Reversion to the classic (Grecian) type
Reversion to the classic (Grecian) type
Citizen of Early tudor or Louis XI Period
Citizen of Early tudor or Louis XI Period
Noble of the Tudor or Louis XI Period
Noble of the Tudor or Louis XI Period
Men's street costume Late Revolution and early Empire
Men's street costume Late Revolution and early Empire
Gentleman of the early Louis XV Period
Gentleman of the early Louis XV Period
Elizabethan or Henry III Period - showing Medicis Collar
Elizabethan or Henry III Period - showing Medicis Collar
Court Dress of tudor or Louis XI Period
Court Dress of tudor or Louis XI Period
Louis XV
Dress in the time of Louis XV
Late Empire - Ball dress and street costume
Late Empire - Ball dress and street costume
Days of the pannier
Days of the pannier
Mousquetaire or Cavalier Costume 1620 - 1640
Mousquetaire or Cavalier Costume 1620- 1640
Middle class costume during French Revolution - showing Charlotte Corday cap
Middle class costume during French Revolution - showing Charlotte Corday cap
Young Gentleman of the 14th Century
Young Gentleman of the 14th Century
Henry IV or early Stuart Period
Henry IV or early Stuart Period
Costume of Manservant - reign of Louis XIII
Costume of Manservant - reign of Louis XIII
Court Dress 1550 - Tudor or Francis I
Court Dress 1550 - Tudor or Francis I
Nobleman of the 13th Century
Nobleman of the 13th Century
Court Dress - Latter part of 13th Century
Court Dress - Latter part of 13th Century
Louis XIV Period - about 1670
Louis XIV Period - about 1670
Citizens Dress of 1545
Citizens Dress of 1545
Court Dress of 1390
Court Dress of 1390
Court Dress 1540 - Tudor or Francis I
Court Dress 1540 - Tudor or Francis I
Elizabethan or Henry III - 1570
Elizabethan or Henry III - 1570
Court Dress - Early 15th Century
Court Dress - Early 15th Century
Later Louis XIV Period 1700 - 1715
Later Louis XIV Period 1700 - 1715
Louis XIII - about 1640
Louis XIII - about 1640
Henry IV or early Stuart - 1600 - 1615
Henry IV or early Stuart - 1600 - 1615
Evening dress of Directoire and early first Empire 1798 - 1804
Evening dress of Directoire and early first Empire 1798 - 1804
Young Woman's dress - 14th Century
Young Woman's dress - 14th Century
Louis XIV Period - about 1700
Louis XIV Period - about 1700
Court costume Louis XVI - about 1780
Court costume Louis XVI - about 1780
Marie Antoinette style - Late Louis XVI period - 1790
Marie Antoinette style - Late Louis XVI period - 1790
Early days of the crinoline - 1855
Early days of the crinoline - 1855
Elizabethan or Marie Stuart Period - 1558 - 1600
Elizabethan or Marie Stuart Period - 1558 - 1600
Street costume Late Louis XVI period - 1790
Street costume Late Louis XVI period - 1790
Ball Costume 1825
Ball Costume 1825
The 1830 Effect
The 1830 Effect
French Restoration period - 1823
French Restoration period - 1823
Morning costume of Dandy of the early Revolutionary period - 1791
Morning costume of Dandy of the early Revolutionary period - 1791
The Extreme of the Crinoline - 1862
NO radical change in womens' costumes occurrred until the early fifties when what are known as the "Second Empire" styles were introduced. A remarkable feature of the fashions set by Eugenie, the consort of Napoleon III, was the enormous crinoline, of which we have more than once in recent years been threatened with a revival. The monstrous dimensions of women's skirts during the period from 1853 to the early seventies afforded an excellent theme for the pencil of the comic artist, and those who care to search the volumes of "Punch" and other illustrated publications of English and French origin, as well as those produced at the time in this country, will find both exact reproductions and caricatures of this style of costume.
The 1840 style
The 1840 style
Women's Costume during the Directory - 1795 - 1800
Women's Costume during the Directory - 1795 - 1800
The Incroyable of the Revolution Period - 1795
The Incroyable of the Revolution Period - 1795 "Incroyable" (incredible) was the sobriquet given to the fops or dandies of the later Revolutionary period. Here is the description of one of these remarkably dressed personages as given by the French writer, Honore de Balzac: The costume of his unknown presented an exact picture of the fashion which at that time called forth the caricatures of the Incroyables. Imagine a person muffled in a coat so short in front that there showed beneath five or six inches of the waistcoat and with skirts so long behind that they resembled a codfish tail, a term then commonly employed to designate them. An immense cravat formed round his neck such innumerable folds that the little head emerging from a labyrinth of muslin almost justified Captain Merle's kitchen simile. [Merle had described the Incroyable as looking "like a duck with its head protruding from a game pie."] The stranger wore tight breeches and boots a la Suwarrow; a huge white and blue cameo was stuck, as a pin, in his shirt. Two watch chains hung in parallel festoons at his waist, and his hair, hanging in corkscrew curls on each side of the face, almost hid his forehead. Finally, as a last touch of decoration, the collars of his shirt and his coat rose so high that his head presented the appearance of a bouquet in its paper wrappings. If there be added to these insignificant details, which formed a mass of disparities with no ensemble, the absurd contrast of his yellow breeches, his red waistcoat, his cinnamon brown coat, a faithful portrait will be given of the height of fashion at which dandies aimed at the beginning of the Consulate Preposterous as the costume was, it seemed to have been invented as a sort of touchstone of elegance to show that nothing can be too absurd for fashion to hallow it.
The more practical gown of the Empire Period
The more practical gown of the Empire Period
The Grecian Bend
The Grecian Bend , a feature of the late 70's
Young Gentleman Louis XIII period - 1625 - 1640
Young Gentleman Louis XIII period - 1625 - 1640
Tie-back skirt
Tie-back skirt Late '7o's and Early '8o's The bustle remained an important feature after the panier effect had been discarded. The skirts were made severely plain and were pulled back by strings, so as to fit with extreme snugness in the front. At the back, however, they were drawn out over a bustle of such extent that the fashion plates of the late '70's now have the appearance of caricatures.