- Section of First-rate Man-of-War
I will now give you a sectional division of a first-rate line-of-battle ship. Such a ship, carrying 120 or more guns, has four decks on which her guns are placed. The highest is open to the air, and is called the UPPER DECK At the after part, extending a little way beyond the mizen-mast, there is a raised platform, called the POOP. It has no guns on it. On the main deck is the steering-wheel, with the binnacle in front of it. The after part of this deck between the poop and the main-mast is called the quarter-deck, and is the place where the officers especially walk. The part under the poop is divided into cabins, appropriated to the use of the captain. Here, also, is a clerk's office and a pantry. Between the main and fore-mast the large boats are stowed, and on either side are the gangways at which sentries are stationed. The next deck under this is called the MAIN DECK. In the after part is the admiral's cabin. Immediately under the boats is a pen for the officers' live-stock ; and just abaft the fore-mast is the galley, or kitchen. The third deck from the upper is called the MIDDLE DECK. The after part is fitted up for the lieutenants, chaplain, surgeon, paymaster, marine officers, &c., and called the WARD-ROOM. In the fore part of the deck is placed the sick-bay, a compartment fitted up as a hospital ; about the centre of this deck is one of the capstans. The fourth from the upper is called the LOWER or GUN DECK. In the after part is the GUN-ROOM, where the midshipmen, and other junior officers, mess. The tiller of the rudder works through the gun-room just above their heads. A second capstan is placed on this deck ; and forward are the riding-bitts for securing the cables. It is the lowest deck on which guns are carried. The ORLOP DECK is the fifth deck from the upper. It has no guns or ports, though lighted up by bull's eyes or scuttles. In the after part is the purser's issue-room ; next to it is the after cockpit, where the midshipmen and other junior officers sleep in hammocks. Before it again will be found the sail-room, where the sails are kept, and the cable-tiers, where the cables are stowed. Before it again, just abaft the fore-mast, is the fore cockpit, and the warrant officers' cabins, while right in the head of the ship are the carpenter's and boatswain's stores. Low as we have got, we have still further to go down to the HOLD, which, if it may be so called, is the sixth deck from the highest. It is often divided into two decks for the greater convenience of stowage. Here are the FORE AND AFTER MAGAZINES, WATER TANKS, WINE AND SPIRIT ROOM, CHAIN CABLE LOCKERS, SHOT LOCKERS, BREAD ROOM, SHELL ROOM, GUNNER'S STORE ROOM, DRY PROVISION, and BEEF AND PORK IN CASKS. Since the introduction of auxiliary steam-power into ships of war, a large portion of the hold is devoted to the steam-engine and boilers, coal bunkers, and the shaft of the screw, while the funnel runs up through all the decks ; but it is wonderful, comparatively, how little space these are allowed to occupy, considering the great aid the steam-engine affords to the movements of the ship. - The 'Minotaur'
Launched in 1863 Among the numerous huge monsters constituting the iron-clad fleet of England, the Minotaur, is one of the most gigantic and formidable; and the sister ships, the Agincourt and Northumberland, all of precisely the same tonnage, power, rig, and equipment, are the largest and most powerful ships in the navy. The Minotaur was built at Blackwall, by the Thames Ship Building company and the engines were constructed by Messrs. Penn, of Deptford. She is 6,621 ton's measurement, and propelled by screw engins of 1,350 horsepower, with a speed of 15 knots an hour. She is 400 feet in length by 59 in width, and carries in all thirty-four of the heaviest guns used afloat. Among these which form her chief batter on the main deck are four 300-pounder Armstrongs. - Baseball pitches
Left to right - The In-Curve, the out-curve, the drop and the out-drop The pitcher is the most important member of a ball team. Most of the work falls to him, and a good pitcher, even with a comparatively weak team behind him, can sometimes win games where a good team with a weak pitcher would lose. A good pitcher must first of all have a cool head and keep his nerve even under the most trying circumstances. He must also have good control of the ball and be able to pitch it where he wants it to go. After that he must have a knowledge of curves and know how by causing the ball to spin in a certain way to cause it to change its course and thus to deceive the batsman. The art of curving a ball was discovered in 1867. Before that time all that a pitcher needed was a straight, swift delivery. The three general classes of curved balls used to-day are the out-curve, the in-curve, and the drop. There are also other modifications called "the fade away," "the spitball," and others. Curve pitching will only come with the hardest kind of practice. - The Wilderness Traveller
Forest travellers are always on the lookout for peculiar landmarks that they will recognize if they see them again. Oddly shaped trees, rocks, or stumps, the direction of watercourses and trails, the position of the sun, all these things will help us to find our way out of the woods when a less observing traveller who simply tries to remember the direction he has travelled may become terrified. - The right way to mount—facing toward his tail
In mounting, stand on the left side and place the left foot in the stirrup. Swing the right leg over the horse and find the right stirrup with the toe just as quickly as possible. Do not jerk a restless horse or otherwise betray your excitement if he starts. Let him see by your calmness that he too should be calm. - The lineup
The position of the men on a team is generally as the diagram shows but for various plays other formations are used, provided that they do not violate the rules, which specify just how many men must be in the lineup and how many are permitted behind the line. - The hockey player's costume
The hockey player's costume - Just before the ball is struck
Just before the ball is struck - Jumping fences is the highest art of horsemanship
Jumping fences is the highest art of horsemanship - At the top of the swing
At the top of the swing - An Indian tepee
An Indian tepee - An excellent device for catching minnows
The simplest way to catch minnows is with a drop net. Take an iron ring or hoop such as children use and sew to it a bag of cotton mosquito netting, half as deep as the diameter of the ring. Sew a weight in the bottom of the net to make it sink readily and fasten it to a pole. When we reach the place which the minnows frequent, such as the cove of a lake, we must proceed very cautiously, lowering the net into the water and then baiting it with bits of bread or meat, a very little at a time, until we see a school of bait darting here and there over the net. We must then give a quick lift without any hesitation and try to catch as many as possible from escaping over the sides. The minnow bucket should be close at hand to transfer them to and care must be used not to injure them or allow them to scale themselves in their efforts to escape. - Addressing
Addressing the golf ball before starting the swing - A type of camp fire that will burn all night
A type of camp fire that will burn all night To make a fire that will burn in front of the tent all night, first drive two green stakes into the ground at a slant and about five feet apart. Then lay two big logs one on each side of a stake to serve as andirons. Build a fire between these logs and pile up a row of logs above the fire and leaning against the stakes. You may have to brace the stakes with two others which should have a forked end. When the lower log burns out the next one will drop down in its place and unless you have soft, poor wood the fire should burn for ten hours. With this kind of a fire and with a leanto, it is possible to keep warm in the woods, on the coldest, night in winter. - A reflector camp oven
There are several kinds of ovens used for baking bread and roasting meat in outdoor life. The simplest way is to prop a frying pan up in front of the fire. This is not the best way but you will have to do it if you are travelling light. A reflector, when made of sheet iron or aluminum is the best camp oven. Tin is not so satisfactory because it will not reflect the heat equally. Both the top and bottom of the reflector oven are on a slope and midway between is a steel baking pan held in place by grooves. This oven can be moved about at will to regulate the amount of heat and furthermore it can be used in front of a blazing fire without waiting for a bed of coals. Such a rig can easily be made by any tinsmith. A very convenient folding reflector oven can be bought in aluminum for three or four dollars. When not used for baking, it makes an excellent dishpan. - A landing net should be a part of every fisherman's outfit
A landing net should be a part of every fishing outfit. More fish are lost just as they are about to be lifted from the water than at any other time. A gaff is used for this same purpose with fish too large to go into a landing net. A gaff is a large hook without a barb fastened into a short pole. If you have no net or gaff and have succeeded in bringing a large fish up alongside the boat, try to reach under him and get a firm grip in his gills before you lift him on board. If it is a pickerel, look out for his needle-like teeth. - A home-made rabbit house
A rabbit hutch or coop is easily built from old packing boxes. One third of the coop should be darkened and made into a nest, with an entrance door outside and the rest simply covered with a wire front, also with a door for cleaning and feeding. The hutch should stand on legs above ground as rabbits do not thrive well in dampness. They will, however, live out all winter in a dry place. A box four feet long and two feet wide will hold a pair of rabbits nicely. Rabbits will become very tame and may often be allowed full liberty about the place if there are no dogs to molest them. The drawing shows a standard type of rabbit hutch. A boy who is handy with tools can easily build one. We can always dispose of the increase in our rabbit family to friends or to dealers. - A home-made chicken coop built on the 'scratching-shed' plan
A chicken coop for grown fowls can be of almost any shape, size, or material, providing that we do not crowd it to more than its proper capacity. The important thing is to have a coop that is dry, easily cleaned and with good ventilation, but without cracks to admit draughts. A roost made of two by four timbers set on edge with the sharp corners rounded off is better than a round perch. No matter how many roosts we provide, our chickens will always fight and quarrel to occupy the top one. Under the roost build a movable board or shelf which may easily be taken out and cleaned. Place the nest boxes under this board, close to the ground. One nest for four hens is a fair allowance. Hens prefer to nest in a dark place if possible. A modern, up-to-date coop should have a warm, windproof sleeping room and an outside scratching shed. A sleeping room should be provided with a window on the south side and reaching nearly to the floor. - A heavy net is useful to capture aquarium specimens
A heavy net is useful to capture aquarium specimens - A game of doubles in lawn tennis
A game of doubles in lawn tennis - With a head shelter and a sleeping bag he can keep dry and warm
Boy lying in a sleeping bag in the rain, without a tent. - Title
A woman peeling apples and a man woodworking sit facing each other. Suitable for putting a title in the free space in the picture. - The wrong way to mount a horse—facing forward
The wrong way to mount a horse—facing forward - The football uniform
The football uniform - A self-sustaining or balanced aquarium
three children looking at an aquarium Any transparent vessel capable of holding water, even a Mason jar will make an aquarium from which a great deal of pleasure may be derived. The old way of maintaining aquaria in good condition required a great deal of care and attention. The water had to be changed at least once a day if running water was not available, and altogether they were so much trouble that as a rule owners soon tired of them. Modern aquaria are totally different. By a proper combination of fish and growing plants we can almost duplicate the conditions of nature and strike a balance so that the water need never be changed except when it becomes foul or to clean the glass. - Circular Divider
Circular Divider - Divider
Divider - Divider
Divider - Stylized Flower Divider
Stylized Flower Divider - Dromedary Camel
Dromedary Camel - Dromedary (standing) and Bactrian Camels
Dromedary (standing) and Bactrian Camels - Camel
Camel - Bactrian Camel
Bactrian Camel - Loaded-up Camel
Loaded-up Camel - Carillon, Netherlands
The idea of forming of a number of bells a musical instrument such as the carillon is said by some to have suggested itself first to the English and Dutch; but what we have seen in Asiatic countries sufficiently refutes this. Moreover, not only the Romans employed variously arranged and attuned bells, but also among the Etruscan antiquities an instrument has been discovered which is constructed of a number of bronze vessels placed in a row on a metal rod. Numerous bells, varying in size and tone, have also been found in Etruscan tombs. Among the later contrivances of this kind in European countries the sets of bells suspended in a wooden frame, which we find in mediæval illuminations, deserve notice. In the British museum is a manuscript of the fourteenth century in which king David is depicted holding in each hand a hammer with which he strikes upon bells of different dimensions, suspended on a wooden stand. - Vielle
The woodcut represents a very beautiful vielle; French, of about 1550, with monograms of Henry II. This is at South Kensington. The contrivance of placing a string or two at the side of the finger-board is evidently very old, and was also gradually adopted on other instruments of the violin class of a somewhat later period than that of the vielle; for instance, on the lira di braccio of the Italians. It was likewise adopted on the lute, to obtain a fuller power in the bass; and hence arose the theorbo, the archlute, and other varieties of the old lute. - The minstrels’ gallery, at Exeter cathedral
The minstrels’ gallery of Exeter cathedral dates from the fourteenth century. The front is divided into twelve niches, each of which contains a winged figure or an angel playing on an instrument of music. The instruments are so much dilapidated that some of them cannot be clearly recognized; but, as far as may be ascertained, they appear to be as follows:—1. The cittern. 2. The bagpipe. 3. The clarion, a small trumpet having a shrill sound. 4. The rebec. 5. The psaltery. 6. The syrinx. 7. The sackbut. 8. The regals. 9. The gittern, a small guitar strung with catgut. 10. The shalm. 11. The timbrel; resembling our present tambourine, with a double row of gingles. 12. Cymbals. The shalm, or shawm, was a pipe with a reed in the mouth-hole. The wait was an English wind instrument of the same construction. If it differed in any respect from the shalm, the difference consisted probably in the size only. The wait obtained its name from being used principally by watchmen, or waights, to proclaim the time of night. Such were the poor ancestors of our fine oboe and clarinet. - Scotch bagpipe, eighteenth century
The bagpipe appears to have been from time immemorial a special favourite instrument with the Celtic races; but it was perhaps quite as much admired by the Slavonic nations. In Poland, and in the Ukraine, it used to be made of the whole skin of the goat in which the shape of the animal, whenever the bagpipe was expanded with air, appeared fully retained, exhibiting even the head with the horns; hence the bagpipe was called kosa, which signifies a goat. The woodcut represents a Scotch bagpipe of the eighteenth century. - Recorder
That there was, in the time of Shakespeare, a musical instrument called recorder is undoubtedly known to most readers from the stage direction in Hamlet: Re-enter players with recorders. But not many are likely to have ever seen a recorder, as it has now become very scarce: we therefore give an illustration of this old instrument, which is copied from “The Genteel Companion; Being exact Directions for the Recorder: etc.” London, 1683. - Pneumatic organ, fourth century
The pneumatic organ is sculptured on an obelisk which was erected in Constantinople under Theodosius the great, towards the end of the fourth century. The bellows were pressed by men standing on them: see page 103. This interesting monument also exhibits performers on the double flute. The hydraulic organ, which is recorded to have been already known about two hundred years before the Christian era, was according to some statements occasionally employed in churches during the earlier centuries of the middle ages. Probably it was more frequently heard in secular entertainments for which it was more suitable; and at the beginning of the fourteenth century appears to have been entirely supplanted by the pneumatic organ. The earliest organs had only about a dozen pipes. - Regal
Of the little portable organ, known as the regal or regals, often tastefully shaped and embellished, some interesting sculptured representations are still extant in the old ecclesiastical edifices of England and Scotland. There is, for instance, in Beverley minster a figure of a man playing on a single regal, or a regal provided with only one set of pipes; and in Melrose abbey the figure of an angel holding in his arms a double regal, the pipes of which are in two sets. The regal generally had keys like those of the organ but smaller. A painting in the national Gallery, by Melozzo da Forli who lived in the fifteenth century, contains a regal which has keys of a peculiar shape, rather resembling the pistons of certain brass instruments. The illustration has been drawn from that painting. To avoid misapprehension, it is necessary to mention that the name regal (or regals, rigols) was also applied to an instrument of percussion with sonorous slabs of wood. - Monochord
The monochord was mounted with a single string stretched over two bridges which were fixed on an oblong box. The string could be tightened or slackened by means of a turning screw inserted into one end of the box. The intervals of the scale were marked on the side, and were regulated by a sort of movable bridge placed beneath the string when required. As might be expected, the monochord was chiefly used by theorists; for any musical performance it was but little suitable. About a thousand years ago when this monochord was in use the musical scale was diatonic, with the exception of the interval of the seventh, which was chromatic inasmuch as both b-flat and b-natural formed part of the scale. The notation on the preceding page exhibits the compass as well as the order of intervals adhered to about the tenth century. - Lute, Elizabethan
Lute, Elizabethan The lute was made of various sizes according to the purpose for which it was intended in performance. The treble-lute was of the smallest dimensions, and the bass-lute of the largest. The theorbo, or double-necked lute which appears to have come into use during the sixteenth century, had in addition to the strings situated over the finger-board a number of others running at the left side of the finger-board which could not be shortened by the fingers, and which produced the bass tones. The largest kinds of theorbo were the archlute and the chitarrone. - Irish bagpipe, sixteenth century
The bagpipe is of high antiquity in Ireland, and is alluded to in Irish poetry and prose said to date from the tenth century. A pig gravely engaged in playing the bagpipe is represented in an illuminated Irish manuscript, of the year 1300: and we give a copy of a woodcut from “The Image of Ireland,” a book printed in London in 1581. - Viola da gamba
The player on the viola da gamba, shown in the engraving, is a reduced copy of an illustration in “The Division Violist,” London, 1659. It shows exactly how the frets were regulated, and how the bow was held. The most popular instruments played with a bow, at that time, were the treble-viol, the tenor-viol, and the bass-viol. It was usual for viol players to have “a chest of viols,” a case containing four or more viols, of different sizes. Thus, Thomas Mace in his directions for the use of the viol, “Musick’s Monument” 1676, remarks, “Your best provision, and most complete, will be a good chest of viols, six in number, viz., two basses, two tenors, and two trebles, all truly and proportionably suited.” The violist, to be properly furnished with his requirements, had therefore 119to supply himself with a larger stock of instruments than the violinist of the present day. - Syrinx
Of the syrinx there are extant some illustrations of the ninth and tenth centuries, which exhibit the instrument with a number of tubes tied together, just like the Pandean pipe still in use. In one specimen engraved from a manuscript of the eleventh century the tubes were inserted into a bowl-shaped box. This is probably the frestele, fretel, or fretiau, which in the twelfth and thirteenth centuries was in favour with the French ménétriers. - Organistrum
The construction of the organistrum requires but little explanation. A glance at the finger-board reveals at once that the different tones were obtained by raising the keys placed on the neck under the strings, and that the keys were raised by means of the handles at the side of the neck. Of the two bridges shown on the body, the one situated nearest the middle was formed by a wheel in the inside, which projected through the sound-board. The wheel which slightly touched the strings vibrated them by friction when turned by the handle at the end. The order of intervals was c, d, e, f, g, a, b-flat, b-natural, c, and were obtainable on the highest string. There is reason to suppose that the other two strings were generally tuned a fifth and an octave below the highest. The organistrum may be regarded as the predecessor of the hurdy-gurdy, and was a rather cumbrous contrivance. Two persons seem to have been required to sound it, one to turn the handle and the other to manage the keys. Thus it is generally represented in mediæval concerts. - German fiddle, ninth century
A German fiddle of the ninth century, called lyra, copied by Gerbert from the manuscript of St. Blasius, has only one string. - Anglo-saxon fiddle
An interesting drawing of an Anglo-saxon fiddle—or fithele, as it was called—is given in a manuscript of the eleventh century in the British museum (Cotton, Tiberius, c. 6). The instrument is of a pear shape, with four strings, and the bridge is not indicated. - The French Crout
Copy of an illumination from a manuscript in the Bibliothèque royale at Paris of the eleventh century. The player wears a crown on his head; and in the original some musicians placed at his side are performing on the psalterium and other instruments. These last are figured with uncovered heads; whence M. de Coussemaker concludes that the crout was considered 95by the artist who drew the figures as the noblest instrument. It was probably identical with the rotta of the same century on the continent. - The old English 'crowd'
A player on the crwth or crowd (a crowder) from a bas-relief on the under part of the seats of the choir in Worcester cathedral dates from the twelfth or thirteenth century - The Crwth
Howbeit, the Welsh crwth (Anglo-saxon, crudh; English, crowd) is only known as a species of fiddle closely resembling the rotta, but having a finger-board in the middle of the open frame and being strung with only a few strings; while the rotta had sometimes above twenty strings. As it may interest the reader to examine the form of the modern crwth we give a woodcut of it. Edward Jones, in his “Musical and poetical relicks of the Welsh bards,” records that the Welsh had before this kind of crwth a three-stringed one called “Crwth Trithant,” which was, he says, “a sort of violin, or more properly a rebeck.” The three-stringed crwth was chiefly used by the inferior class of bards; and was probably the Moorish fiddle which is still the favourite instrument of the itinerant bards of the Bretons in France, who call it rébek. The Bretons, it will be remembered, are close kinsmen of the Welsh. - Carthusian Brothers in the Kitchen
Carthusian Brothers in the Kitchen of The Grand Chartreuse - A visitors Cell
I rang the great bell at the convent gate, and begged for hospitality. A tall, cowled monk received me, but uttered no word. He merely made a sign for me to follow him, and, closing the gate and shooting the massive bolts, he led the way across a court, where I was met by another monk, who was allowed to break the rigid vow of silence so far that he could inquire of strangers what their business was. He asked me if I desired food and rest, and on my answering in the affirmative he led me to a third and silent brother, and by him I was conducted to a cell with whitewashed walls. It contained a small bed of unpainted pine wood, and a tiny table, on which was an iron basin and a jug of water. A crucifix hung on the wall, and beneath it was a prie-dieu. - A Monks Cell
A Monks Cell in Carthusian monastery The Grand Chartreuse - Who was it who hid the ace
Seated couple watching a group of people - The Prisoner
Prisoner standing in the dock - She burst into tears
Young lady bursting into tears at some bad news - Scientific proof
Man explaining some scientific principle to another man who is not yet convinced - Queen Victoria - Age 18
Queen Victoria - Age 18