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- 'Broooomp'
- 'I—I—I—am hungry,' stammered Han Hsin
- . . . And cut leaf-shaped pieces
- A chest of drawers and a trunk
Articles of clothing are put into chests of drawers or wicker-trunks. Chests of drawers are commonly made in halves with two drawers each, put one upon the other and fastened by iron clamps. This is to facilitate their removal, a provision which is of importance where fires are frequent. The wicker-trunk has a lid which is as deep as the trunk itself and encloses it, and thus any amount of clothing may be put into it up to the joint depth of the two. The trunks are hidden away in the closets; but the chests of drawers, if they cannot be put into a closet without inconvenience as they are over three feet wide, are set in a corner or against a wall. Indeed, they are purposely put sometimes where they can be seen and become part of the furniture of the room. In large houses where there are godowns, or fireproof plaster storehouses, the chests are put in them, and only such as contain articles of daily wear for the season are kept in the house itself. - A Culprit before a Magistrate
It is the custom in China , for a Mandarin of justice to administer it daily , morning and evening , in his own house, where he is attended by his secretary, or clerk, and by inferior officers, some of them bearing iron shackles, and others, pan-tsees . Upon his right hand stands the Prosecutor, or Informer ; and before him is a table with a covering of silk , and the implements of writing for the secretary to take down the depositions and defence . These having been written in black ink, the magistrate signs them with red, and seals them with the same colour. On the table there are, also, a number of small sticks, tipped with red ; these are kept in open cases , and are used in the following manner : if a culprit is convicted of a petty offence, the magistrate causes him to be immediately chastised, and released . The usual punishment, upon such occasions, is the pan -tsee, or bastinade, and the number of blows to be inflicted is signified by the magistrate's casting some of the above men tioned small sticks upon the floor : each stick denotes five blows. The culprit, who, during the examination , has awaited the decree upon his hands and knees , is then seized by the attendants, and punished as will be seen in a subsequent Plate . After the magistrate has thrown the sticks, he talks of other affairs, drinks his tea , or smokes his tobacco . It is only for trivial breaches of the Chinese Laws , such as drunken ness, cheating, squabbling, boxing, pilfering, insolence or inattention towards a superior, or the like, that any magistrate is empowered to administer punishment in a summary manner. Whenever the crime is of such a description as to call for severer notice, it is generally exa mined into by five or six tribunals, who not only require very particular information concerning the charge, but scrutinize with minute exactness, into the characters and manners of the accusers . Their proceedings in capital accusations are thus protracted in China , lest any man should be unjustly deprived of the inestimable benefits of honour or life : and no criminal can be executed , until his trial has been sent to court, and his sentence has been confirmed by the Emperor. - A culprit conducted to trial
He is preceded by a man, who strikes upon a gong, in order to draw upon the offender the notice of the public. Two others walk after him , one of whom is employed in keeping up his face with a bundle of cleft A little red banner is fastened on each side of the culprit, to render him more conspicuous ; and his hands are tied behind his back . - A Culprit conveyed to Prison
An iron chain, fastened by a padlock, is put round his neck, and, if he refuses to proceed , inferior officers of justice compel him, after the manner described . - A garden
Convention also makes itself felt in the laying out of a Japanese garden, though a greater latitude is allowed to the gardener’s ingenuity. Still the principles remain unchanged. In a large garden we usually find a pond, dry if no water is available, and surrounded with rocks of various shapes, and a knoll or two behind the pond with pines, maples, and other trees, and stone lanterns here and there. A few flowering shrubs are in sight, but these are planted for a season; thus, peonies, morning-glories, and chrysanthemums are removed as soon as they fade, while corchoruses and hydrangeas are cut down leaving only the roots behind. The chief features of the garden are the evergreens like the pine, trees whose leaves crimson in autumn like the maple, and above all, the flowering trees like the plum, the cherry, and the peach. A landscape garden presents, when the trees are not in blossom, a somewhat severe or solemn aspect; we do not expect from it the gaiety which beds of flowers impart. Indeed, many European flowering plants have of late been introduced, such as anemones, cosmoses, geraniums, nasturtiums, tulips, crocuses, and begonias; but they still look out of place in a Japanese garden. Roses are sometimes planted, but they are almost scentless. The humidity of the climate appears to militate against the perfume of flowers. - A helping hand
- A House and a Gate
Though many private houses in the business quarters have no gates, those of any pretensions in the residential districts where land is naturally cheaper, are mostly provided with them. It is not usual for professionals in humbler walks of life and for artisans to live within a gate; but officials and others of some social standing prefer to have one to their houses. Sometimes there is a single gate to a large compound with a number of small houses in it; in such a case the gate-post is studded with name-plates. Gates, too, vary in size and form. The most modest are no more than low wicker-gates which can be jumped over and offer no bar to intrusion. - A House without a gate
In Japan there was neither an architect nor a builder as a distinct calling. Even now, ordinary dwelling-houses are not built by either of them; it is the carpenter who has charge of their construction. The carpenter’s is a dignified craft; he is called in Japanese the “great artificer,” and stands at the head of all artisans. In the building of a house, a master carpenter is called in; he prepares the plans, and if they are approved, he sets to work with his apprentices and journeymen. - A Malefactor chained to an Iron Bar
His neck is encompassed with a very wide cape of iron , which is fitted to his shoulders ; his legs are fettered with iron shackles, and from these, as well as from the cape, a few links extend to the bar, which is about half a yard higher than his head. The links, sliding upon the bar, accommodate themselves to the motions of the prisoner ; the small piece of plank, that is attached to the shackles , serves him for a seat. From the top of the bar, there depends a little board, upon which the name and crime of the malefactor are inscribed. - A Malefactor conducted to Execution
The convict is fettered, and, if he uses abusive or inflammatory language, gagged. His arms are pinioned behind his back, and he bears a board, on which are written his name, his crime, and his sentence. If he hesitates to proceed , he is driven to the place of execution by some inferior officers of justice. - A Malefactor in a Cage
This person is farther secured by a chain from his neck to his ankle, from whence another chain proceeds, round one of the corner posts of his wooden cage , the entrance to which is through two moveable bars ; these bars are fastened by an iron bolt, that passes through some staples, and is prevented from sliding, by a padlock. A plank serves this prisoner for a seat, and for a bed. - A Man fastened to a Block of Wood
A strong ring of iron is passed through one corner of a short, heavy, piece of timber. From this ring, a weighty chain is continued round the neck of the man, and fastened, by a padlock, upon his breast. - A meal
People pride themselves upon their quickness at meals, especially at breakfast, as it implies that they have no time to dawdle over their food, which is taken solely to ward off hunger and maintain their health and strength. But it must be admitted that indigestion not unfrequently follows these hurried meals, to which children are early taught to habituate themselves by parental instruction and by a proverb which puts quickness at meals as an accomplishment on a level with swiftness of foot. When the breakfast is over, the trays, plates, and other utensils are taken back into the kitchen, washed, and put away until they are needed for the next meal. The wooden tub of rice is put into a straw casing in winter to prevent its getting cold and hard and on a stand in a cool, breezy place in summer to keep it from sweating. - A meal-tray
The breakfast is, then, very simple. Sometimes the family take their meals together at a large low table which is set before them at each repast; but often a small tray, about a foot square and standing six inches or more high, is placed before each member. In the left corner of the tray near the person before whom it is set, is a small china bowl of rice, while on the right is a wooden bowl of miso-soup, A tiny plate of pickled vegetables occupies the middle or the farther left corner, while any extra plate would fill the remaining corner. This plate also holds something very simple, such as plums preserved in red perilla leaves, boiled kidney bean, pickled scallions, minute fish or shrimps boiled down dry in soy sauce, a pat of baked miso, or shavings of dried bonito boiled in a mixture of soy and mirin. The chopsticks are laid between the rim of the tray and the bowls of rice and soup. They vary in length, those for women being shorter than those for men but longer than children’s; their length may, however, be put at between eight and ten inches. - A Merchant Ship
- A necklace
- A roofed and a pair gate
Gates, too, vary in size and form. The most modest are no more than low wicker-gates which can be jumped over and offer no bar to intrusion. Others are of the same make, but stand higher so that the interior can be seen only through cracks. But the most common consist of two square posts with hinged doors which meet in the middle and are kept shut by a cross-bar passing through clamps on them. These gates may be of the cheapest kind of wood, such as cryptomeria, or may be massive and of hard wood. Another common kind has a roof over it with a single door which is hinged on one post and fastened on to the other and provided with a small sliding-door for daily use. The larger pair gates have also small side-doors for use at night when they are themselves shut. - A servant with tucked sleeves
The ordinary kimono is inconvenient for active work. Those whose work requires a free movement of the limbs, commonly discard the long sleeves and the skirt. Coolies and artisans wear tight-sleeved coats and tight-fitting drawers of cotton. Women, too, who labour outdoors have on similar clothes sometimes; but more frequently they wear tight-sleeved kimono, the skirts of which are tucked up to the knees to facilitate their walking. Women, however, who live indoors but have to move about at their household work, do not care to put on tight-sleeved kimono, and they tie up their sleeves with a cloth cord when they are actively employed. They are often to be seen dusting and sweeping the rooms with their sleeves tied up and a towel on their heads. The kimono appears indeed to be capable of little improvement. - A shop in Tokyo
There are no streets in Tokyo which are known as fashionable afternoon resorts, because the shops are so constructed that one cannot stop before them without being accosted by the squatting salesmen. Only in a few main streets are there regular rows of shops with show-windows against which one could press one’s nose to look at the wares exhibited or peer beyond at the shop-girls at the counter; but then business is not done in Japan over the counter, nor do shop-girls hide their charms behind a window, for the shops are open to the street and the show-girls, or “signboard-girls” as we call them, squat at the edge visible to all passers-by and are as distinctive a feature of the shop as the signboard itself. The goods are exhibited on the floor in glass cases or in piles, a custom which is not commendable when pastry or confectionery is on sale, for standing as it does on the south-eastern end of the great plain of Musashino, Tokyo is a very windy city, and the thick clouds of fine dust raised by the wind on fair days cover every article exposed and penetrate through the joints of glass cases, so that in Tokyo a man who is fond of confectionery must expect to eat his pound of dirt not within a lifetime, but often in a few weeks. If one stops for a moment to look at the wares, he is bidden at once to sit on the floor and examine other articles which would be brought out for his inspection, whereupon he has either to accept the invitation or move on. One seldom cares therefore to loiter in the street. The only shops that are often crowded by loiterers are the booksellers’ and cheap-picture dealers’. - A shrine of the Rice-God
Rice is the staple food of the Japanese; and no other food-stuff stands so high in popular esteem, or has a tutelary deity of its own. This rice-god has more shrines than any other deity, for he is worshipped everywhere, in town and village, and often a small shrine, no bigger than a hut, peeps amid a lonely cluster of trees surrounded on all sides by rice-paddies, its latticed door covered from top to bottom with the ex-votos of the simple peasant folk. - A Sitting-room
The sitting-room has little furniture. An indispensable article in it is the brazier, usually oblong, with a set of three small drawers one under another at the side and two others side by side under the copper tray filled with ashes, on which charcoal is burnt inside an iron or clay trivet. On this trivet is set a kettle of iron or copper. The iron kettle is made of thick cast-iron and kept on the trivet so as always to have hot water ready for tea-making: and the copper kettle is used when we wish to boil water quickly. Beside the brazier is a small shelf or cabinet for tea-things. Behind the brazier is a cushion where the wife sits; this is her usual post. There is also a cushion on the other side or the brazier, where the husband or other members of the house may sit. - A six-matted room and verandah
A Japanese room is measured, not by feet and inches, but by the number of mats it contains. A mat consists of a straw mattress, about an inch and a half thick, with a covering of fine matting which is sewn on at the edges of the mattress either by itself or with a border, usually dark-blue and an inch wide, of coarse hempen cloth. It is six feet long by three wide; this measure is not always exact, but may vary by an inch or more in either direction. When a house is newly built, the mat-maker comes to make mats to fit the rooms in it. But in spite of the variation, the size of a room is always given in the number of mats it holds, so that we never know the exact dimensions of a room. The smallest room has two mats, that is, is about six feet square; the next smallest is three-matted, or three yards by two. Four-matted rooms are sometimes to be found; but such rooms are unshapely, being four yards long by two wide. A room with four and a half mats is three yards square and has the half mat, which is a yard square, in the centre. The next size is six-matted, or four yards by three and is followed by the eight-matted, or four yards square. - A skylight and the Kitchen-God
Single burglars usually come in by the skylight, closed at night by a small sliding-door, which does duty as chimney in the kitchen, or crawl under the floor which is some two feet from the ground, by tearing away the boarding under the verandah and come up by carefully removing the loose plank of the floor, under which fuel is kept in the kitchen. If the burglars are in a gang, they naturally come in more boldly than these kitchen sneaks. Once inside, the thief has the run of the house as all the rooms communicate by sliding-doors and are never locked, and the whole household is at his mercy. Since, then, houses are so easy of entry, it might be supposed that burglaries are very frequent in Tokyo; that such is not the case is probably due to the somewhat primitive methods pursued by these gentry and to the effective detective system of the police authorities. - A Street in Yedo
A Street in Yedo (From a picture by Settan, 1783–1843) - A Visitor
When a visitor calls, even the cushion is brought from the anteroom for him to sit on, and then a small cup of tea set before him and a brazier if it is cold and if warm, a tabako-bon. The cushion is round or square; that for summer is made of matting, hide, or a thin wadding of cotton in a cover of hempen cloth, while for winter use the wadding is much thicker and the cover is silk or cotton. It is about sixteen inches at the side if square. The brazier is of various shapes and makes. It may be a wooden box with an earthenware case inside or with a false bottom of copper, or it may be a glazed earthenware case alone; the wooden box may be plain with two holes for handles, or it may be elaborately latticed; and sometimes a brazier is made of the trunk of a tree cut with the outside rough-hewn or only barked and highly polished. The tabako-bon, or “tobacco-tray,” is a small open square or oblong box of sandal-wood or other hard wood, which holds a small china or metal pan, three-quarters full of ashes, with a few tiny pieces of live charcoal in the middle to light a pipe with, and beside it a small bamboo tube with a knot at the bottom for receiving tobacco-ashes. - A well
Beside the sink are an earthen jar to hold water for washing and a wooden pail for drinking water, but there is really no difference in the quality of the liquid in the two receptacles as it has in either case been drawn from the well. The wells are either private or public; in the latter case, they are used by the whole neighbourhood, a small tax being levied for their maintenance, and are the favourite resorts for the exchange of scandals. As these wells have all wooden sides and a square wooden flooring where washing is done, they present a far from cleanly appearance, and the water is as often as not contaminated, especially in the crowded quarters of the city. The Tokyo municipality undertook some years ago to supply pure water, and as water-pipes have been laid throughout the city, the wells are rapidly disappearing in Tokyo. - A whanging of wings that lifted . . . Up . . . Higher . . . Swifter
- A young lady dressed for a visit
When she goes out on an informal visit, the Japanese woman usually puts on a crested haori; but if it is only for a walk, the haori may be plain. The kimono may on such occasions be of any pattern, only that when she makes a call, the band must be of the same cloth as the kimono. - An eight-matted parlour
The parlour, the principal room of the house, is always kept tidy. It has an alcove, six feet long by three deep, consisting of a dais, a few inches high, of plain hard wood, which will bear polishing, though a thin matting is sometimes put over it. Not unfrequently, another piece of wood, generally square, forms the outer edge so that the thickness of the floor of the alcove can be concealed. The dais has a special ceiling of its own, or a bit of a wall, of plaster or wood, coming down over it a foot or more from the ceiling. On the dais is set a vase of porcelain or metal, bottle-shaped or flat, in which branches of a tree or shrubs in flower are put in, and on the wall is hung a kakemono, or scroll of picture or writing. These two constitute the main ornament of the room. New flowers are put in every few days and the kakemono is changed from time to time. This is the peculiarity of the kakemono as a piece of house decoration. We do not exhibit all our treasures in kakemono at the same time, but hang them one, two, or three at a time according to the size of the alcove and the kakemono themselves, so that the visitor calling at different seasons may delight his eyes with the sight of fresh pictures or writings each time he calls. - An Offender undergoing the Bastinade
He is thrown flat upon his face, and held in that position by one, or more, if necessary, of the magistrate's attendants kneeling upon his back, whilst another applies the pan-tsee to his posteriors. The pan-tsee is a thick piece of split bamboo cane, the lower end of which is about four inches in width, and the upper end small and smooth , to render the instrument more convenient for the hand. Mandarins of power have usually some persons in their train , who attend them with these pan-tsees , whenever they travel, or go into public, and who are ready, at the nod of their master, to exercise their office in the manner described .* After this ceremony, it is customary for the delinquent to return thanks to the Mandarin , for the good care he takes of his education. - At that same hour a basket was found in the garden
- Burning a Man's Eyes with Lime
A small quantity of unslacked lime is put into pieces of cotton cloth, and closely applied to the organs of sight. - By look and action he was a maiden
- Chinese man rowing divider
- Chinese street scene
- Chinese style picture
- Close confinement
This criminal is fastened , at full length, upon a sort of bedstead, a chump of wood serving for a pillow. His hands and his feet are loaded with iron manacles and fetters ; his neck is chained to a post, and fastened by two padlocks. - Conducting an Offender into Banishment
A PERSON, sentenced to transportation, is thus led, by an officer of justice, into the country appointed for his future residence . He carries a mat to serve him as a bed, and a leaf of a palm tree, to protect him from the weather. Upon his back, his crime, his sentence, and his name, are displayed in conspicuous characters. This punishment is inflicted upon those, who have struck an elder brother ; who have incurred debts by gaming, which they are unable to pay ; and for such other offences as appear to render the perpetrator unworthy to continue in his native country . When offenders are thus conducted into some distant province, they are to be recalled, but, if into Tartary, their banishment is perpetual. - Dial of old clock
The Japanese division of time is peculiar. The day, from the beginning of morning twilight to the end of evening twilight, is divided into six hours, and the night, from the beginning to the end of darkness, into six other hours. Of course the length of these hours is constantly varying. Their names (according to Titsingh) are as follows: Kokonotsu [nine], noon, and midnight; Yatsu [eight], about our two o’clock; Nanatsu [seven], from four to five; Mutsu [six], end of the evening and commencement of morning twilight; Itsutsu [five], eight to nine; Yotsu [four], about ten; and then Kokonotsu again. Each of these hours is also subdivided into four parts, thus: Kokonotsu, noon or midnight; Kokonotsu-han [nine and a half], quarter past; Kokonotsu-han-sugi [past nine and a half], half past; Kokonotsu-han-sugi-maye [before past nine and a half], three quarters past; commencement of second hour: Yatsu-han, etc., and so through all the hours. - Divider
- Doctor Chu Ping beamed upon him
- Door Fastenings
here is, however, still another element of insecurity in wooden houses. House-breaking is by no means difficult in Tokyo. In the daytime the front entrance is generally closed with sliding-doors which can, however, be gently opened and entered without attracting notice unless some one happens to be in an adjoining room. The kitchen door is usually kept open, and it is quite easy to sneak into the kitchen and make away with food or utensils. Tradesmen, rag-merchants, and hawkers come into the kitchen to ask for orders, to buy waste-paper or broken crockery, or to sell their wares, so that there is nothing unusual in finding strange men on the premises. Sometimes these hawkers are really burglars in disguise come to reconnoitre the house with a view to paying it a nocturnal visit. At night, of course, the house is shut and the doors are bolted or fastened with a ring and staple, but very seldom locked or chained. - Dragon
- Dragon Divider
- Drinking Tea
- Esquimaux carving
The first of these illustrations is perhaps the best, as it is certainly the most delicate and graceful of all the fragments yet discovered. It represents the profile of the head and shoulder of an ibex, carved in low relief upon a piece of the palm of a reindeer’s antler. So exact and well characterised is the sculpture, that naturalists have no hesitation in deciding the animal to be an ibex of the Alps, and not of the Pyrenees. - Floral Divider
- Flowers in the rain
- Foot-warmers
Sometimes a small square hearth is cut in the sitting-room or some other convenient room; and in cold season a wooden frame supported by four pillars is put over the hearth and covered with a large quilt. Live charcoal is put into the hearth and the family sit around it with their knees under the quilt or lie down with their feet stretched out to the hearth. At other seasons the wooden frame is removed and a small mat of the same size as the hearth is put over it. As the hearth cannot be moved about, most people prefer a portable foot-warmer, which is usually a square wooden box with openings at the top and sides; one of the sides slides open and through it an earthen pan of live charcoal is placed inside. A quilt is laid over it as in the case of the hearth. Another, made specially for putting in bed, is of earthenware with a rounded top, which takes some time to heat. As the ordinary cut charcoal is consumed too quickly, balls of charcoal dust are used in these foot-warmers. - Hamstringing a Malefactor
This punishment is reported to have been inflicted upon malefactors, who have endeavoured to make their escape. A vessel containing Chunam , a species of mortar, is at hand , to be applied, by way of styptic , to the wounds. It is said , that this punishment has been lately abolished , the legislature considering, that the natural inclination for liberty, merited not a chastisement of such severity. - Han Hsin raised a bridge from island to mainland
- He kept his forehead tight-pressed to the floor
- He made a V of the bowstring
- He was a weighty elephant—amid the cabbages
- House under a tree
- How could she make beds when her hair needed burnishing
- How to hold chopsticks
Chopsticks may appear at first hard to manage; but their manipulation is not really difficult when one comes to see the way in which they should be handled. They are held near the upper or thicker end in the right hand. One chopstick is laid between the thumb and the forefinger and on the first joint of the ring finger which is slightly bent, and held in position by the basal phalanx of the thumb; this chopstick is almost stationary. The other is laid near the third joint of the forefinger and between the tips of that and the middle finger which are kept together, and is held down by the tip of the thumb; it is, in short, held somewhat like a pen, only the pressure of the thumb is much lighter, for if it were heavy, the force put into it as the chopstick is moved would relax the pressure on the other stick and cause it to drop. The tip of the thumb serves, therefore, only as a loose fulcrum for moving the stick with tips of the fore and middle fingers, while the upper half resting on the last joint of the forefinger is allowed free play. The most difficult part is the use of the thumb; beginners press the stationary chopstick too hard and make the tip of the thumb so stiff that the other chopstick cannot be freely moved. It is quite easy, when one gets used to the thing, even to move the stationary chopstick a little at the same time as the other. The tips of the chopsticks must always meet. In the hand of a skilled user a needle may be picked up with them; but it is quite enough for ordinary purposes if we can pick a fish or take up a grain of boiled rice.