- Walking Dress 1810
The Empire gown is figured in the illustration of a walking dress, 1810. It lasted practically until the advent of the crinoline in the forties, when it finally disappeared. - Paris Evening Dress 1833
- English Fashion - 1830-1831
English Fashion - bonnet, hat, turban, and caps, as worn during the year 1830-1831 - bonnets worn in 1830
bonnets worn in England in 1830 - Buy a broom girl
One of the features of the streets at that time was the "buy a broom girl," so called from her cry. Her costume was picturesque, and she was rather an ornament to the extremely prosaic street. "From Deutschland I come, with my light wares all laden, To dear, happy England, in summer's gay bloom; Then listen, fair ladies, and young pretty maidens, And buy of a wand'ring Bavarian, a broom. Buy a broom? Buy a broom?" - English Fashions 1832
a dinner, two ball, and a walking dress 1832 - Hairstyles for 1837
Hairstyles for 1837 - different modes of dressing the hair.in 1835
different modes of dressing the hair.in 1835 - different styles of hair-dressing fashionable in 1830-31
different styles of hair-dressing fashionable in 1830-31 - English dress fashions worn in 1830
English dress fashions worn in 1830 Two walking dresses, one evening, and one ball dress. - hair dressing which were in vogue in 1832
hair styles which were in vogue in 1832 - The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume
The dresses for 1837 are two walking-dresses and a ball dress, and also a child's costume - The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress,
The fashions of 1833 include two walking-dresses, one dinner, and one ball-dress, - Hair fashions 1834 England
Hair fashions 1834 England - two walking dresses as well as an indoors and evening dress 1836
two walking dresses as well as an indoors and evening dress 1836 - A Haymaker
A Haymaker - Donaueschingen Girls
Donaueschingen Girls - Hungarian Girls at Bezdán
Hungarian Girls at Bezdán - In Sunday Dress, Monostorszég
In Sunday Dress, Monostorszég - Pump at Pöchlarn
Woman standing in front of the Pump at Pöchlarn - Returning from Market
Woman returning from market pushing a barrow with empty baskets - Roumanian Peasant Girl
Roumanian Peasant Girl - Washer-women
At every available point of the crowded river-front washerwomen, with their petticoats wet to the waist, stood knee-deep in the stream, and accompanied their lively chatter with the vigorous tattoo of their active mallets. In the shadow of the houses near the landing great piles of watermelons were the centres of groups of all ages, every individual busy with the luscious, juicy fruit. - Water-carriers, Duna Földvár
Women water carriers - Lady in house-robe. Period, 1816
Lady in house-robe. Period, 1816 - A Lady
A Lady - Profile of lady
Profile of lady - Lady
Lady - Lady
Lady - Lady
Lady - Ladies head
Ladies head - Fish-girl of Scheveningen, Holland
The fishing towns of Holland are interesting. Every traveller wants to see Vollendam and Scheveningen and the hamlets on the Island of Marken. The men and women in these towns are kind-hearted, simple people, who are proud of their own village and think their own dress finer than that of other towns. Each of these fishing villages has its characteristic costume. The men of the Island of Marken wear a close-fitting jacket which ends at the waist and great, baggy, knee pants. Marken women wear round, white caps, fitting the head closely, with an open-work border, and a bright waist, with striped sleeves, over the front of which is a square of handsomely embroidered cloth. Little girls all through Holland dress exactly like women. But for her child face you would take the little girl from Scheveningen to be a grown person. She wears a dainty white cap pinned on with two great round-headed pins. Her ample dress quite reaches the ground; her white apron is neatly tied, and her purple shawl, tightly wrapped about her shoulders, is demurely crossed, and the ends are tucked under her apron strings. She wears the common wooden shoes of the country - The Albuera
This mantilla is one of great beauty. It is made of blue glacé silk, but can be in any choice color. Lavender and lustrous pearl and mode colors look especially well, as also the greens, in this garment. Its chief peculiarity consists in its square front and its fitting so as to just cut the edge of the shoulder. It is fastened at the top by a bow; the back falls with an easy fulness; it is embroidered. - Spring Fashions 1854
Spring Fashions 1854 - Practical Dress Instructor
Headdress of the Lady on the Right.—Hair in bandeaux à la Niobe; torsade of pearls. Moire dress, low body, with progressive revers opening over a modestie of embroidered muslin edged with lace; short open sleeves à la Watteau; undersleeves of embroidered muslin; half-long gloves; bracelets of pearls, or more often worn different, according to choice. The other Figure (Lady seated).—Cap of tulle trimmed with lace and ribbon. Low body, with revers open to waist; loose bell-shaped sleeves, edged with a bouillonne; two skirts trimmed with the same; modestie of embroidered muslin, edged with point de Venise; black velvet bracelets, half-long gloves, and Venetian fan. - Spring Fashions
LACE MANTILLA and TABLET MANTILLA LACE MANTILLA.—This mantilla has three capes—the first is in depth twenty-three inches, the second eighteen inches, and the third fourteen inches, with lace edging to match. The collar is six inches in depth, with a bow of ribbon behind. TABLET MANTILLA.—Material. Watered or plain silk. It is made with a yoke, and falls low on the shoulders. For trimming, it is cut in turrets, trimmed with narrow braid and netted fringe sewed underneath. - Ball Costume 1825
Ball Costume 1825 - Early days of the crinoline - 1855
Early days of the crinoline - 1855 - French Restoration period - 1823
French Restoration period - 1823 - The 1830 Effect
The 1830 Effect - The 1840 style
The 1840 style - The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume. - The Grecian Bend
The Grecian Bend , a feature of the late 70's - The more practical gown of the Empire Period
The more practical gown of the Empire Period - Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures.