- Water-carriers, Duna Földvár
Women water carriers - Washer-women
At every available point of the crowded river-front washerwomen, with their petticoats wet to the waist, stood knee-deep in the stream, and accompanied their lively chatter with the vigorous tattoo of their active mallets. In the shadow of the houses near the landing great piles of watermelons were the centres of groups of all ages, every individual busy with the luscious, juicy fruit. - Walking Dress 1810
The Empire gown is figured in the illustration of a walking dress, 1810. It lasted practically until the advent of the crinoline in the forties, when it finally disappeared. - View of the two panoramas and of the passage between them
View of the two panoramas and of the passage between them 1810 - two walking dresses as well as an indoors and evening dress 1836
two walking dresses as well as an indoors and evening dress 1836 - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures. - The Wooden Gallery in the Palais-Royal
The Wooden Gallery in the Palais-Royal 1803 - The Tuleries in 1802
The Tuleries in 1802 - The reformed dress
The kimono appears indeed to be capable of little improvement. The only concession that has been made to the requirements of the latter-day school-girl is the contraction of the sleeves. The “reformed dress,” as it is called, has large open sleeves which can be tightened by means of a string. It is found very handy and is worn by many school-girls. Reformed or unreformed, there is this to be said for the Japanese woman’s dress that it does not suffer in the matter of pockets or what serve as such from comparison with man’s. - The Picture Exhibition at the 'Salon'
The Picture Exhibition at the 'Salon' - The more practical gown of the Empire Period
The more practical gown of the Empire Period - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress, - The Fair Shopper
A party of visitors in which there are one or more ladies will unquestionably go on a shopping excursion of greater or less extent, according to the tastes of the fair ones and the length of the purses possessed by their escorts. - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume - The Delights of the Malmaison
The Delights of the Malmaison A saunter through the park in 1804 - The Albuera
This mantilla is one of great beauty. It is made of blue glacé silk, but can be in any choice color. Lavender and lustrous pearl and mode colors look especially well, as also the greens, in this garment. Its chief peculiarity consists in its square front and its fitting so as to just cut the edge of the shoulder. It is fastened at the top by a bow; the back falls with an easy fulness; it is embroidered. - The 1840 style
The 1840 style - The 1830 Effect
The 1830 Effect - Spring Fashions 1854
Spring Fashions 1854 - Spring Fashions
LACE MANTILLA and TABLET MANTILLA LACE MANTILLA.—This mantilla has three capes—the first is in depth twenty-three inches, the second eighteen inches, and the third fourteen inches, with lace edging to match. The collar is six inches in depth, with a bow of ribbon behind. TABLET MANTILLA.—Material. Watered or plain silk. It is made with a yoke, and falls low on the shoulders. For trimming, it is cut in turrets, trimmed with narrow braid and netted fringe sewed underneath. - Roumanian Peasant Girl
Roumanian Peasant Girl - Returning from Market
Woman returning from market pushing a barrow with empty baskets - Pump at Pöchlarn
Woman standing in front of the Pump at Pöchlarn - Profile of lady
Profile of lady - Practical Dress Instructor
Headdress of the Lady on the Right.—Hair in bandeaux à la Niobe; torsade of pearls. Moire dress, low body, with progressive revers opening over a modestie of embroidered muslin edged with lace; short open sleeves à la Watteau; undersleeves of embroidered muslin; half-long gloves; bracelets of pearls, or more often worn different, according to choice. The other Figure (Lady seated).—Cap of tulle trimmed with lace and ribbon. Low body, with revers open to waist; loose bell-shaped sleeves, edged with a bouillonne; two skirts trimmed with the same; modestie of embroidered muslin, edged with point de Venise; black velvet bracelets, half-long gloves, and Venetian fan. - Paris Evening Dress 1833
- On the Water
On the water - On the Caroussel
The carousel is a form of entertainment which has grown popular with a certain class of people within recent years. The term may be a little obscure to the uninitiated, but they will readily understand its meaning when it is explained that the carrousel is nothing more or less than the old-fashioned “merry-go-round” which we all easily remember as a feature of fairs, circuses and other out-door entertainments. - Lady in house-robe. Period, 1816
Lady in house-robe. Period, 1816 - Lady
Lady - Lady
Lady - Lady
Lady - Ladies head
Ladies head - In Sunday Dress, Monostorszég
In Sunday Dress, Monostorszég - Hungarian Girls at Bezdán
Hungarian Girls at Bezdán - Hairstyles for 1837
Hairstyles for 1837 - Hair fashions 1834 England
Hair fashions 1834 England - hair dressing which were in vogue in 1832
hair styles which were in vogue in 1832 - French Restoration period - 1823
French Restoration period - 1823 - Fish-girl of Scheveningen, Holland
The fishing towns of Holland are interesting. Every traveller wants to see Vollendam and Scheveningen and the hamlets on the Island of Marken. The men and women in these towns are kind-hearted, simple people, who are proud of their own village and think their own dress finer than that of other towns. Each of these fishing villages has its characteristic costume. The men of the Island of Marken wear a close-fitting jacket which ends at the waist and great, baggy, knee pants. Marken women wear round, white caps, fitting the head closely, with an open-work border, and a bright waist, with striped sleeves, over the front of which is a square of handsomely embroidered cloth. Little girls all through Holland dress exactly like women. But for her child face you would take the little girl from Scheveningen to be a grown person. She wears a dainty white cap pinned on with two great round-headed pins. Her ample dress quite reaches the ground; her white apron is neatly tied, and her purple shawl, tightly wrapped about her shoulders, is demurely crossed, and the ends are tucked under her apron strings. She wears the common wooden shoes of the country - Fellah Women
Fellah Women The dress of a large proportion of those women of the lower orders who are not of the poorest class consists of a pair of trousers or drawers (similar in form to the shintiyán of the ladies, but generally of plain white cotton or linen), a blue linen or cotton shirt (not quite so full as that of the men), a burko’ of a kind of coarse black crape, and a dark blue tarhah of muslin or linen. Some wear over the shirt, or instead of the latter, a linen tób, of the same form as that of the ladies. The sleeves of this are often turned up over the head; either to prevent their being incommodious, or to supply the place of a tarhah. - English Fashions 1832
a dinner, two ball, and a walking dress 1832 - English Fashion - 1830-1831
English Fashion - bonnet, hat, turban, and caps, as worn during the year 1830-1831 - English dress fashions worn in 1830
English dress fashions worn in 1830 Two walking dresses, one evening, and one ball dress. - Early days of the crinoline - 1855
Early days of the crinoline - 1855 - Donaueschingen Girls
Donaueschingen Girls - different styles of hair-dressing fashionable in 1830-31
different styles of hair-dressing fashionable in 1830-31 - different modes of dressing the hair.in 1835
different modes of dressing the hair.in 1835 - Costers and Cockneys
“Ow I s’y, look at ’er frills. Got ’erself hup like a bloomin’ ’am bone!” - Costers and Cockneys
“I ’ear as you don’t walk hout with ’Arry Smith any more.” “No, ’e wanted me to meet ’im incandescently, and I wouldn’t do such a thing, so I chucked ’im.” - Buy a broom girl
One of the features of the streets at that time was the "buy a broom girl," so called from her cry. Her costume was picturesque, and she was rather an ornament to the extremely prosaic street. "From Deutschland I come, with my light wares all laden, To dear, happy England, in summer's gay bloom; Then listen, fair ladies, and young pretty maidens, And buy of a wand'ring Bavarian, a broom. Buy a broom? Buy a broom?" - bonnets worn in 1830
bonnets worn in England in 1830 - Ball Costume 1825
Ball Costume 1825 - An official ball in the Strassbourg Theatre
- A young lady dressed for a visit
When she goes out on an informal visit, the Japanese woman usually puts on a crested haori; but if it is only for a walk, the haori may be plain. The kimono may on such occasions be of any pattern, only that when she makes a call, the band must be of the same cloth as the kimono. - A Sitting-room
The sitting-room has little furniture. An indispensable article in it is the brazier, usually oblong, with a set of three small drawers one under another at the side and two others side by side under the copper tray filled with ashes, on which charcoal is burnt inside an iron or clay trivet. On this trivet is set a kettle of iron or copper. The iron kettle is made of thick cast-iron and kept on the trivet so as always to have hot water ready for tea-making: and the copper kettle is used when we wish to boil water quickly. Beside the brazier is a small shelf or cabinet for tea-things. Behind the brazier is a cushion where the wife sits; this is her usual post. There is also a cushion on the other side or the brazier, where the husband or other members of the house may sit. - A Petit Souper
Man and woman eating in restaurant - A Masquerade Sprite
If an ordinary dance or ball is enjoyable how much more so is a masquerade—that merry carnival in which identities are mysteriously hidden and all manner of pleasant pranks indulged in by the maskers, whose brilliant and variegated costumes transform the aspect of the thronging floor into a kaleidoscopic expanse of ever-changing beauty. The accompanying illustration depicts the sort of jolly scene to be encountered at a typical Chicago masquerade—a scene which, witnessed for the first time, is rarely forgotten until it is eclipsed perhaps, by another later and even more novel.