesus Praying in Gethsemane
Matthew 26:39 - Tiger
- She passed deliciously dreamy days
- Marie Antoinette and Louis XVI
- A House built on the Rock
Matthew 7:25 And the rain descended, and the floods came, and the winds blew, and beat upon that house; and it fell not: for it was founded upon a rock. - Banner
- Ballet dancer
- Saxon
- Portuguese Mappemonde. 1490
- Period 1820-1840
- Rolling on the crimson rug
- Hats during period 1790-1800
- Dancers
- Dancers
- Dancer
- Dancer
- Master of the Playing Cards. St. George
Size of the original engraving, 5⅞ × 5¼ inches In the Royal Print Room, Dresden The technical method of the Master of the Playing Cards is that of a painter rather than of a goldsmith. There is practically no cross-hatching, and the effect is produced by a series of delicate lines, mostly vertical, laid close together. His plates are unsigned and undated, so that we can only approximate the period of his activity. That he preceded, by at least ten years, the earliest dated engraving, the Flagellation, by the Master of 1446, may safely be assumed, since in the manuscript copy of Conrad von Würzburg’s “The Trojan War,” transcribed in 1441 by Heinrich von Steinfurt (an ecclesiastic of Osnabrück), there are pen drawings of figures wearing costumes which correspond exactly with those in prints by the Master of the Playing Cards in his middle period. The Master of the Playing Cards is, therefore, the first bright morning star of engraving. From him there flows a stream of influence affecting substantially all of the German masters until the time of Martin Schongauer, some of whose earlier plates show unmistakable traces of an acquaintanceship with his work. St. George and the Dragon is in his early manner. Here are plainly to be seen the characteristics of this first period—the broken, stratified rocks, the isolated and conventionalized plants, and the peculiar drawing of the horse, especially its slanting and half-human eyes. The Playing Cards, from which he takes his name, may safely be assigned to his middle period. - Dancer
- Dancer
- Francs and Anglo-Saxons