- 'As good an imitation of Monte Carlo as the law allows.'
- A Bargain in the Ghezireh Gardens
- A Cell in the Lollards’ Tower
- A chest of drawers and a trunk
Articles of clothing are put into chests of drawers or wicker-trunks. Chests of drawers are commonly made in halves with two drawers each, put one upon the other and fastened by iron clamps. This is to facilitate their removal, a provision which is of importance where fires are frequent. The wicker-trunk has a lid which is as deep as the trunk itself and encloses it, and thus any amount of clothing may be put into it up to the joint depth of the two. The trunks are hidden away in the closets; but the chests of drawers, if they cannot be put into a closet without inconvenience as they are over three feet wide, are set in a corner or against a wall. Indeed, they are purposely put sometimes where they can be seen and become part of the furniture of the room. In large houses where there are godowns, or fireproof plaster storehouses, the chests are put in them, and only such as contain articles of daily wear for the season are kept in the house itself. - A Dancing-Girl
- A Daughter of the Nile
- A Dealer in Antiquities
- A Descendant of the Prophet
- A Dinka Dandy
The portrait represents what might be styled a Dinka dandy, distinguished for unusually long hair. By continual combing and stroking with hair-pins, the hair of the negro loses much of its close curliness. Such was the case here: the hair, six inches long, was trained up into points like tongues of flame, and these, standing stiffly up all round his head, gave the man a fiendish look, which was still further increased by its being dyed a foxy red. This tint is the result of continual washing with cow-urine; a similar effect can be produced by the application for a fortnight of a mixture of dung and ashes. - A Doge of Venice
- A Doge of Venice (2)
- A Doorway of St. Mark’s, Venice
- A Florentine Citizen of the Fourteenth Century
- A Florentine Merchant
- A Florentine Nobleman of the Fourteenth Century
- A Florentine of the Fifteenth Century
- A Florentine of the Upper Classes, Fourteenth Century
- A Florentine Well Head, Fourteenth Century
- A Florentine, Fifteenth Century
- A Florentine, Fourteenth Century
- A garden
Convention also makes itself felt in the laying out of a Japanese garden, though a greater latitude is allowed to the gardener’s ingenuity. Still the principles remain unchanged. In a large garden we usually find a pond, dry if no water is available, and surrounded with rocks of various shapes, and a knoll or two behind the pond with pines, maples, and other trees, and stone lanterns here and there. A few flowering shrubs are in sight, but these are planted for a season; thus, peonies, morning-glories, and chrysanthemums are removed as soon as they fade, while corchoruses and hydrangeas are cut down leaving only the roots behind. The chief features of the garden are the evergreens like the pine, trees whose leaves crimson in autumn like the maple, and above all, the flowering trees like the plum, the cherry, and the peach. A landscape garden presents, when the trees are not in blossom, a somewhat severe or solemn aspect; we do not expect from it the gaiety which beds of flowers impart. Indeed, many European flowering plants have of late been introduced, such as anemones, cosmoses, geraniums, nasturtiums, tulips, crocuses, and begonias; but they still look out of place in a Japanese garden. Roses are sometimes planted, but they are almost scentless. The humidity of the climate appears to militate against the perfume of flowers. - A German Officer, Twelfth Century
- A Guardian of the Temple
- A House and a Gate
Though many private houses in the business quarters have no gates, those of any pretensions in the residential districts where land is naturally cheaper, are mostly provided with them. It is not usual for professionals in humbler walks of life and for artisans to live within a gate; but officials and others of some social standing prefer to have one to their houses. Sometimes there is a single gate to a large compound with a number of small houses in it; in such a case the gate-post is studded with name-plates. Gates, too, vary in size and form. The most modest are no more than low wicker-gates which can be jumped over and offer no bar to intrusion. - A House without a gate
In Japan there was neither an architect nor a builder as a distinct calling. Even now, ordinary dwelling-houses are not built by either of them; it is the carpenter who has charge of their construction. The carpenter’s is a dignified craft; he is called in Japanese the “great artificer,” and stands at the head of all artisans. In the building of a house, a master carpenter is called in; he prepares the plans, and if they are approved, he sets to work with his apprentices and journeymen. - A Karnak Beggar
A Karnak Beggar - A Lady at Play
The court of France was, at this period, the most depraved in morals, the grossest and most unpolished in manners, of any in Europe. The women of the bourgeoisie, envious of the great ladies, called them dames à gorge nue; and the latter retaliated by designating the women of the people as grisettes, because of their gray (grises) stockings,—a name retained almost down to the present day. In the sittings of the États Généraux, the President, Miron, complained bitterly of the excesses of the nobility, the contempt for justice, the open violences, the gambling, the extravagance, the constant duels, the "execrable oaths with which they thought it proper to ornament their usual discourse." - A Lombard Ambassador
- A Luxor Dancing-girl
- A Magistrate of Florence
- A Magistrate of Venice
- A man
A man - A meal
People pride themselves upon their quickness at meals, especially at breakfast, as it implies that they have no time to dawdle over their food, which is taken solely to ward off hunger and maintain their health and strength. But it must be admitted that indigestion not unfrequently follows these hurried meals, to which children are early taught to habituate themselves by parental instruction and by a proverb which puts quickness at meals as an accomplishment on a level with swiftness of foot. When the breakfast is over, the trays, plates, and other utensils are taken back into the kitchen, washed, and put away until they are needed for the next meal. The wooden tub of rice is put into a straw casing in winter to prevent its getting cold and hard and on a stand in a cool, breezy place in summer to keep it from sweating. - A meal-tray
The breakfast is, then, very simple. Sometimes the family take their meals together at a large low table which is set before them at each repast; but often a small tray, about a foot square and standing six inches or more high, is placed before each member. In the left corner of the tray near the person before whom it is set, is a small china bowl of rice, while on the right is a wooden bowl of miso-soup, A tiny plate of pickled vegetables occupies the middle or the farther left corner, while any extra plate would fill the remaining corner. This plate also holds something very simple, such as plums preserved in red perilla leaves, boiled kidney bean, pickled scallions, minute fish or shrimps boiled down dry in soy sauce, a pat of baked miso, or shavings of dried bonito boiled in a mixture of soy and mirin. The chopsticks are laid between the rim of the tray and the bowls of rice and soup. They vary in length, those for women being shorter than those for men but longer than children’s; their length may, however, be put at between eight and ten inches. - A monkey
A monkey - A Musketeer of the Early Seventeenth Century
- A Niam-niam girl
The social position of the Niam-niam women differ materially from what is found amongst other negroes in Africa. The Bongo and Mittoo women are on the same familiar terms with the foreigner as the men, and the Monbuttoo ladies are as forward , inquisitive and prying as can be imagined; but the women of the Niam-niam treat every stranger with marked reserve. Whenever I met any women coming along a narrow pathway in the woods or on the steppe, I noticed that they always made a wide circuit to avoid me, and returned into the path further on; and many a time I saw them waiting at a distance with averted face until I had passed by. - A Niam-niam minstrel
A Niam-niam minstrel As the darkness came on. our camp was enlivened by the appearance of the grotesque figure of a singer, who came with a huge bunch of feathers in his hat, and these, as he wagged his head to the time of his music, became all entangled with the braids of his hair. Altogether the head was like the head of Medusa. These "minne-singers" among the Niam-niam as known as "nzangah." They are as sparing of their voices as a worn-out prima donna; except for those close by, it is impossible to hear what they are singing. Their instrument is the local guitar, the thin jingling of which accords perfectly well with the nasal humming of the minstrel's recitative. The occupation of these nzangah, however, notwithstanding the general love of the people for music, would not appear to be held in very high esteem, as the same designation is applied to those unfortunate women, friendless and fallen, who are never absent from any community. - A Norman Matron of the Twelfth Century
- A Norman Monk of the Twelfth Century
- A Norman Warrior of the Twelfth Century
- A Peasant Costume
- A Peddler
- A roofed and a pair gate
Gates, too, vary in size and form. The most modest are no more than low wicker-gates which can be jumped over and offer no bar to intrusion. Others are of the same make, but stand higher so that the interior can be seen only through cracks. But the most common consist of two square posts with hinged doors which meet in the middle and are kept shut by a cross-bar passing through clamps on them. These gates may be of the cheapest kind of wood, such as cryptomeria, or may be massive and of hard wood. Another common kind has a roof over it with a single door which is hinged on one post and fastened on to the other and provided with a small sliding-door for daily use. The larger pair gates have also small side-doors for use at night when they are themselves shut. - A servant with tucked sleeves
The ordinary kimono is inconvenient for active work. Those whose work requires a free movement of the limbs, commonly discard the long sleeves and the skirt. Coolies and artisans wear tight-sleeved coats and tight-fitting drawers of cotton. Women, too, who labour outdoors have on similar clothes sometimes; but more frequently they wear tight-sleeved kimono, the skirts of which are tucked up to the knees to facilitate their walking. Women, however, who live indoors but have to move about at their household work, do not care to put on tight-sleeved kimono, and they tie up their sleeves with a cloth cord when they are actively employed. They are often to be seen dusting and sweeping the rooms with their sleeves tied up and a towel on their heads. The kimono appears indeed to be capable of little improvement. - A shop in Tokyo
There are no streets in Tokyo which are known as fashionable afternoon resorts, because the shops are so constructed that one cannot stop before them without being accosted by the squatting salesmen. Only in a few main streets are there regular rows of shops with show-windows against which one could press one’s nose to look at the wares exhibited or peer beyond at the shop-girls at the counter; but then business is not done in Japan over the counter, nor do shop-girls hide their charms behind a window, for the shops are open to the street and the show-girls, or “signboard-girls” as we call them, squat at the edge visible to all passers-by and are as distinctive a feature of the shop as the signboard itself. The goods are exhibited on the floor in glass cases or in piles, a custom which is not commendable when pastry or confectionery is on sale, for standing as it does on the south-eastern end of the great plain of Musashino, Tokyo is a very windy city, and the thick clouds of fine dust raised by the wind on fair days cover every article exposed and penetrate through the joints of glass cases, so that in Tokyo a man who is fond of confectionery must expect to eat his pound of dirt not within a lifetime, but often in a few weeks. If one stops for a moment to look at the wares, he is bidden at once to sit on the floor and examine other articles which would be brought out for his inspection, whereupon he has either to accept the invitation or move on. One seldom cares therefore to loiter in the street. The only shops that are often crowded by loiterers are the booksellers’ and cheap-picture dealers’. - A shrine of the Rice-God
Rice is the staple food of the Japanese; and no other food-stuff stands so high in popular esteem, or has a tutelary deity of its own. This rice-god has more shrines than any other deity, for he is worshipped everywhere, in town and village, and often a small shrine, no bigger than a hut, peeps amid a lonely cluster of trees surrounded on all sides by rice-paddies, its latticed door covered from top to bottom with the ex-votos of the simple peasant folk. - A Sitting-room
The sitting-room has little furniture. An indispensable article in it is the brazier, usually oblong, with a set of three small drawers one under another at the side and two others side by side under the copper tray filled with ashes, on which charcoal is burnt inside an iron or clay trivet. On this trivet is set a kettle of iron or copper. The iron kettle is made of thick cast-iron and kept on the trivet so as always to have hot water ready for tea-making: and the copper kettle is used when we wish to boil water quickly. Beside the brazier is a small shelf or cabinet for tea-things. Behind the brazier is a cushion where the wife sits; this is her usual post. There is also a cushion on the other side or the brazier, where the husband or other members of the house may sit. - A six-matted room and verandah
A Japanese room is measured, not by feet and inches, but by the number of mats it contains. A mat consists of a straw mattress, about an inch and a half thick, with a covering of fine matting which is sewn on at the edges of the mattress either by itself or with a border, usually dark-blue and an inch wide, of coarse hempen cloth. It is six feet long by three wide; this measure is not always exact, but may vary by an inch or more in either direction. When a house is newly built, the mat-maker comes to make mats to fit the rooms in it. But in spite of the variation, the size of a room is always given in the number of mats it holds, so that we never know the exact dimensions of a room. The smallest room has two mats, that is, is about six feet square; the next smallest is three-matted, or three yards by two. Four-matted rooms are sometimes to be found; but such rooms are unshapely, being four yards long by two wide. A room with four and a half mats is three yards square and has the half mat, which is a yard square, in the centre. The next size is six-matted, or four yards by three and is followed by the eight-matted, or four yards square. - A skylight and the Kitchen-God
Single burglars usually come in by the skylight, closed at night by a small sliding-door, which does duty as chimney in the kitchen, or crawl under the floor which is some two feet from the ground, by tearing away the boarding under the verandah and come up by carefully removing the loose plank of the floor, under which fuel is kept in the kitchen. If the burglars are in a gang, they naturally come in more boldly than these kitchen sneaks. Once inside, the thief has the run of the house as all the rooms communicate by sliding-doors and are never locked, and the whole household is at his mercy. Since, then, houses are so easy of entry, it might be supposed that burglaries are very frequent in Tokyo; that such is not the case is probably due to the somewhat primitive methods pursued by these gentry and to the effective detective system of the police authorities. - A Slavonian of the Tenth Century
- A Son of the Desert
- A Street in Yedo
A Street in Yedo (From a picture by Settan, 1783–1843) - A Thirteenth-century Knight in Armour
- A Tournament
- A Turk
A Turk standing beside an urn with a woman in the background - A Turkish cigarette girl
A Turkish cigarette girl - A Tuscan Officer
- A Venetian Beggar
- A Venetian General