- Boy climbing a tree
- Happy little boy in the rain
- Older boy doing a magic trick
- Ashes of Roses
This careful drawing, from the painting by Mr. Boughton, in the Royal Academy, reproduced by the Dawson process, is interesting for variety of treatment and indication of textures in pen and ink. It is like the picture, but it has also the individuality of the draughtsman, as in line engraving. Size of drawing about 6½ x 3½ in - Young lady
- Badminton in the studio
From the painting by R.W. MacBeth, A.R.A. - Little girl with a clock
- Three girls and an old man
- Tiresome Dog
“Tiresome Dog,” by E. K. Johnson. - A Son of Pan
“A Son of Pan,” by William Padgett. Example of outline drawing, put in solidly with a brush. If this had been done with pencil or autographic chalk, much of the feeling and expression of the original would have been lost. The drawing has suffered slightly in reproduction, where (as in the shadows on the neck and hands) the lines were pale in the original. Size of drawing 11½ × 6½ in. Zinc process. - The Anatomy of the Eye
From Vesalius, De humani corporis fabrica, Basel, 1543, p. 643. a, Crystalline humour; o, Albugineous humour; c, Vitreous humour; n, Cornea; q, Conjunctiva; m, Sclerotica; g, Secundina; h, Uvea; k, Arachnoidea; e, Retina. - The Microcosm
The idea of a close parallelism between the structure of man and of the wider universe was gradually abandoned by the scientific, while among the unscientific it degenerated and became little better than an insane obsession. As such it appears in the ingenious ravings of the English follower of Paracelsus, the Rosicrucian, Robert Fludd, who reproduced, often with fidelity, the systems which had some novelty five centuries before his time. - Venice, 1496, showing the ventricles of the brain
Venice, 1496, showing the ventricles of the brain - An anatomical diagram of about 1298
An anatomical diagram of about 1298 - Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie
Diagram of the senses, the humours, the cerebral ventricles, and the intellectual facultie - Roger Bacons diagram of the Eye
Roger Bacons diagram of the Eye - The Anatomy of the Eye
The Anatomy of the Eye - Diagram of the ventricles and the senses
Diagram of the ventricles and the senses with their relation to the intellectual processes according to the doctrine of the Renaissance anatomists. - The first printed picture of dissection
The first printed picture of dissection - The layers of the head
The layers of the head - Illustrating the general ideas on anatomy current at the Renaissance
Illustrating the general ideas on anatomy current at the Renaissance - The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton.
The figure shows a professor and pupil. The former is demonstrating the bones of a skeleton. - The figure shows the ten layers of the head
The figure shows the ten layers of the head - Leonardo Da Vincis diagram of the heart
Leonardo Da Vincis diagram of the heart - The first picture of dissection in an English-printed book
The first picture of dissection in an English-printed book - a lecture on anatomy
a lecture on anatomy - Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air
Title-page of Mellerstadt’s edition of the Anatomy of Mondino, Leipzig, 1493. The scene is laid in the open air - A dissection scene
A dissection scene - Hildegard receiving the light from Heaven
Hildegard receiving the Light from Heaven (Wiesbaden Codex B, fo. 1 r) - The Trumpeter
THE TRUMPETER.” (SIR JOHN GILBERT, R.A.) (Drawn in pen and ink, from his picture in the Royal Academy, 1883.) [Size of drawing, 5½ by 4¾ in. Photo-zinc process.] - The First printed map of England
The First printed map of England - Divider
- Swans
Pen and Ink Drawing - Celestial influences on men animals and plants
Celestial influences on men animals and plants From THE LUCCA MS fo. 37 r - The universe
The Universe (from the Heidelberg Codex of the Scivias) The scientific views of Hildegard are embedded in a theological setting, and are mainly encountered in the Scivias and the Liber divinorum operum simplicis hominis. To a less extent they appear occasionally in her Epistolae and in the Liber vitae meritorum. - Hildegard’s first scheme of the universe
Hildegard’s First Scheme of the Universe (slightly simplified from the Wiesbaden Codex B, fo. 14 r) - Dante’s scheme of the universe
Dante’s scheme of the universe Slightly modified from Michelangelo Caetani, duca di Sermoneta, La materia della Divina Commedia di Dante Allighieri dichiarata in VI tavole, Monte Cassino, 1855. - The Hildegard Country
The Hildegard Country - Hildegard’s second scheme of the universe
Reconstructed from her measurements. ab, cd, and ef are all equal to each other, as are also gh, hk, and kl. The clouds are situated in the outer part of the aer tenuis, and form a prolongation downwards from the aer aquosus towards the earth.