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- Elynor Rummyng
A hundred and fifty years later than Piers Plowman we get another picture of an English ale-house, by no less celebrated a poet. This famous house, the “Running Horse,” still stands at Leatherhead, in Surrey, beside the long, many-arched bridge that there crosses the river Mole at one of its most picturesque reaches. It was kept in the time of Henry the Seventh by that very objectionable landlady, Elynor Rummyng, whose peculiarities are the subject of a laureate’s verse. Elynor Rummyng, and John Skelton, the poet-laureate who hymned her person, her beer, and her customers, both flourished in the beginning of the sixteenth century. Skelton, whose genius was wholly satiric, no doubt, in his Tunning (that is to say, the brewing) of Elynor Rummyng, emphasised all her bad points, for it is hardly credible that even the rustics of the Middle Ages would have rushed so enthusiastically for her ale if it had been brewed in the way he describes. - Due on Wines
Due on Wines To add to these already excessive rates and taxes, there were endless dues, under all shapes and names, claimed by the ecclesiastical lords. And not only did the nobility make without scruple these enormous exactions, but the Crown supported them in avenging any act, however opposed to all sense of justice; so that the nobles were really placed above the great law of equality, without which the continuance of social order seemed normally impossible. - Dr. Martin Luther
Dr. Martin Luther - Doge of Venice
Doge of Venice Costume before the Sixteenth Century. - Crossbowmen
They represent French soldiers at the defence of Rouen, 1419, shooting from behind the shelter of shields propped up in front of them. - Columbus watching for land
Columbus watching for land - Christopher Columbus
Taken from the marble bust on his monument at Genoa - Christopher Columbus
Christopher Columbus - Chepe in the Fifteenth Century
The streets and lanes of London within the walls were very nearly the same as they are at present, except for the great thoroughfares constructed within the last thirty years. That is to say, when one entered at Lud Gate and passed through Paul's Churchyard, he found himself in the broad street, the market place of the City, known as Chepe. - Charlotte of Savoy
Charlotte of Savoy second Wife of Louis XI. - Caravel , 15th Century
- Bedesmen.
Bedesmen - In time of Henry VII The group represents the abbot and some of the monks, and behind them some of the bedesmen, each of whom has the royal badge—the rose and crown—on the shoulder of his habit, and holds in his hand his rosary, the symbol of his prayers. - Archery
Of physical games archery was the most practised. This was the national physical exercise, one which had helped the English soldiers to gain a great reputation for themselves, as at Agincourt (1415). At York the "butts," where men practised archery, were outside the city walls. - Anelaces
Anelace (Also in French, alenas, alinlaz, analasse, anlace.) A broad knife or dagger worn at the girdle. It was a well known weapon in he thirteenth century. - An Abbot
The different kinds of religious men have already been mentioned from archbishops and abbots to the scurrilous impostors who used a religious exterior to rob poor people, at whose expense they lived well a wandering, loose, hypocritical life. In York, there were monks and friars, cathedral, parochial, and chantry priests, and clerks. The monastic life was a recognised profession. - Amerigo Vespucci
Amerigo Vespucci was born in Florence, March 9, 1451, just one hundred and fifty years after Dante was banished from the city in which both first saw the light. The Vespucci family had then resided in that city more than two hundred years, having come from Peretola, a little town adjacent, where the name was highly regarded, as attached to the most respected of the Italian nobility. Following the custom of that nobility, during the period of unrest in Italy, the Vespuccis established themselves in a stately mansion near one of the city gates, which is known as the Porta del Prato. Thus they were within touch of the gay society of Florence, and could enjoy its advantages, while at the same time in a position, in the event of an uprising, to flee to their estates and stronghold in the country. - A Sea-fight in Tudor Times
Which particular battle this picture is supposed to represent cannot be stated, since old Holinshed uses it over and over again for almost every naval engagement to which he makes reference right back as far as the Conquest. That cannon were not then in existence does not appear to trouble him at all. But we may take it as fairly representative of an action at sea in the times in which the historian lived and wrote. - A Mediæval Street and Town Hall
The illustration is a very interesting street-view of the fifteenth century. Take first the right-hand side of the engraving, remove the forest of picturesque towers and turrets with their spirelets and vanes which appear over the roofs of the houses (in which the artist has probably indulged his imagination as to the effect of the other buildings of the town beyond), and we have left a sober representation of part of a mediæval street—a row of lofty timber houses with their gables turned to the street. - A Justing Toy
Persons of `rank` were taught in their childhood to relish such exercises as were of a martial nature, and the very toys that were put into their hands as playthings, were calculated to bias the mind in their favour. On the opposite page the reader will find two views of a knight on horseback, completely equipped for the just; four wheels originally were attached to the pedestal, which has a hole in the front for the insertion of a cord. The knight and his horse are both made with brass; the spear and the wheels are wanting in the original, but the hole in which the spear was inserted, still remains under the right arm, and it is supplied upon the print by something like it placed in the proper situation. This curious figure was probably made in the fifteenth century. The man represented may be readily separated from the horse, and is so contrived as to be thrown backwards by a smart blow upon the top of the shield or the front of his helmet, and replaced again with much ease: two such toys were requisite; each of them having a string made fast in the front of the pedestal, being then placed at a distance in opposition the one to the other, they were violently drawn together in imitation of two knights tilting; and by the concussion of the spears and shields, if dexterously managed, one or both of the men were cast to the ground. - A Dance in the Gallery
In the illustration, reproduced from Mr. Wright’s “Domestic Manners of the English,” we have a curious picture of a dance, possibly in the gallery, which occupied the whole length of the roof of most fifteenth-century houses; it is from a MS. of fifteenth-century date. In all these instances the minstrels are on the floor with the dancers, but in the latter part of the Middle Ages they were probably—especially on festal occasions—placed in the music gallery over the screens, or entrance-passage, of the hall.