- 1797
- 1798
- 1798
- 1798
- 1799
- 1800
- 1806
- 1810
- 1811
- 1813
- A Drive in a Whiskey
- A game of Emigrette
- An appointment at the Cafe des Tuileries
- Ancienne Habitation à Bourges
- Ancienne Porte du Palais de Justice
- Anne of Austria
engraved by W. Greatbach from a Print by Masson, after P. Mignard - Arbalestina
The narrow cruciform loophole, called by architects ' Arbalestina,' which is usually to be seen in the masonry of a mediaeval fortress, was designed for the special use of crossbowmen in repelling an assault. To enable the crossbow, or longbow, to be aimed to the right or left through a loophole, the aperture was greatly widened out on the inside face of the perforated wall. - Armes Symboliques de la Ville de Paris
- At the Races on the Champ de Mars
- Bain-froid Chevrier
- Cardinal De Richelieu
Engraved by Bourgeois. - Charles Meryon, 1858. By Léopold Flameng
- Charles Meryon. By Félix Bracquemond
- Château-Gaillard, Plan
Château-Gaillard, the “Saucy Castle” of Cœur-de-Lion, the work of one year of his brief reign, and the enduring monument of his skill as a military engineer, is in its position and details one of the most remarkable, and in its history one of the most interesting of the castles of Normandy. Although a ruin, enough remains to enable the antiquary to recover all its leading particulars. These particulars, both in plan and elevation, are so peculiar that experience derived from other buildings throws but an uncertain light upon their age; but of this guide, usually so important, they are independent, from the somewhat uncommon fact that the fortress is wholly of one date, and that date is on record. Moreover, within a few years of its construction, whilst its defences were new and perfect, with a numerous garrison and a castellan, one of the best soldiers of the Anglo-Norman baronage, it was besieged by the whole disposable force of the most powerful monarch of his day; and the particulars of the siege have been recorded by a contemporary historian with a minuteness which leaves little for the imagination to supply, and which, by the help of the place and works, but little changed, enables us to obtain a very clear comprehension of the manner in which great fortresses were attacked and defended at the commencement of the thirteenth century. - Collège Henri IV
- Cossack Encampment on the Champs-Élysées
- Crossbowmen
They represent French soldiers at the defence of Rouen, 1419, shooting from behind the shelter of shields propped up in front of them. - Crossbowmen
The centre figure is winding up his windlass crossbow behind the shelter of a shield. From Manuscript, Froissarts ' Chronicles.' The larger shields, which were carried before the knights (by their pages) when on the march, and which were propped up in front of them as a protection from arrows in a battle or a siege, were known as pavises or mantlets. - Crossbowmen
The soldiers carry windlass crossbows. One man is winding up his weapon ; the other is shooting, with his windlass laid on the ground at his feet. - Entrée du Couvent des Capucins à Athènes
- French Lady
- Henri IV
- How a crossbowman should approach animals
How a crossbowman should approach animals by means of a cart concealed with foliage. - In the Garden of the Tuileries
- L. J.-Marie Bizeul
- La Galerie Notre-Dame
- La Morgue
- La Pompe Notre-Dame
- La Rue des Mauvais Garçons
- La Salle des Pas-perdus à l’ancien Palais-de-Justice
- La Tour de L’Horloge
- Lady
- Lady with Umbrella
- Le Ballet De La Reine
A French Court Ballet In The Early Seventeenth Century - Le Ministère de la Marine
- Le Ministère de la Marine -fifth state
- Le Petit Pont
- Le Pont-au-Change
- Le Pont-au-Change vers 1784, d’après Nicolle
- Le Pont-Neuf
- Le Pont-Neuf et la Samaritaine
- Le Stryge
- Louis XIII, King of France
- Louis XVI
- L’Abside de Notre-Dame de Paris
- L’Ancien Louvre, d’après une peinture de Zeeman
- L’Arche du Pont Notre-Dame
- Madam Campan
Lady-In-waiting to Marie Antoinette - Marie Antoinette and Louis XVI
- Marie Antoinette on the way to the Guillotine