- A Watchman
At the approach of night the gates of the cities in China, and the barricades at the end of each street, are carefully shut. During the night no persons of credit are seen in the streets, which abound with watchmen, who strike upon a piece of bamboo in their left hand, to denote the time and to mark their own vigilance. Those whom they meet in their walk are questioned, and if the reply be satisfactory, they are permitted to pass through a wicket in the barricade. The watchmen carry lanterns, upon which are written their names and the district: to which they belong. In the very hot months, all the lower classes of Chinese have their feet and legs bare. - A Watchman
The police is so well regulated in all the large cities of China, that disturbances rarely, if ever, happen during the night. The watch is set at nine, and continues till five in the morning. A gate is placed at each end of the cross streets, which are all straight, and at right angles with the main streets; from each gate a watchman proceeds till he meets his brother watchman about the middle; at every half hour he beats the hollow bamboo tube, in his left hand, with the mallet in the right, striking the same number of blows as there may be half hours elapsed from nine o’clock: the blow gives a dead, dull sound, sufficiently audible, and to a stranger sufficiently disagreeable. Each watchman is also furnished with a paper lantern. At the great gates of cities, and at certain distances in the main streets are guard-houses, at which a party of soldiers are stationed to aid the police, if necessary; but this is rarely the case, as, in addition to the common watch, every tenth housekeeper in every street is made responsible for the orderly good conduct of his nine neighbours. In the day time there is plenty of noise, and quarrelling and scuffling among the lower orders of the Chinese. - A waterman in his barge
Some millions of Chinese live entirely on the water, in boats and barges of various kinds, some occupied in carrying articles of provisions and merchandize, others in conveying passengers, some in feeding and rearing ducks, and others in fishing. Some of these vessels have masts and sails, others are forced forwards with large sculls or pushed on with poles, some are dragged along by men, and others, but very rarely, by horses. Near the head of each vessel is suspended in some convenient place, one of those noisy instruments well known in this country by the name of gong, which is used to regulate the motions of the trackers, and to give notice to other vessels of the approach and intentions of the one that beats the signal. - A Woman making stockings
The men’s stockings are made of stuff, stitched and lined with cotton, with a line of gold thread sewed along the top. These stockings are somewhat mishapen, but are very warm.—There is an engaging modesty in the Chinese habit which adorns every class in life. The dress of the women is fastened close round the throat, their sleeves conceal their hands, and they wear long drawers reaching to their ankles. Those who can afford it, purchase ear-rings of gold, and large armlets of the same metal.—The hair of the Chinese is univerfally black. The women comb it up very nicely, and braid or coil it on the head with much neatness : sometimes it is fastened with a gold bodkin or two, and generally ornamented with natural or artificial flowers, disposed according to the fancy of the wearer. The young and unmarried are required by custom to wear their hair combed over their foreheads, whilst the eyebrows of both are trimmed into a mere pencil line. None but the lowest orders of Chinese women are indulged with the natural use of their feet. The parents or nurses of a female infant of superior condition do not neglect to roll the toes under the feet, the great one excepted; and by being confined thus, they are rendered incapable of ever recovering their natural shape and position. The motive for this singular distortion is not acknowledged by any of the natives, neither is it easy to be surmised. If the custom proceeded from a notion of rendering the women more usefully domestic, the purpose is in a great measure defeated, since they are by this practice deprived of that active power which is necessary for the performance os domestic duties. If it be from a distrust of their fidelity, it is remarkable that no such custom prevails amongst the Turks, or other Asiatics, who are equally jealous of their women. It seems probable that, either from habit or prejudice, they attach ideas of vulgarity and disgust to this part os the human frame. The Chinese ladies are ridiculed by the European nations on account of this deformity, which is the result os fashion only, whilst they do not consider that, unsightly as it may be, it is perfectly consistent with those peculiar principles of modesty and decorum which the Chinese profess. - A woman of the people with her baby
- A young Chinese Married lady
- A Young Chinese Poet
- Ainu Women, showing Tattooing
The women tattoo, beginning in girlhood. The patterns are cut in the flesh with a razor and soot is rubbed into the lines; to render the 96color permanent, water in which ash-tree bark has been steeped is rubbed over the part tattooed. The tattooing first done is at the centre of the upper lip; later the lower lip. The marks are added to from time to time until they cover the upper lip and reach from ear to ear. Such women appear to have a great moustache. After marriage a woman’s forehead may be tattooed, also patterns may be made up the backs of the hands and on the arms, and rings may be tattooed around her fingers. - Ainu—a Hairy Specimen
Ainu clothing is generally made of elm bark, and that worn by men and women is much alike. The bark is stripped from the tree in spring, when it is full of sap. It is soaked in water to separate the inner and outer bark. Fibres are secured from the inner bark, which can be woven like thread into cloth. The men’s garments of this fibre cloth are adorned with patterns embroidered with colored threads; those of women are generally plain. - Al Fresco Shaving
As we came to the monastery this morning, I was very much amused at seeing, close by the gates of the monastery, barbers plying their trade al fresco. Two men were being operated upon; one was being shaved, the other having his tail plaited. It is a common sight in the streets of the city to see barbers shaving their customers in the open air. - Al Fresco Tail-plaiting
As we came to the monastery this morning, I was very much amused at seeing, close by the gates of the monastery, barbers plying their trade al fresco. Two men were being operated upon; one was being shaved, the other having his tail plaited. It is a common sight in the streets of the city to see barbers shaving their customers in the open air. - An Itinerant Barber
These itinerant barbers are quite an institution in China, going, as they do, from village to village and from monastery to monastery, in pursuit of their calling. They look so picturesque, as one meets them about the country, wearing, as they do, broad-brimmed straw hats, loose jackets, and long flowing trousers. These men carry a miniature chest of drawers, in which they keep their razors, brushes, combs, and earnings, suspended from one end of a thin bamboo pole which rests on their shoulders. From the other end a wooden washstand and basin are suspended. I have not mentioned soap, as none is used in Chinese shaving. The tiny chest of drawers serves as a seat for the customers. - An Itinerant Barber waiting for a customer
An Itinerant Barber waiting for a customer - An itinerant musician
The Chinese have full as great a variety of musical instruments as most other nations, but they are all of them indifferent, and the music, if it may be so called, produced out of them, execrable. - An offering in the temple
The figure kneeling before the deities mounted on pedestals is a priest of the sect of Fo. He is burning incense, or rather paper that is covered over with some liquid that resembles gold. Sometimes, in lieu of this, tin foil is burnt before the altars of China, and this is the principal use to which the large quantities of tin sent from this country is applied. On the four-legged stool is the pot containing the sticks of fate, and other paraphernalia belonging to the temple, and behind it is the tripod in which incense is sometimes burned. These superstitious rites are performed several times by the priests every day, but there is no kind of congregational worship in China. The people pay the priests for taking care of their present and future fate. - An officer of the Corps of Bowmen
The original weapon of the Chinese, which by the way seems to be the offensive arms of most savages, is the bow. It is still preferred by them to the matchlock; and the Tartars are so fond of it, that it forms an essential part of the education of the young princes of the blood. Their bows are large, and require a considerable degree of strength, as well as a peculiar knack to string them. Even the Emperor wears a ring of agate on the right thumb for the string to press against in drawing the bow, which is the weapon he uses every summer in hunting tigers and other wild beasts in the forests of Tartary. - An opium smoker
- Ancient Chinese Costumes
- Ancient Chinese Costumes 2
- Andaman Mincopies
East of British India and south of Cochin-China in the Bay of Bengal are the Andaman Islands, on which the Mincopies live. They are small in stature, black or dark brown, with broad round heads, and crinkly or woolly hair. They are often called negritos, or little negroes. - Beluchistan warriors
Beluchistan warriors. (Fac-simile of early engraving.) They are a pastoral people, and have the faults and virtues of their class. If they are hospitable, they are also indolent, and pass their time in gambling and smoking. As a rule, they content themselves with one or two wives, and are less jealous of their being seen by strangers than are other Mussulmen. They have a large number of slaves of both sexes, whom they treat humanely. They are excellent marksmen, and passionately fond of hunting. Brave under all circumstances, they take pleasure in "razzias," which they call "tchépaos." As a rule, these expeditions are undertaken by the Nherouis, the wildest and most thievish of the Belutchis. - Birds in a tree
Birds in a tree - Blacksmiths Working in the Open Air
Blacksmiths Working in the Open Air - Boat-Children Ashore
Boat-Children Ashore - Boy Gambling for Fruit
The Chinese are most inveterate gamblers and I have noticed small boys gambling at stalls where nuts, oranges, or other fruits are sold. In the streets and squares one often sees groups of four or five Chinese squatting, who are engaged in playing cards and dominoes, whilst other stand and look on at the game. - Boys' Concert—Flute, Drum, and Song
In the picture are two boys who are fond of music. One has a flute, which is made of bamboo wood. These flutes are easy to make, as bamboo wood grows hollow, with cross divisions at intervals. If you cut a piece with a division forming one end you need only make the outside holes in order to finish your flute. The child sitting down has a drum. His drum and the paper lanterns hanging up have painted on them an ornament which is also the crest of the house of "Arima." If these boys belong to this family they wear the same crest embroidered on the centre of the backs of their coats. - Bull and man
Bull and man - Burial customs in China
- Burning Of Mandarins And Historical Documents, By Order Of Shih-Kwang-Ti
- Card-playing in the Streets
- Catching quail in the net
Catching quail in the net - Children collecting manure
The collecting and preparing of manure of various descriptions, and making it up into cakes for sale, occupy a very considerable population of the lowest class of society, and for the most part is the employment of the aged and children. No agriculturists, perhaps, understand the value of manure better than the Chinese, and certainly none are so well skilled in the economical distribution of it. It is quite ridiculous to see the avidity with which young children follow a traveller on horseback for the chance of catching what the animal may emit, which is immediately caught up, and thrown into the basket; and if the traveller himself should contribute his portion, it is considered as more valuable than that from the animal. - Children eating their meal
Among the peasantry and labouring people of China, all are cooks. A little earthen-ware stove and an iron pan is all that is required. Rice is their principal food, which is simply boiled, and then a little fat of pork or a salt fish put into the pan to mix with it and give it a relish; they drink little else besides water, which is usually carried about in a gourd slung on the back; and they require no table nor chairs. Each person has his bowl and his chop-sticks, and squatting down on his haunches before the pan, he makes a hearty and contented meal. It is quite gratifying to see a party of youngsters making their dinner in this way in the open air. - Children looking up in the air
Children looking up in the air - Chinaman with beard
Chinaman with beard - Chines Bronzes
- Chines King
According to their records, the Chinese possessed their much-esteemed king 2200 years before our Christian era, and employed it for accompanying songs of praise. It was regarded as a sacred instrument. During religious observances at the solemn moment when the king was sounded sticks of incense were burnt. It was likewise played before the emperor early in the morning when he awoke. The Chinese have long since constructed various kinds of the king, one of which is here engraved, by using different species of stones. Their most famous stone selected for this purpose is called yu. It is not only very sonorous but also beautiful in appearance. The yu is found in mountain streams and crevices of rocks. The largest specimens found measure from two to three feet in diameter, but of this size examples rarely occur. The yu is very hard and heavy. Some European mineralogists, to whom the missionaries transmitted specimens for examination, pronounce it to be a species of agate. It is found of different colours, and the Chinese appear to have preferred in different centuries particular colours for the king. - Chines Soldiers
- Chinese Barbers Champooing
Throughout all the East, in India as well as in China, the luxury of champooing is enjoyed by all ranks of men; it consists of pulling the joints until they crack, and of thumping the muscles until they are sore; it is generally an operation performed by the barbers, who at the same time cleanse the ears, tickle the nose, and play a thousand tricks to please and amuse their customers, to whom and the surrounding audience they tell their gossiping stories. Of their merit in this respect we have abundant information in the Arabian Nights Entertainments. - Chinese Boy choosing Toys
There are many curious customs regarding Chinese children. One takes place when a little boy is one year old. A great bamboo sieve, such as farmers use, is placed upon the table. Upon it are spread many articles—money-scales, shears, a measure, a mirror, a pencil, ink, paper, inkstone, books, the counting-board, objects of gold or silver, fruits, etc. The baby, all dressed in his best clothes, is then set in the midst of the objects, on the sieve. His parents and friends watch anxiously to see which of the articles he will grasp. They believe it will show what he will do when he is a man. If he takes the money-scales or the gold or silver, he will become a rich merchant; if he takes the book or pencil, he will be a great scholar, and so on. - Chinese cheng
Another curious wind-instrument of high antiquity, the cheng, is still in use. Formerly it had either 13, 19, or 24 tubes, placed in a calabash; and a long curved tube served as a mouth-piece. In olden time it was called yu. - Chinese Gentleman and Servant
Chinese Gentleman and Servant - Chinese Helmet and Quiver
- Chinese hiuen-tchung
The ou, likewise an ancient Chinese instrument of percussion and still in use, is made of wood in the shape of a crouching tiger. It is hollow, and along its back are about twenty small pieces of metal, pointed, and in appearance not unlike the teeth of a saw. The performer strikes them with a sort of plectrum resembling a brush, or with a small stick called tchen. Occasionally the ou is made with pieces of metal shaped like reeds. - Chinese Image of Kuan-yin
China had a Taoist deity, the Holy Mother, the Queen of Heaven, who took on the name (originally a male name) of Kuan-yin and who came to resemble the Isis figure very closely. The Isis figures, we feel, must have influenced the treatment of Kuan-yin. Like Isis she was also Queen of the Seas, Stella Maris. In Japan she was called Kwannon. There seems to have been a constant exchange of the outer forms of religion between east and west. - Chinese Jugglers
Chinese Jugglers - Chinese kin-kou
The kin-kou (engraved), a large drum fixed on a pedestal which raises it above six feet from the ground, is embellished with symbolical designs. A similar drum on which natural phenomena are depicted is called lei-kou; and another of the kind, with figures of certain birds and beasts which are regarded as symbols of long life, is called ling-kou, and also lou-kou. - Chinese Mandarin
Chinese Mandarin - Chinese ou
The ancient ou was constructed with only six tones which were attuned thus—f, g, a, c, d, f. The instrument appears to have become deteriorated in the course of time; for, although it has gradually acquired as many as twenty-seven pieces of metal, it evidently serves at the present day more for the production of rhythmical noise than for the execution of any melody. The modern ou is made of a species of wood called kieou or tsieou: and the tiger rests generally on a hollow wooden pedestal about three feet six inches long, which serves as a sound-board. - Chinese peasant crushing rice
- Chinese pien-tchung
The hiuen-tchung was, according to popular tradition, included with the antique instruments at the time of Confucius, and came into popular use during the Han dynasty (from B.C. 200 until A.D. 200). It was of a peculiar oval shape and had nearly the same quaint ornamentation as the té-tchung; this consisted of symbolical figures, in four divisions, each containing nine mammals. The mouth was crescent-shaped. Every figure had a deep meaning referring to the seasons and to the mysteries of the Buddhist religion. The largest hiuen-tchung was about twenty inches in length; and, like the té-tchung, was sounded by means of a small wooden mallet with an oval knob. None of the bells of this description had a clapper. It would, however, appear that the Chinese had at an early period some kind of bell provided with a wooden tongue: this was used for military purposes as well as for calling the people together when an imperial messenger promulgated his sovereign’s commands. An expression of Confucius is recorded to the effect that he wished to be “A wooden-tongued bell of Heaven,” i.e. a herald of heaven to proclaim the divine purposes to the multitude. - Chinese Procession
I have hereto annexed the print of a Chinese procession taken from the description of a traveller into that country; by which a good composer would well know how to make a proper choice of what might be exhibited, and what was fit to be left out; especially according as the dance should be, serious or burlesque. In the last case; even the horses might be represented by a theatrical imitation. - Chinese Weapons
- Chinese Woman - 11th Century BC
Chinese Woman - 11th Century BC - Cooking Rice
Cooking Rice - Corean Costumes
Corean Costumes - Corean Costumes
Corean Costumes - Corean Costumes
Corean Costumes - Corean Costumes
Corean Costumes - Corean Hat
But the most curious part of Corean dress is the hat. There are many different kinds. There are hats for young and hats for old, hats for out-doors and hats for the house, hats for people of different occupations. The commonest out-door hat is round, square-topped, and with the wide, flat, brim halfway up the crown. The hats worn at the royal court are like high skull-caps, with wide flaps or wings projecting at the sides. The straw hats worn by drovers and people in mourning are shaped like the top of a parasol and measure two feet and a half across.