Charlotte of Savoy
Charlotte of Savoy second Wife of Louis XI.
Entry of Loius XI
The Entry of Louis XI. into Paris From the "Chroniques" of Monstrelet, Manuscript of the Fifteenth Century
Hanging to music
Hanging to Music. (A Minstrel condemned to the Gallows obtained permission that one of his companions should accompany him to his execution, and play his favourite instrument on the ladder of the Gallows.)--Fac-simile of a Woodcut in Michault's "Doctrinal du Temps Présent:" small folio, goth., Bruges, about 1490.
Jeanne de Bourbon
Jeanne de Bourbon, Wife of Charles V From a Statue formerly in the Church of the Célestins, Paris. A fact worthy of remark is, that whilst male attire, through a depravity of taste, had extended to the utmost limit of extravagance, women's dress, on the contrary, owing to a strenuous effort towards a dignified and elegant simplicity, became of such a character that it combined all the most approved fashions of female costume which had been in use in former periods. The statue of Queen Jeanne de Bourbon, wife of Charles V., formerly placed with that of her husband in the Church of the Célestins at Paris, gives the most faithful representation of this charming costume, to which our artists continually have recourse when they wish to depict any poetical scenes of the French Middle Ages
Judge
Judge The Parliament of Paris--or Great French Parliament, as it was called by Philip V. and Charles V., in edicts of the 17th of November, 1318, and of the 8th of October, 1371--was divided into four principal chambers: the Grand Chamber, the Chamber of Inquiry, the Criminal Chamber, and the Chamber of Appeal. It was composed of ordinary councillors, both clerical and lay; of honorary councillors, some of whom were ecclesiastics, and others members of the nobility; of masters of inquiry; and of a considerable number of officers of all ranks
Marchands en Gros, Fifteenth Century
The last cut is taken from the painted glass at Tournay of the fifteenth century, and represents marchands en gros. This illustration of a warehouse with the merchant and his clerk, and the men and the casks and bales, and the great scales, in full tide of business, is curious and interesting.
Rector and Doctor of the University of Paris
The Faculty of Theology, besides its dean, who was the senior doctor, chose every other year a syndic, whose business it was to administer the private business of the company. The Decree Faculty had only a dean selected by seniority in the grade of doctor, and the Faculty of Medicine had a dean elected every year from amongst the doctors in practice. Deans and proctors, to the number of seven, formed the higher tribunal of the University. The Faculty of Arts had, therefore, a clear majority of its own upon this tribunal ; it had, moreover, assumed for itself the exclusive right of nominating the rector or supreme head of the University, and he was bound to be a member of the faculty.
The Duke of Gloucester and the Earl of Warwick
The illustration is from the valuable MS. Life and Acts of Richard Beauchamp, Earl of Warwick. The present is part of a fight before Calais, in which Philip Duke of Burgundy was concerned on one side, and Humphrey Duke of Gloucester, Richard Earl of Warwick, and Humphrey Earl of Stafford on the other.