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- Image of Iyeyasu
To secure the succession of his infant son, the expiring emperor established, on his death-bed, a council of regency, composed of nine persons, at the head of which he placed Tokugawa Iyeyasu, king of the Bandō, which, besides the five provinces of the Kwantō, in which were the great cities of Suruga and Yedo, embraced, also, three other kingdoms. Iyeyasu had been king of Mikawa, a more westerly province, which he had lost by adhering to the fortunes of the third son of Nobunaga, he being allied to that family by marriage. But afterwards, by some means, he had recovered the favor of Taikō-Sama, who had even bestowed upon him the newly conquered Bandō, and who, the better to secure his fidelity, had caused his infant son and destined successor to be married to a young granddaughter of Iyeyasu. - Image of Oda Nobunaga
- Image of Yoritomo
According to the Japanese historical legends, the office of Kubō-Sama, originally limited to the infliction of punishments and the suppression of crimes, was shared, for many ages, between the two families of Genji and Heiji, till about 1180, when a civil war broke out between these families, and the latter, having triumphed, assumed such power that the Dairi commissioned Yoritomo, a member of the defeated family of Genji, to inflict punishment upon him. Yoritomo renewed the war, killed Heiji, and was himself appointed Kubō-Sama, but ended with usurping a greater power than any of his predecessors - In a Chinese store
- Inverted Maidehair
- It was a well-plucked traveler who returned
- It was the howl of a wolf
- Japanese Hairstyles
Troublesome as was the man’s queue in the old days, it was a trifle compared with the woman’s coiffure. In the early days of the present regime when men began to cut their hair, many women followed suit and cropped theirs as short. The government, however, interfered and prohibited the cutting of the hair by women other than widows and grandames with whom it was a time-honoured custom. In 1887 when the pro-European craze was at its height, many women tied their hair in European style; but it was subsequently abandoned by those who found that by tying the hair in this manner, they spoilt it for the Japanese coiffure; for having been accustomed to oil it well for their native style, they discovered that the hair, when bound without any pomade, became very brittle and snapped short. Still, the European style is now largely adopted because it does not require expert assistance and the services of the professional hair-dresser can be dispensed with. Various styles are in vogue. Soon after the fall of Port Arthur in 1905, a high knot came into fashion under the formidable title of “203-metre hill knot,” in celebration of the capture of that famous hill which was practically the key to the great fortress. The favourite at present with our women is a low pompadour known as the “penthouse style.” But though the European way of dressing the hair has become very popular, it is not likely so long as the kimono remains unchanged that the Japanese coiffure, awkward as it is compared with the European, will be entirely superseded by the other. - Japanese Ironclad of about 1600 A.D
With hull covered with plates of copper and iron, two rudders, one at the bow and one at the stern; and a paddle-wheel as her propelling machinery, fitted inside. - Kneeling before a tree
- Lady standing in Chinese style picture
- Mailed Warrior - 11th Century
- Man and woman in Chinese costume
- Man working at the table
- Meng Hu could imagine a knife at his throat
- More and more sad came the music
- Of course, they wore hideous false faces
- Old Chinese Man Divider
- Painting a rock
Painting a rock - Portrait of St. Francis Xavier, One of the Earliest Missionaries to Japan
In this city Pinto met, apparently for the first time, with Master Francis Xavier, general superior or provincial of the order of the Jesuits in India, in all parts of which occupied by the Portuguese he had already attained a high reputation for self-devotion, sanctity, and miraculous power; and who was then at Malacca, on his return to Goa, from a mission on which he had lately been to the Moluccas - Prince Chin Pa tried in vain to hold his followers
- Punishing a Boatman
A species of correction appointed for boatmen, or, as they are termed in England, watermen . Having been convicted of some misbehaviour, he is compelled to kneel : one of the officers of justice prevents him from flinching, whilst another grasps his hair, and bestows a certain number of blows upon each side of his face, with a sort of double battledore, made of thick leather. - Punishing an Interpreter
A large piece of bamboo cane is placed behind his knees; this is trampled on by two men, one standing on each end, and who convey more or less pain, as they approach to, or recee from, his person. A punishment, decreed against interpreters, detected of wilful misinterpretation. - Punishment of a Woooden Tube
A piece ofbamboo cane is provided, which nearly corresponds with the height of the criminal, and is of considerable circumference. This bamboo being perfectly hollow , admits the passage of a large iron chain, one end of which is rivetted round a stake, the other encircles his neck, and is confined there by a padlock. His legs are fettered by a few links of chain. - Punishment of the Swin
This man is suspended by his shoulders and ankles, in a very painful situation : at intervals, two attending officers afford some trifling alleviation of his sufferings, by supporting him with a bamboo, passed under his breast. Pencil, ink, and paper, are ready, to note down whatever he may say. This punishment, together with the preceding one, is chiefly inflicted upon such merchants as have been detected in committing frauds, impositions, or any other unwarrantable tricks of trade. - Punishment of the Wooden Collar
This punishment is deemed very disgraceful. The collar is formed of heavy pieces of wood, closed together, and having a hole in the centre, which fits the neck of the offender, who, when this machine is upon him, can neither see his own feet, nor put his hands to his mouth . He is not permitted to reside in any habitation , nor even to take rest for any considerable length of time, an inferior officer of justice constantly attending, to prevent him. By night and by day, he carries this load , which is heavier or lighter, according to the nature of the crime, and the strength of the wearer. The weight of the common sort of these wooden collars , is only fifty or sixty pounds, but there are those, which weigh two hundred, and which are so grievous to the bearers that sometimes , through shame, pain , want of proper nourishment, or of natural rest, they have been known to expire under them . The criminals find various methods, however, of mitigating this punishment: by walking in company with their relations and friends, who support the corners of the collar, and prevent it from pressing upon the shoulders ; by resting it upon a table , a bench , or against a tree; or, according to the representation in the accompanying Plate, by having chair constructed for the purpose, with four posts of equal heights to support the machine. When this ponderous incumbrance is fixed upon an offender, it is always before the magistrate, who has decreed it ; and upon each side, over the places where the wood is joined , long slips of paper are pasted, upon which the name of the person , the crime, which he has committed, and the duration of his punishment, are written, in very distinct characters ; a seal is likewise stamped upon the paper, to prevent the instrument from being opened . Three months is the usual time appointed for those to bear about this collar, who have been convicted of robbery. For defamation, gambling, or breaches of the peace ,it is carried a few weeks ; and insolvent debtors are sometimes ordered to bear it, until they have satisfied their creditors . When the offender is to be liberated from the collar, it must be in the presence of the magistrate, who has imposed it ; he then generally orders him a few blows of the pan-tsee, and dismisses him, with an exhortation to comport himself more regularly in future . Near the figure in this Engraving, are represented the basin and the sort of spoon , by which persons in that situation are supplied with food. - Queues
Among the earliest innovations after the Restoration to which the Japanese people took kindly was the clipping of their queues. In the old days men had little queues on the top of their heads. For this purpose they shaved the crown and gathering the hair around, tied it at the top with a piece of paper string; then, they bent the queue and bringing it down forward over the forehead, fastened it with the ends of the same string so that the queue was tied tightly to the first knot. The end of the queue was cut straight. Fashion often changed in the making of the queue, though its general form remained unaltered. The bend, for instance, between the two knots might vary in size and shape, and the queue itself in length and thickness, its girth being regulated by the extent of the tonsure at the crown. Or the hair might be full or tight at the sides and the back. The front was usually shaved. In short, there was a wide scope for taste in the dressing of the queue. These queues were untied and remade every second or third day, and the head was shaved at the same time. Hair-dressing was therefore a troublesome business, especially as one had generally to get assistance for it. Consequently, when the cropping of the hair came into vogue, people eagerly adopted it as it saved them time and expense. At first they cut the hair long, letting it half hide the ears and come down to the neck behind; but it became shorter by degrees until now the fashion is to crop it to about a quarter of an inch, presenting a head which is appropriately known as “chestnut-bur.” - Raw fish, whole and sliced
Japan is especially rich in fish, as is to be expected from her extensive coast-line and great length from north to south. There are said to be about six hundred varieties of fish in the waters surrounding the country. Of these the one which is held in highest esteem is the tai, a species of the sea-bream (pagrus cardinalis). It is served in various ways; indeed, so numerous are these ways that there is extant an old Japanese book entitled “The Hundred Excellent Methods of dressing the Tai.” It may be boiled, roasted, basted, salted, or taken raw. - Reading a scroll
- Rooster divider
- Rough Sea Divider
- So Chai Mi sat beside the river and sewed and wept
- So the seventh demon sped away taking the sea with him
- Sushi and soba
As the second meal of the day is taken at noon and the last at sundown, it is not unusual, especially in summer, to have something at three or four o’clock. When there are artisans or labourers at work in the house, they are always given tea with some food about that hour; and if there is a visitor, a lady or a friend of the family, its women folk generally manage to have this bever. It may be no more than confectionery; but the most common food taken on such an occasion is sushi, which is a lump of rice which has been pressed with the hand into a roundish form with a slight mixture of vinegar and covered on the top with a slice of fish or lobster, or a strip of fried egg, or rolled in a piece of laver. As the lumps are small, being seldom more than two or three inches long, several of them are set before each person. The favourite fish for the purpose is the tunny, though others are also largely used. Another common dish for the bever is the soba, which is a sort of macaroni made of buckwheat; in its simplest form it is brought on a small bamboo screen laid on a wooden stand; it is dipped, before eating, in an infusion of bonito shavings flavoured with a little soy and mirin, to which small bits of onion and Cayenne pepper have been added. The macaroni is also boiled with fried lobsters, fowl, or eggs and served in bowls. Wheaten macaroni is also dressed in the same manner; it is much thicker than that of buckwheat. - The capital Punishment of the Cord
The usual capital punishments in China are strangling, and beheading. The former is the most common , and is decreed against those, who are found guilty of crimes, which , however capital, are only held in the second `rank` of atrocity. For instance, all acts of homicide, whether intentional or accidental; every species of fraud, committed upon government : the seduction of a woman, whether married or single; giving abusive language to a parent, plundering or defacing a burying place ; robbing with destructive weapons : and for wearing pearls. It would not, perhaps, be possible to form any probable conjecture of the motive, which has induced the Chinese legislators to attach the pain of death to the wearing of a precious gem . The fact is, therefore, only stated from the information of various writers, and remains to be explained by some future commentator. Criminals are sometimes strangled with a bow -string, but on general occasions, a cord is made use of, which fastens the person to a cross, and one turn being taken round his neck , it is drawn tight by an athletic executioner. Men of distinction ,are usually strangled, as the more honourable death ; and where the Emperor is inclined to shew an extraordinary mark of attention towards a mandarin , condemned to die, he sends him a silken cord, with permission to be his own executioner . - The Expedition against Corea
- The first portrait he painted was that of Ying Ning, a monstrous ugly maiden
- The Hindoo Trimurti
The Trimurti or three-headed deity in the caves of Elephanta. This is a sculpture of the most remote antiquity, but the dress, the beads, the sacred cord and other religious symbols declare it to be the work of Hindoos. In anthropomorphising the Deity, men always adopt their own typical countenance for that of their God. Hence their idols betray the national features. Now, observe the profiles of Vishnu and Siva in this Trimurti. - The house of Weng Fu was luxurious in the extreme
- The Invasion of the Mongol Tartars
The Mongol invasion took place in the fourth year of Kōan [a. d. 1281] - The king and his generals gazed across the river
- The king crawled under his throne
- The Kitchen
Let us next turn to the kitchen and see how it is arranged. The kitchen varies very much in size; but the commonest range from six to sixteen square yards, that is, it would, if it were matted, hold from three to eight mats. But the floor is usually entirely boarded, though in a large kitchen a mat or two are laid for the servants to sit on. There is a space of ground at the entrance for leaving clogs in, and another on which the sink is set. The most prominent feature of the kitchen is the hearth for cooking rice. It is made of a shallow wooden box, on which a square plaster casing is built with a round hole at the top and an aperture at a side. On the hole the rice-pot is put; and the side-opening is used for feeding the hearth with small pellets which are kept in a cavity under the wooden box. The hearth is as often as not double, and over the other hole the soup-pot is set. - The Koto
The only Japanese musical instrument taught in girls’ schools is the koto, a kind of zither. As the koto is the most adaptable of all Japanese instruments to western music, it is more readily learnt than others at schools where the piano and the violin are also taught. There are several kinds of koto, the number of strings on them ranging from one to twenty-five; but the one exclusively used at schools has thirteen strings It has a hollow convex body,six feet five inches long and ten inches wide at one end and half an inch narrower at the other, and stands on legs three and a half inches high. The strings are tied at equal distances at the head or broader end and gathered at the other; they are supported each by its own bridge, the position of which varies with the pitch required. Small ivory nails are put on the tips of the fingers for striking the strings. - The Manner of Beheading
This sort of punishment, being deemed in the highest degree ignominious , is only inflicted for crimes, which are regarded by the Chinese government, as the most prejudicial to society ; such as conspiracy,assassination , committing any offence against the person of the Emperor, or attempting the life of any of the imperial family ; revolting, insurrection , striking a parent, or any other unnatural sort of crime. The malefactor, who is condemned to be beheaded, is made to kneel upon the ground, the board of infamy is taken from his back, and the executioner, by a single blow of a two - handed sword, strikes off his head with great dexterity. These headsmen , and indeed, the generality of inferior officers of justice in China, are selected from the soldiery, according to the custom of primitive barbarians ; neither is this employment considered more ignominious, than the post of principal officer of executive justice in other countries . Decapitation is held, by the Chinese, as the most disgraceful kind of death ; because the head, which is the principal part of a man , is separated from the body, and that body is not consigned to the grave as entire as he received it from his parents .. If a great mandarin be convicted of any atrocious offence, he is executed in this manner like the meanest person . After the head is severed , it is frequently suspended from a tree, by the side of a public road ; the body is thrown into a ditch , the law having deemed it unworthy the respect of regular funereal rites . When a sentence is submitted to the Emperor for his approbation, if the crime be of the first degree of atrocity , he orders the malefactor to be executed without delay ; when it is only of an ordinary nature, he directs, that the criminal shall be imprisoned until the autumn, and then executed ; a particular day of that season being allotted for such ceremonies. The Emperor of China seldom orders a subject to be executed , until he has consulted with his first law officers, whether he can avoid it, with out infringing on the constitution of his realm . He fasts for a certain period, previous to signing an order for an execution ; and his imperial majesty esteems those years of his reign the most illustrious and most fortunate , in which he has had the least occasion to let fall upon his subjects the rigorous sword of justice. - The Porch - Open and Latticed
The smallest houses are those in the slums which have only three yards’ frontage and a depth of four yards. The entrance, the space for kitchen utensils and the sink, and perhaps a closet or cupboard would leave room for little more than three mats, on which the whole family live; but as children spend all their playtime outside and come in only for meals, it is at night that the house is crowded, and even then as they sleep higgledy-piggledy, a couple or so of children do not inconvenience their parents to any appreciable extent. A two-roomed house is common enough and is not confined to the slums. A childless old couple, when the wife has to do the household work, find such a house large enough for them. Artisans also live in them. Three-roomed houses, too, are very common. Houses built in blocks are oftenest of this size. They are made up of the porch, the sitting-room, and the parlour or drawing-room. These three rooms are the essential portions of a house; and larger houses merely add to them. A visitor calls at the porch, the paper sliding-door is opened, he is invited to come in, he leaves his hat and greatcoat in the porch, and enters the parlour. - The Rack
This horrible engine of barbarity and error is not peculiar to Roman Catholic countries, it is used even in China , for the purpose of extorting confession . The method of employing it, in torturing the ankles, is exhibited in this Plate . The instrument is composed of a thick , strong plank, having a contrivance at one end to secure the hands, and at the other a sort of double wooden vice . The vice is formed of three stout uprights, two of which are moveable, but steadied by a block , that is fastened on each side. The ankles of the culprit being placed in the machine, a cord is passed round the uprights, and held fast by two men . The chief tormentor then gradually introduces a wedge into the intervals , alternately changing sides . This method of forcing an expansion at the upper part, causes the lower ends to draw towards the central upright , which is fixed into the plank , and thereby compresses the ankles of the wretched sufferer ; who, provided he be fortified by innocence, or by resolution, endures the advances of the wedge, until his bones are completely reduced to a jelly. - The reformed dress
The kimono appears indeed to be capable of little improvement. The only concession that has been made to the requirements of the latter-day school-girl is the contraction of the sleeves. The “reformed dress,” as it is called, has large open sleeves which can be tightened by means of a string. It is found very handy and is worn by many school-girls. Reformed or unreformed, there is this to be said for the Japanese woman’s dress that it does not suffer in the matter of pockets or what serve as such from comparison with man’s. - The royal generals . . . knelt before Hai Low and bumped their heads in the dust
- The samisen
The samisen is early taught. Girls of seven or thereabouts are made to learn it while their fingers are still very pliant. But the lessons are hard to learn as the tunes have to be committed to memory, for there are no scores to refer to. There is no popular method of notation; the marks which are sometimes to be seen in song-books are too few to be of use to any but skilled musicians. The lighter samisen does not require much exertion to play; women can thrum it for hours on end; and they make slight indentations on the nails of the middle and ring fingers of the left hand for catching the strings when those fingers are moved up and down the neck to stop them. But with the heavier kind the indentations are deeper, and the constant friction of the strings hardens the finger-tips and often breaks the nails, while still worse is the condition of the right hand which holds the plectrum. The plectrum, the striking end of which is flat as in the one for the slender-necked samisen, is heavily leaded and weighs from twelve ounces to a pound when used by professionals; and the handle, which is square, is held between the ring and little fingers for leverage and worked with the thumb and the forefinger. - The seven herbs of autumn
People go out at this time to look at the Seven Herbs of Autumn, the principal of which is the lespedeza bicolor with its pretty little red flowers; the other six are the miscanthus sinensis, pueraria thunbergiana, dianthus superbus, patrinia seabiosœfolia, cupatorium chinense, and platycodon grandiflorum. The autumnal equinox is celebrated in the same manner as the vernal. - Then he seized the plaques and flung them from him
- Therefore—upon his donkey—the contrary husband started for Tsun Pu
- The hakama
The hakama is a sort of loose trousers. Either leg is made by joining along the nape five pieces of cloth about a yard long, four of which are of the full width of the cloth and the fifth of half that width. The skirt is sewn by turning in the edge three times to stiffen it. The two legs are joined in such a manner that the half-width pieces form the inner side and the lowest point of the fork is about twenty-two inches from the skirt. In front a longitudinal plait is made an inch or so to the left so that its edge is in the middle; two more plaits are made to the left and two to the right, and a third on the latter leg under the middle fold. A similar but deeper plait is made behind on either leg, that on the right having its edge in the middle. These plaits are not stitched, but merely hot-pressed so that they can be opened at will; and as they are much deeper at the skirt than at the top, they give free play to the legs when walking and make the hakama appear to fit more closely than it would without them. The upper half of the hakama is open at either side, the fork at which is of about the same depth as that in the middle. The top of the front half which is about a foot wide, is sewn on to the middle of a band which is folded and turned in to the width of half an inch and is about eleven feet long, thus leaving a free end five feet long on either side of the front half. The back, the top of which is narrower than that in front, is surmounted with a piece of thin board on which the cloth is pasted with starch mucilage. This board has also a narrow band, two feet long, on each side. The hakama is lined or unlined, but never wadded. - The haori
The haori worn on a visit or on formal occasions is usually black and adorned with the family crest. The crest is found on three or five parts of the haori, one in the middle of the back over the seam, and one each on the back of the sleeve, and if there are five crests altogether, one each on the breast of the body piece between the band and the sleeve. The crest is of various forms and is about an inch from end to end. It is invariably white; the white cloth is specially dyed for the purpose so that the crest is the only portion left undyed; but sometimes ready-dyed cloths with white disks for the crests are bought, when the crests have to be drawn on them, or if they have no such disks, the crests are sewn on. Haori for common wear have no crests and are plain, twilled, or striped and of sombre hues, though not necessarily black. Those for home wear are often much longer than ordinary haori and are thickly wadded with cotton. They are also without crests. - The kimono, rear and front view
We now pass on to the making of the male unlined kimono, as naturally it is of the simplest form. In the first place, the length of a kimono varies with the size of the wearer; it is not only his height, but his condition as well, that has to be taken into consideration, for broad shoulders, a thick chest, and rounded hips require more cloth, longitudinally and laterally, than a body of the same height but with less flesh. The usual length is about four feet six inches for the average Japanese whose height is five feet three or four inches. The two body pieces are first placed side by side and sewn together half the length, the edge sewn in being about half an inch; and then at the end of the seam the pieces are cut two inches and a half and folded down at that width all along to the free ends, so that when they are spread out, there is a channel five inches wide along half their length. They are then folded in two so that the free halves are exactly over the sewn halves. The outer edges are then sewn from the end up to a point a foot and five inches below the fold. The sewn halves form the hind part and the free halves the front of the kimono. Next, the pieces for the gores are sewn on from the end along the free edges of the body pieces. The skirt is stitched, and the kimono, which is now an inch or so less than five feet, is tucked in to the required length at the hips where the tucking would be concealed under the obi, or sash. - The obi, square and plain
The obi, or sash, is about four inches wide and varies in length from twelve feet and a half to fourteen. It is usually of the same material on both sides and can be worn either side out. It is stitched along one edge and stiffened with a padding. This is the regular sash, commonly called the square obi; but when we are at home, go out for a walk, or visit an intimate friend, we prefer another kind of sash, which is a piece of white crêpe, about ten feet long and varying in width from a foot and a quarter to two feet, and stitched at the ends to prevent their fraying. It is much more comfortable than the other. - The obi for ordinary wear. For girls. For women
The Japanese woman’s pride, however, is the obi. It is often the most costly of all her apparel. It is about thirteen feet long and thirteen and a half inches wide. The obi for ordinary wear is made by sewing together back to back two pieces of cloth, of which the face is commonly of stiff stuff like satin and the lining of crêpe, or other soft silk or cotton. But the obi worn on formal occasions consists of a single piece of double width, which is folded in two lengthwise and seamed; it is made of taffety, satin, damask, or gold or other brocade. The Chinese satin has at one end the name of its loom in red thread; and imitation satins and sateens have similar names at the same end; and this end is always exposed to view when the obi is worn. When sewn, the woman’s obi is padded like men’s. - The shimada and ‘rounded chignon.’
For young women the formal coiffure is the shimada, so called from the name of the town on the high road between Tokyo and Kyoto, where it first came into fashion. In this the hair is gathered and tied tightly at or near the crown together with a large tuft of false hair. The tip is folded in forward; the hair is then folded twice in the same direction as the tip so that the edge of the fold is half an inch or less behind the knot; and the whole is turned over the knot in such a way that the edge of the second fold is forward of the crown. Then, by a string passing over the knot the fold is tied down. The chignon is formed by spreading out the hair; sometimes a piece of paper, of the size of the chignon, is well pomaded and put under the surface of the chignon to help it to keep in place. The size of the chignon varies with the wearer’s taste; but, generally speaking, a young woman’s is larger than her elder sister’s. Its position too varies, as it depends upon that of the first knot, whether over or behind the crown. In the formal coiffure of a young lady of social standing it is close to the crown; but girls in a lower station of life or anxious to be thought chic prefer the chignon to be more to the back of the head. - This nice large one is for your dinner