- Young man kneeling in front of a woman
Young man kneeling in front of a woman - With a head shelter and a sleeping bag he can keep dry and warm
Boy lying in a sleeping bag in the rain, without a tent. - Who was it who hid the ace
Seated couple watching a group of people - Viola da gamba
The player on the viola da gamba, shown in the engraving, is a reduced copy of an illustration in “The Division Violist,” London, 1659. It shows exactly how the frets were regulated, and how the bow was held. The most popular instruments played with a bow, at that time, were the treble-viol, the tenor-viol, and the bass-viol. It was usual for viol players to have “a chest of viols,” a case containing four or more viols, of different sizes. Thus, Thomas Mace in his directions for the use of the viol, “Musick’s Monument” 1676, remarks, “Your best provision, and most complete, will be a good chest of viols, six in number, viz., two basses, two tenors, and two trebles, all truly and proportionably suited.” The violist, to be properly furnished with his requirements, had therefore 119to supply himself with a larger stock of instruments than the violinist of the present day. - Vielle
The woodcut represents a very beautiful vielle; French, of about 1550, with monograms of Henry II. This is at South Kensington. The contrivance of placing a string or two at the side of the finger-board is evidently very old, and was also gradually adopted on other instruments of the violin class of a somewhat later period than that of the vielle; for instance, on the lira di braccio of the Italians. It was likewise adopted on the lute, to obtain a fuller power in the bass; and hence arose the theorbo, the archlute, and other varieties of the old lute. - Vertical Chignon
It requires from twenty-five to thirty years for an Ishogo woman to be able to build upon her head one of their grotesque head-dresses. The accompanying picture will show you how they look. But you will ask how they can arrange hair in such a manner. I will tell you : A frame is made, and the hair is worked upon it ; but if there is no frame, then they usd grass-cloth, or any other stuffing, and give the shape they wish to the head-dress. A well-known hair-dresser, who, by the way, is always a female, is a great person in an Ishogo village, and is kept pretty busy from morning till after-noon. It takes much time to work up the long wool on these negroes' heads, but, when one of these heads of hair, or chignons, is made, it lasts for a long time—sometimes for two or three months—without requiring repair. I need not tell you that after a few weeks the head gets filled with specimens of natural history. A great quantity of palm oil is used in dressing the hair, and, as the natives never wash their heads, the odor is not pleasant. When a woman comes out with a newly-made chignon, the little Ishogo girls exclaim, "When shall I be old enough to wear one of these? How beau-tiful they are!" Every morning, instead of taking a bath, the Ishogos rub themselves with oil, mixed with a red dye made from the wood of a forest tree. - Twisted Lime worm ( Serpula contortuplicata )
In the Serpulacees ( Serpulacea ), the gills are located entirely at the front end of the body; the cilia that coat her cause a current to flow into the water, which supplies food to the mouth opening immediately below it. The head segment is not separated from the mouth segment, as is the case with most other Ringworms, but has grown together with it. - Title
A woman peeling apples and a man woodworking sit facing each other. Suitable for putting a title in the free space in the picture. - The wrong way to mount a horse—facing forward
The wrong way to mount a horse—facing forward - The Wilderness Traveller
Forest travellers are always on the lookout for peculiar landmarks that they will recognize if they see them again. Oddly shaped trees, rocks, or stumps, the direction of watercourses and trails, the position of the sun, all these things will help us to find our way out of the woods when a less observing traveller who simply tries to remember the direction he has travelled may become terrified. - The right way to mount—facing toward his tail
In mounting, stand on the left side and place the left foot in the stirrup. Swing the right leg over the horse and find the right stirrup with the toe just as quickly as possible. Do not jerk a restless horse or otherwise betray your excitement if he starts. Let him see by your calmness that he too should be calm. - The Queen's first baby
Drawn and Etched by Her Majesty the Queen. [Queen Victoria] - The Prisoner
Prisoner standing in the dock - The old English 'crowd'
A player on the crwth or crowd (a crowder) from a bas-relief on the under part of the seats of the choir in Worcester cathedral dates from the twelfth or thirteenth century - The minstrels’ gallery, at Exeter cathedral
The minstrels’ gallery of Exeter cathedral dates from the fourteenth century. The front is divided into twelve niches, each of which contains a winged figure or an angel playing on an instrument of music. The instruments are so much dilapidated that some of them cannot be clearly recognized; but, as far as may be ascertained, they appear to be as follows:—1. The cittern. 2. The bagpipe. 3. The clarion, a small trumpet having a shrill sound. 4. The rebec. 5. The psaltery. 6. The syrinx. 7. The sackbut. 8. The regals. 9. The gittern, a small guitar strung with catgut. 10. The shalm. 11. The timbrel; resembling our present tambourine, with a double row of gingles. 12. Cymbals. The shalm, or shawm, was a pipe with a reed in the mouth-hole. The wait was an English wind instrument of the same construction. If it differed in any respect from the shalm, the difference consisted probably in the size only. The wait obtained its name from being used principally by watchmen, or waights, to proclaim the time of night. Such were the poor ancestors of our fine oboe and clarinet. - The lineup
The position of the men on a team is generally as the diagram shows but for various plays other formations are used, provided that they do not violate the rules, which specify just how many men must be in the lineup and how many are permitted behind the line. - The hockey player's costume
The hockey player's costume - The French Crout
Copy of an illumination from a manuscript in the Bibliothèque royale at Paris of the eleventh century. The player wears a crown on his head; and in the original some musicians placed at his side are performing on the psalterium and other instruments. These last are figured with uncovered heads; whence M. de Coussemaker concludes that the crout was considered 95by the artist who drew the figures as the noblest instrument. It was probably identical with the rotta of the same century on the continent. - The football uniform
The football uniform - The Crwth
Howbeit, the Welsh crwth (Anglo-saxon, crudh; English, crowd) is only known as a species of fiddle closely resembling the rotta, but having a finger-board in the middle of the open frame and being strung with only a few strings; while the rotta had sometimes above twenty strings. As it may interest the reader to examine the form of the modern crwth we give a woodcut of it. Edward Jones, in his “Musical and poetical relicks of the Welsh bards,” records that the Welsh had before this kind of crwth a three-stringed one called “Crwth Trithant,” which was, he says, “a sort of violin, or more properly a rebeck.” The three-stringed crwth was chiefly used by the inferior class of bards; and was probably the Moorish fiddle which is still the favourite instrument of the itinerant bards of the Bretons in France, who call it rébek. The Bretons, it will be remembered, are close kinsmen of the Welsh. - The 'Minotaur'
Launched in 1863 Among the numerous huge monsters constituting the iron-clad fleet of England, the Minotaur, is one of the most gigantic and formidable; and the sister ships, the Agincourt and Northumberland, all of precisely the same tonnage, power, rig, and equipment, are the largest and most powerful ships in the navy. The Minotaur was built at Blackwall, by the Thames Ship Building company and the engines were constructed by Messrs. Penn, of Deptford. She is 6,621 ton's measurement, and propelled by screw engins of 1,350 horsepower, with a speed of 15 knots an hour. She is 400 feet in length by 59 in width, and carries in all thirty-four of the heaviest guns used afloat. Among these which form her chief batter on the main deck are four 300-pounder Armstrongs. - Syrinx
Of the syrinx there are extant some illustrations of the ninth and tenth centuries, which exhibit the instrument with a number of tubes tied together, just like the Pandean pipe still in use. In one specimen engraved from a manuscript of the eleventh century the tubes were inserted into a bowl-shaped box. This is probably the frestele, fretel, or fretiau, which in the twelfth and thirteenth centuries was in favour with the French ménétriers. - Stylized Flower Divider
Stylized Flower Divider - Spiny Hermione ( Hermione hystrix )
One of the most common species in the Mediterranean. These Worms have a very graceful, glistening appearance, after being rinsed from the dirt, which usually covers their bodies in large quantities, by repeated rinsing. However, the beautiful Hermione's thorns are more fearful than those of the Porcupine ( Hystrix), there barbs hold them back in the skin with which they come into contact. Predatory fish do not care much about these weapons. - South American Juruparis
The engraving represents a kind of trumpet made of wood, and nearly seven feet in length, which Gumilla found among the Indians in the vicinity of the Orinoco. It somewhat resembles the juruparis, a mysterious instrument of the Indians on the Rio Haupés, a tributary of the Rio Negro, south America. The juruparis is regarded as an object of great veneration. Women are never permitted to see it. So stringent is this law that any woman obtaining a sight of it is put to death—usually by poison. No youths are allowed to see it until they have been subjected to a series of initiatory fastings and scourgings. The juruparis is usually kept hidden in the bed of some stream, deep in the forest; and no one dares to drink out of that sanctified stream, or to bathe in its water. At feasts the juruparis is brought out during the night, and is blown outside the houses of entertainment. The inner portion of the instrument consists of a tube made of slips of the Paxiaba palm (Triartea exorrhiza). When the Indians are about to use the instrument they nearly close the upper end of the tube with clay, and also tie above the oblong square hole (shown in the engraving) a portion of the leaf of the Uaruma, one of the arrow-root family. Round the tube are wrapped long strips of the tough bark of the Jébaru (Parivoa grandiflora). This covering descends in folds below the tube. The length of the instrument is from four to five feet. The illustration, which exhibits the juruparis with its cover and without it, has been taken from a specimen in the museum at Kew gardens. The mysteries connected with this trumpet are evidently founded 69on an old tradition from prehistoric Indian ancestors. Jurupari means “demon”; and with several Indian tribes on the Amazon customs and ceremonies still prevail in honour of Jurupari. - Skating outside
Skating outside - She burst into tears
Young lady bursting into tears at some bad news - Section of First-rate Man-of-War
I will now give you a sectional division of a first-rate line-of-battle ship. Such a ship, carrying 120 or more guns, has four decks on which her guns are placed. The highest is open to the air, and is called the UPPER DECK At the after part, extending a little way beyond the mizen-mast, there is a raised platform, called the POOP. It has no guns on it. On the main deck is the steering-wheel, with the binnacle in front of it. The after part of this deck between the poop and the main-mast is called the quarter-deck, and is the place where the officers especially walk. The part under the poop is divided into cabins, appropriated to the use of the captain. Here, also, is a clerk's office and a pantry. Between the main and fore-mast the large boats are stowed, and on either side are the gangways at which sentries are stationed. The next deck under this is called the MAIN DECK. In the after part is the admiral's cabin. Immediately under the boats is a pen for the officers' live-stock ; and just abaft the fore-mast is the galley, or kitchen. The third deck from the upper is called the MIDDLE DECK. The after part is fitted up for the lieutenants, chaplain, surgeon, paymaster, marine officers, &c., and called the WARD-ROOM. In the fore part of the deck is placed the sick-bay, a compartment fitted up as a hospital ; about the centre of this deck is one of the capstans. The fourth from the upper is called the LOWER or GUN DECK. In the after part is the GUN-ROOM, where the midshipmen, and other junior officers, mess. The tiller of the rudder works through the gun-room just above their heads. A second capstan is placed on this deck ; and forward are the riding-bitts for securing the cables. It is the lowest deck on which guns are carried. The ORLOP DECK is the fifth deck from the upper. It has no guns or ports, though lighted up by bull's eyes or scuttles. In the after part is the purser's issue-room ; next to it is the after cockpit, where the midshipmen and other junior officers sleep in hammocks. Before it again will be found the sail-room, where the sails are kept, and the cable-tiers, where the cables are stowed. Before it again, just abaft the fore-mast, is the fore cockpit, and the warrant officers' cabins, while right in the head of the ship are the carpenter's and boatswain's stores. Low as we have got, we have still further to go down to the HOLD, which, if it may be so called, is the sixth deck from the highest. It is often divided into two decks for the greater convenience of stowage. Here are the FORE AND AFTER MAGAZINES, WATER TANKS, WINE AND SPIRIT ROOM, CHAIN CABLE LOCKERS, SHOT LOCKERS, BREAD ROOM, SHELL ROOM, GUNNER'S STORE ROOM, DRY PROVISION, and BEEF AND PORK IN CASKS. Since the introduction of auxiliary steam-power into ships of war, a large portion of the hold is devoted to the steam-engine and boilers, coal bunkers, and the shaft of the screw, while the funnel runs up through all the decks ; but it is wonderful, comparatively, how little space these are allowed to occupy, considering the great aid the steam-engine affords to the movements of the ship. - Scotch bagpipe, eighteenth century
The bagpipe appears to have been from time immemorial a special favourite instrument with the Celtic races; but it was perhaps quite as much admired by the Slavonic nations. In Poland, and in the Ukraine, it used to be made of the whole skin of the goat in which the shape of the animal, whenever the bagpipe was expanded with air, appeared fully retained, exhibiting even the head with the horns; hence the bagpipe was called kosa, which signifies a goat. The woodcut represents a Scotch bagpipe of the eighteenth century. - Scientific proof
Man explaining some scientific principle to another man who is not yet convinced - Saint Liedwi, Of Scheidam, Holland, A. D. 1396
The First known skating Illustration - Rotta
A representation of David playing on the rotta, from a psalter of the seventh century in the British museum (Cott. Vesp. A. I). According to tradition, this psalter is one of the manuscripts which were sent by pope Gregory to St. Augustine. In the rotta the ancient Asiatic lyre is easily to be recognized. - Regal
Of the little portable organ, known as the regal or regals, often tastefully shaped and embellished, some interesting sculptured representations are still extant in the old ecclesiastical edifices of England and Scotland. There is, for instance, in Beverley minster a figure of a man playing on a single regal, or a regal provided with only one set of pipes; and in Melrose abbey the figure of an angel holding in his arms a double regal, the pipes of which are in two sets. The regal generally had keys like those of the organ but smaller. A painting in the national Gallery, by Melozzo da Forli who lived in the fifteenth century, contains a regal which has keys of a peculiar shape, rather resembling the pistons of certain brass instruments. The illustration has been drawn from that painting. To avoid misapprehension, it is necessary to mention that the name regal (or regals, rigols) was also applied to an instrument of percussion with sonorous slabs of wood. - Recorder
That there was, in the time of Shakespeare, a musical instrument called recorder is undoubtedly known to most readers from the stage direction in Hamlet: Re-enter players with recorders. But not many are likely to have ever seen a recorder, as it has now become very scarce: we therefore give an illustration of this old instrument, which is copied from “The Genteel Companion; Being exact Directions for the Recorder: etc.” London, 1683. - Queen Victoria - Age 8
Queen Victoria - Age 8 - Queen Victoria - Age 18
Queen Victoria - Age 18 - Queen Victoria - 1891
Queen Victoria - 1891 - Psalterium
a very simple stringed instrument of a triangular shape, and a somewhat similar one of a square shape were designated by the name of psalterium - Prisoner in Nchogo
Prisoner in Nchogo - Pneumatic organ, fourth century
The pneumatic organ is sculptured on an obelisk which was erected in Constantinople under Theodosius the great, towards the end of the fourth century. The bellows were pressed by men standing on them: see page 103. This interesting monument also exhibits performers on the double flute. The hydraulic organ, which is recorded to have been already known about two hundred years before the Christian era, was according to some statements occasionally employed in churches during the earlier centuries of the middle ages. Probably it was more frequently heard in secular entertainments for which it was more suitable; and at the beginning of the fourteenth century appears to have been entirely supplanted by the pneumatic organ. The earliest organs had only about a dozen pipes. - Peruvian huayra-puhura
The British museum possesses a huayra-puhura consisting of fourteen reed pipes of a brownish colour, tied together in two rows by means of thread, so as to form a double set of seven reeds. Both sets are almost exactly of the same dimensions and are placed side by side. The shortest of these reeds measure three inches, and the longest six and a half. In one set they are open at the bottom, and in the other they are closed. Consequently, octaves are produced. The reader is probably aware that the closing of a pipe at the end raises its pitch an octave. Thus, in our organ, the so-called stopped diapason, a set of closed pipes, requires tubes of only half the length of those which constitute the open diapason, although both these stops produce tones in the same pitch; the only difference between them being the quality of sound, which in the former is less bright than in the latter. - Peruvian bone pipe
M. de Castelnau in his “Expédition dans l’Amérique” gives among the illustrations of objects discovered in ancient Peruvian tombs a flute made of a human bone. It has four finger-holes at its upper surface and appears to have been blown into at one end. Two bone-flutes, in appearance similar to the engraving given by M. de Castelnau, which have been disinterred at Truxillo are deposited in the British museum. They are about six inches in length, and each is provided with five finger-holes. One of these has all the holes at its upper side, and one of the holes is considerably smaller than the rest. The specimen shown is ornamented with some simple designs in black. - Painted Dog
Painted dog ( Lycaon pictus ) A hyena-like predator, the "painted dog“( Lycaon pictus ) in groups; he attacks the flocks and wreaks havoc among them. The steppe landscapes are the real home of this sociable, up-and-out and murderous creature that never hunts alone. It gets its name from the large, dark spots on the light skins, where it is easy to distinguish. - Otaitai, or Porter's Basket
All this time the Otando people were busy making otaitais, or porters' baskets. The otaitai is a very ingenious contrivance for carrying loads in safety on the backs of men. I have brought one of these baskets home, and preserve it as a keepsake. It is long and narrow; the wicker-work is made of strips of a very tough climbing plant; the length is about two and a half feet, and the width nine inches ; the sides are made of open cane-work, capable of being expanded or drawn in, so as to admit of a larger or smaller load. Cords of are attached to the sides, for the purpose of securing the contents. Straps made of strong plaited rushes secure the basket to the head and arms of the carrier, as shown in the picture. - Orinoco Indian trumpet
Trumpets are often mentioned by writers who have recorded the manners and customs of the Indians at the time of the discovery of America. There are, however, scarcely any illustrations to be relied on of these instruments transmitted to us. The Conch was frequently used as a trumpet for conveying signals in war. - Organistrum
The construction of the organistrum requires but little explanation. A glance at the finger-board reveals at once that the different tones were obtained by raising the keys placed on the neck under the strings, and that the keys were raised by means of the handles at the side of the neck. Of the two bridges shown on the body, the one situated nearest the middle was formed by a wheel in the inside, which projected through the sound-board. The wheel which slightly touched the strings vibrated them by friction when turned by the handle at the end. The order of intervals was c, d, e, f, g, a, b-flat, b-natural, c, and were obtainable on the highest string. There is reason to suppose that the other two strings were generally tuned a fifth and an octave below the highest. The organistrum may be regarded as the predecessor of the hurdy-gurdy, and was a rather cumbrous contrivance. Two persons seem to have been required to sound it, one to turn the handle and the other to manage the keys. Thus it is generally represented in mediæval concerts. - Oblique Chignon
It requires from twenty-five to thirty years for an Ishogo woman to be able to build upon her head one of their grotesque head-dresses. The accompanying picture will show you how they look. But you will ask how they can arrange hair in such a manner. I will tell you : A frame is made, and the hair is worked upon it ; but if there is no frame, then they usd grass-cloth, or any other stuffing, and give the shape they wish to the head-dress. A well-known hair-dresser, who, by the way, is always a female, is a great person in an Ishogo village, and is kept pretty busy from morning till after-noon. It takes much time to work up the long wool on these negroes' heads, but, when one of these heads of hair, or chignons, is made, it lasts for a long time—sometimes for two or three months—without requiring repair. I need not tell you that after a few weeks the head gets filled with specimens of natural history. A great quantity of palm oil is used in dressing the hair, and, as the natives never wash their heads, the odor is not pleasant. When a woman comes out with a newly-made chignon, the little Ishogo girls exclaim, "When shall I be old enough to wear one of these? How beau-tiful they are!" Every morning, instead of taking a bath, the Ishogos rub themselves with oil, mixed with a red dye made from the wood of a forest tree. - Monochord
The monochord was mounted with a single string stretched over two bridges which were fixed on an oblong box. The string could be tightened or slackened by means of a turning screw inserted into one end of the box. The intervals of the scale were marked on the side, and were regulated by a sort of movable bridge placed beneath the string when required. As might be expected, the monochord was chiefly used by theorists; for any musical performance it was but little suitable. About a thousand years ago when this monochord was in use the musical scale was diatonic, with the exception of the interval of the seventh, which was chromatic inasmuch as both b-flat and b-natural formed part of the scale. The notation on the preceding page exhibits the compass as well as the order of intervals adhered to about the tenth century. - Man coming to the door in a snowstorm
Man coming to the door in a snowstorm - Man and Woman
Man talking to a woman who is not giving him her full attention - man and woman
Lady (with a fan) looks away from a man who is talking to her. - Mammoth Hunt
To pierce the skin of one of the large animals, such as a mastodon or mammoth, the hunters had to be close to the powerful beast. They hurled or jabbed their spears at the animal, and tried to confuse and immobilize their prey. Perhaps several hunters surrounded an isolated animal waving their arms and distracting it while one or two others speared it. If the animal was wounded, the hunters would have tracked it until it became very weak or went to water to drink. Even a mastodon, wounded and exhausted, or mired in the mud of a shallow lake, would have been relatively easy game for a small group of experienced hunters. - Male Head-dress
Ishogo Male Head-dress - Lute, Elizabethan
Lute, Elizabethan The lute was made of various sizes according to the purpose for which it was intended in performance. The treble-lute was of the smallest dimensions, and the bass-lute of the largest. The theorbo, or double-necked lute which appears to have come into use during the sixteenth century, had in addition to the strings situated over the finger-board a number of others running at the left side of the finger-board which could not be shortened by the fingers, and which produced the bass tones. The largest kinds of theorbo were the archlute and the chitarrone. - Locust
There has already been talk of the plague of the intestinal worms and their expulsion by Kusso; the higher standing insects occur in the highlands in large quantities only in the warmer season, but are driven back into the lower lying areas by the cold rains. The locusts , Amharic Anbasa, often cause great damage, as in the other Nile countries. - Loaded-up Camel
Loaded-up Camel - Lady sitting thoughtfully in the garden
Young lady sitting thoughtfully in an arbor in the garden holding a book - Just before the ball is struck
Just before the ball is struck - Jumping fences is the highest art of horsemanship
Jumping fences is the highest art of horsemanship - Jerry watched him closely
Man intently watching something