- A Niam-niam girl
The social position of the Niam-niam women differ materially from what is found amongst other negroes in Africa. The Bongo and Mittoo women are on the same familiar terms with the foreigner as the men, and the Monbuttoo ladies are as forward , inquisitive and prying as can be imagined; but the women of the Niam-niam treat every stranger with marked reserve. Whenever I met any women coming along a narrow pathway in the woods or on the steppe, I noticed that they always made a wide circuit to avoid me, and returned into the path further on; and many a time I saw them waiting at a distance with averted face until I had passed by. - Louis XIV, for the first time, receiving his ministers
This moral depravation, naturally, extended downward to the whole court. M. Brentano, who is one of the few French historians who venture to lay disrespectful hands on the grand Roi-soleil, says: "Charles VII was the original source of the crapulous debauchery of the last Valois; he traced the way for the crimes of Louis XIV, and the turpitudes of Louis XV." This, although the higher clergy of the reigns both of Charles and of Louis Quatorze did not fail in their duty, and did denounce openly from the pulpit the sins of these all-powerful monarchs. - A Lady at Play
The court of France was, at this period, the most depraved in morals, the grossest and most unpolished in manners, of any in Europe. The women of the bourgeoisie, envious of the great ladies, called them dames à gorge nue; and the latter retaliated by designating the women of the people as grisettes, because of their gray (grises) stockings,—a name retained almost down to the present day. In the sittings of the États Généraux, the President, Miron, complained bitterly of the excesses of the nobility, the contempt for justice, the open violences, the gambling, the extravagance, the constant duels, the "execrable oaths with which they thought it proper to ornament their usual discourse." - Louis XVI on the leads of the temple
After an engraving of the period. - Femme-de-la-cour and foundling
Femme-de-la-cour (Lady of the Court) and foundling - Bonaparte and the grenadier
Bonaparte and the grenadier - Costume for young girl. Period, 1821
Costume for young girl. Period, 1821 - Lady in house-robe. Period, 1816
Lady in house-robe. Period, 1816 - Ships the British navy might have had
Ships the British navy might have had! Freaks of marine architecture that have not been officially adopted. We illustrate here some curious designs for war-ships by various inventors. No. 1 is McDougal's Armoured Whale-back, with conning-towers, a design of 1892 for converting whalebacks into war-vessels. No. 2 is an American design of 1892, Commodore Folger's Dynamite Ram, cigar-shaped, with two guns throwing masses of dynamite or aerial torpedoes. No. 3 is a design by the Earl of Mayo in 1894 and called "Aries the Ram," built round an immense beam of steel terminating in a sharp point, No. 4 is Gathmann's boat for a heavy gun forward, designed in 1900. She was to be of great speed, and the forward gun was to throw 600 lb. of gun-cotton at the rate of 2000 feet per second. A formidable Armada this, had it been practicable. - Ships the British, and the German, navy might have had
Ships the British, and the German, navy might have had! Designs by the Kaiser and other naval theorists. The first illustration on this page is a design for a battle-ship made by the Kaiser in 1893, to replace the old "Preussen," then out of date. The vessel was to carry four large barbettes and a huge umbrella-like fighting-top. Illustration No. 2 is an Immersible Ironclad, designed by a French engineer named Le Grand, in 1862. In action the vessel was to be partly submerged, so that only her three turrets and the top of the armoured glacis would be visible. No. 3 is Admiral Elliott's "Ram," of 1884. The ship was to carry a "crinoline" of stanchions along her water-line, practically a fixed torpedo-net. No. 4 is Thomas Cornish's Invulnerable Ironclad, of 1885. She was to have two separate parallel hulls under water; above she was of turtle-back shape. - Indian Canoe
Indian Canoe - Chinese Procession
I have hereto annexed the print of a Chinese procession taken from the description of a traveller into that country; by which a good composer would well know how to make a proper choice of what might be exhibited, and what was fit to be left out; especially according as the dance should be, serious or burlesque. In the last case; even the horses might be represented by a theatrical imitation. - The fifteen joys of marriage
Illustration from 'LES QUINZE JOIES DE MARIAGE,' PARIS, TREPEREL, C. 1500. - The Last Hours of Lincoln
The Last Hours of Lincoln 1 Pres. LINCOLN. 2 Mrs. LINCOLN. 3 Vice Pres. JOHNSON. 4 Maj. RATHBONE. 5 Mr. ARNOLD. M.C. 6 P.M. Gen. DENNISON. 7 Sec. WELLES. 8 Atty Gen. SPEED. 9 Dr. HALL. 10 Dr. LEIBERMANN. 11 Secy. USHER. 12 Secy. McCOLLOCH. 13 Gov. OGLESBY. 14 Speaker COLFAX. 15 Dr. STONE. 16 Surg. Gen. BARNES. 17 Mrs. Sen. DIXON. 18 Dr. TODD. 19 Asst. Surg. LEALE. 20 Asst. Surg. TAFT. 21 Asst. Secy OTTO. 22 Gen. FARNSWORTH. M. C. 23 Sen. SUMNER. 24 Surg. CRANE. 25 Gen. TODD. 26 ROBT. LINCOLN. 27 Rev. Dr. GURLEY. 28 Asst. Secy FIELD. 29 Adjt Gen. HAYNIE. 30 Maj. FRENCH. 31 Gen. AUGER. 32 Col. VINCENT. 33 Gen. HALLECK. 34 Secy. STANTON. 35 Col. RUTHERFORD. 36 Asst. Secy. ECKERT. 37 Col. PELOUSE. 38 Maj. HAY. 39 Gen. MEIGS. 40 Maj. ROCKWELL. 41 Ex Gov. FARWELL. 42 Judge CARTTER. 43 Mr. ROLLINS, M. C. 44 Gen. MARSTON. M. C. 45 Mrs. KINNEY. 46 Miss KINNEY. 47 Miss HARRIS. - Abraham Lincoln
Abraham Lincoln - Washington before the revolution
Washington before the revolution - Joel R. Robinson
The history of the navigation of the Rapids of Niagara may be appropriately concluded in this chapter, which is devoted to a notice of the remarkable man who began it, who had no rival and has left no successor in it—Joel R. Robinson. In the summer of 1838, while some extensive repairs were being made on the main bridge to Goat Island, a mechanic named Chapin fell from the lower side of it into the rapids, about ten rods from the Bath Island shore. The swift current bore him toward the first small island lying below the bridge. Knowing how to swim, he made a desperate and successful effort to reach it. It is hardly more than thirty feet square, and is covered with cedars and hemlocks. Saved from drowning, he seemed likely to fall a victim to starvation. All thoughts were then turned to Robinson, and not in vain. He launched his light red skiff from the foot of Bath Island, picked his way cautiously and skillfully through the rapids to the little island, took Chapin in and brought him safely to the shore, much to the relief of the spectators, who gave expression to their appreciation of Robinson's service by a moderate contribution. - Fall of Table Rock
On the 25th of June, 1850, occurred the great downfall which reduced Table Rock to a narrow bench along the bank. The portion which fell was one immense solid rock two hundred feet long, sixty feet wide, and one hundred feet deep where it separated from the bank. The noise of the crash was heard like muffled thunder for miles around. Fortunately it fell at noonday, when but few people were out, and no lives were lost. The driver of an omnibus, who had taken off his horses for their midday feed, and was washing his vehicle, felt the preliminary cracking and escaped, the vehicle itself being plunged into the gulf below. - The Horseshoe Fall from Goat Island
A more correct estimate of the cataract than either of the preceding is that of M. Charlevoix, sent to Madame Maintenon, in 1721. After referring to the inaccurate accounts of Hennepin and La Hontan, he says: "For my own part, after having examined it on all sides, where it could be viewed to the greatest advantage, I am inclined to think we cannot allow it [the height] less than one hundred and forty or fifty feet." As to its figure, "it is in the shape of a horseshoe, and it is about four hundred paces in circumference. It is divided in two exactly in the center by a very narrow island, half a quarter of a league long." In relation to the noise of the falling water, he says: "You can scarce hear it at M. de Joncaire's [Fort Schlosser], and what you hear in this place [Lewiston] may possibly be the whirlpools, caused by the rocks which fill up the bed of the river as far as this." - George Washington
George Washington - The World as known shortly before the sailing of Columbus
The World as known shortly before the sailing of Columbus - Correct chart of westward route from Europe to Asia, for comparison with the chart of Columbus
Correct chart of westward route from Europe to Asia, for comparison with the chart of Columbus - Columbus watching for land
Columbus watching for land - Map of 1515
Map of 1515, showing what some geographers then supposed North America to be. This is one of the earliest maps on which the name America occurs. It will be notices that at that time it was confined to South America. - De Soto's Expedition 1539-1542
De Soto's Expedition 1539-1542 The outlines and names of states are given for convenience in tracing De Soto's course. - Section of Frobisher's Map of the World
Section of Frobisher's map of the world, 1576. Copied from Hakluyt. It shows what the English explorer thought America was. - Snow-shoes
The most ingenious work of the Indians was seen in the moccasin, the snow-shoe and the birch-bark canoe. The moccasin was a shoe made of buckskin, - durable, soft, pliant, noiseless. It was the best covering for a hunter's foot that human skill ever contrived. The snow-shoe was a light frame of wood, covered with a network of strings of hide, and having such a broad surface that the wearer could walk on snow in the pursuit of game. Without it the Indian might have starved in a severe winter, since only by its use could he run down the deer at that season. - Indian gravestone showing the totem of the Turtle
Socially, the Indian had less liberty than the white man. He was bound by customs handed down from his forefathers. He could not marry outside his tribe. He could not sit in whatever seat he chose at a council. He could not even paint his face any color he fancied; for a young who had won no honors in battle would no mor ehave dared to decorate himself like a veteran warrior than a private soldier in the United States army would venture to appear at parade in the uniform of a major-general. Each tribe had a "totem", ot badge to designate it. The "totem" was usually the picture of some animal. The totem was also used as a mark on gravestones, and as a seal. - Map showing the first settlements made on the Eastern coast of North America
Map showing the first settlements made on the Eastern coast of North America - Chinese pien-tchung
The hiuen-tchung was, according to popular tradition, included with the antique instruments at the time of Confucius, and came into popular use during the Han dynasty (from B.C. 200 until A.D. 200). It was of a peculiar oval shape and had nearly the same quaint ornamentation as the té-tchung; this consisted of symbolical figures, in four divisions, each containing nine mammals. The mouth was crescent-shaped. Every figure had a deep meaning referring to the seasons and to the mysteries of the Buddhist religion. The largest hiuen-tchung was about twenty inches in length; and, like the té-tchung, was sounded by means of a small wooden mallet with an oval knob. None of the bells of this description had a clapper. It would, however, appear that the Chinese had at an early period some kind of bell provided with a wooden tongue: this was used for military purposes as well as for calling the people together when an imperial messenger promulgated his sovereign’s commands. An expression of Confucius is recorded to the effect that he wished to be “A wooden-tongued bell of Heaven,” i.e. a herald of heaven to proclaim the divine purposes to the multitude. - Chines King
According to their records, the Chinese possessed their much-esteemed king 2200 years before our Christian era, and employed it for accompanying songs of praise. It was regarded as a sacred instrument. During religious observances at the solemn moment when the king was sounded sticks of incense were burnt. It was likewise played before the emperor early in the morning when he awoke. The Chinese have long since constructed various kinds of the king, one of which is here engraved, by using different species of stones. Their most famous stone selected for this purpose is called yu. It is not only very sonorous but also beautiful in appearance. The yu is found in mountain streams and crevices of rocks. The largest specimens found measure from two to three feet in diameter, but of this size examples rarely occur. The yu is very hard and heavy. Some European mineralogists, to whom the missionaries transmitted specimens for examination, pronounce it to be a species of agate. It is found of different colours, and the Chinese appear to have preferred in different centuries particular colours for the king. - Chinese cheng
Another curious wind-instrument of high antiquity, the cheng, is still in use. Formerly it had either 13, 19, or 24 tubes, placed in a calabash; and a long curved tube served as a mouth-piece. In olden time it was called yu. - Chinese hiuen-tchung
The ou, likewise an ancient Chinese instrument of percussion and still in use, is made of wood in the shape of a crouching tiger. It is hollow, and along its back are about twenty small pieces of metal, pointed, and in appearance not unlike the teeth of a saw. The performer strikes them with a sort of plectrum resembling a brush, or with a small stick called tchen. Occasionally the ou is made with pieces of metal shaped like reeds. - Chinese kin-kou
The kin-kou (engraved), a large drum fixed on a pedestal which raises it above six feet from the ground, is embellished with symbolical designs. A similar drum on which natural phenomena are depicted is called lei-kou; and another of the kind, with figures of certain birds and beasts which are regarded as symbols of long life, is called ling-kou, and also lou-kou. - Chinese ou
The ancient ou was constructed with only six tones which were attuned thus—f, g, a, c, d, f. The instrument appears to have become deteriorated in the course of time; for, although it has gradually acquired as many as twenty-seven pieces of metal, it evidently serves at the present day more for the production of rhythmical noise than for the execution of any melody. The modern ou is made of a species of wood called kieou or tsieou: and the tiger rests generally on a hollow wooden pedestal about three feet six inches long, which serves as a sound-board. - Hindustan, vina
The vina is undoubtedly of high antiquity. It has seven wire strings, and movable frets which are generally fastened with wax. Two hollowed gourds, often tastefully ornamented, are affixed to it for the purpose of increasing the sonorousness. There are several kinds of the vina in different districts; but that represented in the illustration is regarded as the oldest. The performer shown is Jeewan Shah, a celebrated virtuoso on the vina, who lived about a hundred years ago. The Hindus divided their musical scale into several intervals smaller than our modern semitones. They adopted twenty-two intervals called sruti in the compass of an octave, which may therefore be compared to our chromatic intervals. As the frets of the vina are movable the performer can easily regulate them according to the scale, or mode, which he requires for his music. - Turkish harp
An interesting representation of a Turkish woman playing the harp sketched from life by Melchior Lorich in the seventeenth century, probably exhibits an old Persian chang; for the Turks derived their music principally from Persia. Here we have an introduction into Europe of the oriental frame without a front pillar. - Persian dulcimer
The engraving, taken from a Persian painting at Teheran, represents an old Persian santir, the prototype of our dulcimer, mounted with wire strings and played upon with two slightly curved sticks. - The rebab
Unfortunately we possess no exact descriptions of the Persian and Arabian instruments between the tenth and fourteenth centuries, otherwise we should probably have earlier accounts of some instrument of the violin kind in Persia. Ash-shakandi, who lived in Spain about A.D. 1200, mentions the rebab, which may have been in use for centuries without having been thought worthy of notice on account of its rudeness. Persian writers of the fourteenth century speak of two instruments of the violin class, viz., the rebab and the kemangeh. As regards the kemangeh, the Arabs themselves assert that they obtained it from Persia, and their statement appears all the more worthy of belief from the fact that both names, rebab and kemangeh, are originally Persian. We engrave the rebab from an example at South Kensington. - Aztec whistles
The Mexicans possessed a small whistle formed of baked clay, a considerable number of which have been found. Some specimens are singularly grotesque in shape, representing caricatures of the human face and figure, birds, beasts, and flowers. Some were provided at the top with a finger-hole which, when closed, altered the pitch of the sound, so that two different tones were producible on the instrument. Others had a little ball of baked clay lying loose inside the air-chamber. When the instrument was blown the current of air set the ball in a vibrating motion, thereby causing a shrill and whirring sound. - Antique pipe from central America
Rather more complete than the above specimens are some of the whistles and small pipes which have been found in graves of the Indians of Chiriqui in central America. The pipe or whistle which is represented in the accompanying engraving appears, to judge from the somewhat obscure description transmitted to us, to possess about half a dozen tones. It is of pottery, painted in red and black on a cream-coloured ground, and in length about five inches. - Pipes of the Aztecs
Among the instruments of this kind from central America the most complete have four finger-holes. By means of three holes, four sounds (including the sound which is produced when none of the holes are closed) can be emitted: the fourth finger-hole, when closed, has the effect of lowering the pitch a semitone. By a particular process two or three lower notes are obtainable. - Henry Morton Stanley
Henry Morton Stanley - Emin Pasha
Among others whom Gordon employed as Governors of these various provinces under his Vice-regal Government was one Edward Schnitzler, a German born in Oppeln, Prussia, 28th March, 1840, of Jewish parents, who had seen service in Turkey, Armenia, Syria, and Arabia, in the suite of Ismail Hakki Pasha, once Governor-General of Scutari, and a Mushir of the Empire. On the death of his patron he had departed to Niesse, where his mother, sister, and cousins lived, and where he stayed for several months, and thence left for Egypt. He, in 1875, thence travelled to Khartoum, and a medical doctor, was employed by Gordon Pasha in that capacity. He assumed the name and title of Emin Effendi Hakim —the faithhful physician. Finally, in 1878, was promoted to Bey, and appointed Governor of the Equatorial Province of Ha-tal-astiva, which, rendered into English, Bey, and appointed Governor of the Equatorial Pro- vince of na-tal-ustiva, which, rendered into English, means Equatoria, at a salary of 50 pound per month. - The Steel Boat 'Advance'
Messrs. Forest and Son received a design and order for the construction of a steel boat 28 ft. long, 6 ft. beam, and 2 ft. 6 in. deep. It was to be built of Siemens steel galvanized, and divided into twelve sections, each weighing about 75 lbs. The fore and aft sections were to be decked and watertight, to give buoyancy in case of accident. - Peruvian bone pipe
M. de Castelnau in his “Expédition dans l’Amérique” gives among the illustrations of objects discovered in ancient Peruvian tombs a flute made of a human bone. It has four finger-holes at its upper surface and appears to have been blown into at one end. Two bone-flutes, in appearance similar to the engraving given by M. de Castelnau, which have been disinterred at Truxillo are deposited in the British museum. They are about six inches in length, and each is provided with five finger-holes. One of these has all the holes at its upper side, and one of the holes is considerably smaller than the rest. The specimen shown is ornamented with some simple designs in black. - Peruvian huayra-puhura
The British museum possesses a huayra-puhura consisting of fourteen reed pipes of a brownish colour, tied together in two rows by means of thread, so as to form a double set of seven reeds. Both sets are almost exactly of the same dimensions and are placed side by side. The shortest of these reeds measure three inches, and the longest six and a half. In one set they are open at the bottom, and in the other they are closed. Consequently, octaves are produced. The reader is probably aware that the closing of a pipe at the end raises its pitch an octave. Thus, in our organ, the so-called stopped diapason, a set of closed pipes, requires tubes of only half the length of those which constitute the open diapason, although both these stops produce tones in the same pitch; the only difference between them being the quality of sound, which in the former is less bright than in the latter. - South American Juruparis
The engraving represents a kind of trumpet made of wood, and nearly seven feet in length, which Gumilla found among the Indians in the vicinity of the Orinoco. It somewhat resembles the juruparis, a mysterious instrument of the Indians on the Rio Haupés, a tributary of the Rio Negro, south America. The juruparis is regarded as an object of great veneration. Women are never permitted to see it. So stringent is this law that any woman obtaining a sight of it is put to death—usually by poison. No youths are allowed to see it until they have been subjected to a series of initiatory fastings and scourgings. The juruparis is usually kept hidden in the bed of some stream, deep in the forest; and no one dares to drink out of that sanctified stream, or to bathe in its water. At feasts the juruparis is brought out during the night, and is blown outside the houses of entertainment. The inner portion of the instrument consists of a tube made of slips of the Paxiaba palm (Triartea exorrhiza). When the Indians are about to use the instrument they nearly close the upper end of the tube with clay, and also tie above the oblong square hole (shown in the engraving) a portion of the leaf of the Uaruma, one of the arrow-root family. Round the tube are wrapped long strips of the tough bark of the Jébaru (Parivoa grandiflora). This covering descends in folds below the tube. The length of the instrument is from four to five feet. The illustration, which exhibits the juruparis with its cover and without it, has been taken from a specimen in the museum at Kew gardens. The mysteries connected with this trumpet are evidently founded 69on an old tradition from prehistoric Indian ancestors. Jurupari means “demon”; and with several Indian tribes on the Amazon customs and ceremonies still prevail in honour of Jurupari. - Orinoco Indian trumpet
Trumpets are often mentioned by writers who have recorded the manners and customs of the Indians at the time of the discovery of America. There are, however, scarcely any illustrations to be relied on of these instruments transmitted to us. The Conch was frequently used as a trumpet for conveying signals in war. - Indian trumpets
The botuto, which Gumilla saw used by some tribes near the river Orinoco (of which we engrave two examples), was evidently an ancient Indian contrivance, but appears to have fallen almost into oblivion during the last two centuries. It was made of baked clay and was commonly from three to four feet long: but some trumpets of this kind were of enormous size. The botuto with two bellies was usually made thicker than that with three bellies and emitted a deeper sound, which is described as having been really terrific. These trumpets were used on occasions of mourning and funeral dances. Alexander von Humboldt saw the botuto among some Indian tribes near the river Orinoco. - Aztec drums
As regards instruments of percussion, a kind of drum deserves special notice on account of the ingenuity evinced in its construction. The Mexicans called it teponaztli. They generally made it of a single block of very hard wood, somewhat oblong square in shape, which they hollowed, leaving at each end a solid piece about three or four inches in thickness, and at its upper side a kind of sound-board about a quarter of an inch in thickness. In this sound-board, if it may be called so, they made three incisions; namely, two running parallel some distance lengthwise of the drum, and a third running across from one of these to the other just in the centre. By this means they obtained two vibrating tongues of wood which, when beaten with a stick, produced sounds as clearly defined as are those of our kettle drums. By making one of the tongues thinner than the other they ensured two different sounds, the pitch of which they were enabled to regulate by shaving off more or less of the wood. The bottom of the drum they cut almost entirely open. The teponaztli was generally carved with various fanciful and ingenious designs. It was beaten with two drumsticks covered at the end with an elastic gum, called ule, which was obtained from the milky juice extracted from the ule-tree. Some of these drums were small enough to be carried on a string or strap suspended round the neck of the player; others, again, measured upwards of five feet in length, and their sound was so powerful that it could be heard at a distance of three miles. In some rare instances a specimen of the teponaztli is still preserved by the Indians in Mexico, especially among tribes who have been comparatively but little affected by intercourse with their European aggressors. - Aztec cluster of bells
It is noteworthy that these yotl are found figured in the picture-writings representing the various objects which the Aztecs used to pay as tribute to their sovereigns. The collection of Mexican antiquities in the British museum contains a cluster of yotl-bells. Being nearly round, they closely resemble the Schellen which the Germans are in the habit of affixing to their horses, particularly in the winter when they are driving their noiseless sledges. - Skating outside
Skating outside - Fishing
As Meso-Indian family `groups` traveled, they met other hunting `groups`, and sometimes camped together. These were important times for social and ceremonial activities. They probably smoked pipes together and shared information about good hunting, fishing, and plant collecting areas. - Cultivating the crops
The men and women had very different daily tasks. Women took care of the young children; planted, tended and harvested the crops; cooked the meals; and made the pottery, baskets, mats and clothing. Men’s work consisted of housebuilding, canoe-making, and clearing land for gardens, along with defense, hunting, woodcutting, and making the tools for these chores. The men also had primary responsibilities for ritual and political activities. - Cutaway view of dwelling
Daily life of ordinary people was much different than that of the elite. As far as we know, the former continued to live as they had during the earlier part of the period. They lived in circular houses in small villages located near their gardens and buried their dead in simple graves with few goods. - Death of a chief
The chief’s house, situated on top of a mound, overlooked the plaza area. The chief used the house as his living quarters as well as a reception area for visitors and subjects. The furnishings of the house included wooden beds covered with matting, and perhaps a wooden stump used as a stool. Reed or cane torches provided light. Servants waited on the chief, always keeping a respectful distance, and quickly meeting all of his needs. No one ever used the chief’s belongings or walked in front of him. The chief was a highly honored and respected person, and his death was a time for great mourning. Ceremonies, dancing, and processions were part of the burial rituals that continued for several days. The chief’s wife, servants, and others who volunteered for the honor, were sedated and ritually strangled as part of the ceremonies. The bodies were placed on special raised tombs covered with branches and mud. After many weeks, the bones were removed and placed in baskets that were stored in the temple. Eventually, the bones were buried in a platform in the temple, or were buried in the mound when it was expanded. The deceased chief’s house was usually burned and might be covered with another layer of earth before the new chief’s house was built. The son of the dead chief’s sister would become the next ruler. - First Fight of SPRING and LANGAN, on Worcester Race-Course, January 24th, 1824
First Fight of SPRING and LANGAN, on Worcester Race-Course, January 24th, 1824 - Painted Dog
Painted dog ( Lycaon pictus ) A hyena-like predator, the "painted dog“( Lycaon pictus ) in groups; he attacks the flocks and wreaks havoc among them. The steppe landscapes are the real home of this sociable, up-and-out and murderous creature that never hunts alone. It gets its name from the large, dark spots on the light skins, where it is easy to distinguish. - Aardvark
Of the order of toothless animals, the aardvark (Orycteropus aethiopicus), which occurs from the lowlands to the Woina-Deka, should be mentioned. The shy animal, with its smell and hearing, dwells in self-dug caves, characterized by lively leaps and a kangaroo-like position, supported by the powerful tail. It often goes only on the hind feet and nd sniffs the earth with the long, constantly moving nose, which resembles a pig's trunk, in order to look for ants. When it has discovered such a place, it begins to dig very skillfully and vigorously with the forefeet and push back the agitated Earth with the hind feet. For urine and dung, the aardvark digs a small pit, which is then carefully covered up again. In the building itself, it sleeps curled up lying on its side. Pursued, it hurries away in rapid bursts and burrows quickly, closing the tube behind it.