- Some Oligocene Mammals
Some Oligocene Mammals - Neolithic Implements
Finally, perhaps as early as 3000 years ago in Europe, and even{v1-107} earlier in Asia Minor, men began to smelt iron. Once smelting was known to men, there is no great marvel in the finding of iron. They smelted iron by blowing up a charcoal fire, and wrought it by heating and hammering. They produced it at first in comparatively small pieces; its appearance worked a gradual revolution{v1-108} in weapons and implements; but it did not suffice to change the general character of men’s surroundings. Much the same daily life that was being led by the more settled Neolithic men 10,000 years ago was being led by peasants in out-of-the-way places all over Europe at the beginning of the eighteenth century. People talk of the Stone Age, the Bronze Age, and the Iron Age in Europe, but it is misleading to put these ages as if they were of equal importance in history. Much truer is it to say that there was: (1) An Early Palæolithic Age, of vast duration; (2) a Later Palæolithic Age, that lasted not a tithe of the time; and (3) the Age of Cultivation, the age of the white men in Europe, which began 10,000 or at most 12,000 years ago, of which the Neolithic Period was the beginning, and which is still going on. - Bronze Age Implements
Bronze Age Implements - Giraffe group
Giraffe group - P
P - Giraffe
Giraffe - Goat trick of Hindoo Jugglers
The Hindoo jugglers use the goat in dexterous feats of balancing. The sure-footedness of the animal enables him to stand on the end of a section of bamboo cane whose surface barely affords room for his four feet. Sometimes this stick is placed upright, the lower end being secured in the ground. At other times the bamboo stick, with the goat standing on its end, is balanced on the hand, chin or nose of the juggler. - L
L - Various representations of the gallop
Various representations of the gallop. Fig. 1.—From Géricault's picture, "The Epsom Derby, 1821." Figs. 2 and 3.—From gold-work on the handle of a Mycenæan dagger, 1800 b.c. Fig. 4.—From iron-work found at Koban, east of the Black Sea, dating from 500 b.c. Fig. 5.—From Muybridge's instantaneous photograph of a fox-terrier, showing the probable origin of the pose of the "flying gallop" transferred from the dog to other animals by the Mycenæans. Fig. 6.—The stretched-leg prance from the Bayeux tapestry (eleventh century). Fig. 7.—The stretched-leg prance used to represent the gallop by Carle Vernet in 1760. Fig. 8.—The stretched-leg prance used by early Egyptian artists. - Galilee
- M
M - Growth of Macedonia under Philip
- Break-up of Alexander’s Empire
- The Setter
The pointer and the setter are the two universally recognized dogs for hunting game birds. As to which of the two is the better variety authorities differ, and much depends upon circumstances. - Eastern Roman Empire
- Art Among the Ballad-Mongers
Art Among the Ballad-Mongers - Constantinople
- Chinese Empire, Tang Dynasty
- Campaigns of Alexander the Great
- Sir John Willoughby
Sir John Willoughby - Performing Elephant
Performing Elephant - The Standard-Bearer Of Schafhausen
The Standard-Bearer Of Schafhausen - Representations of the gallop
Representations of the gallop. Fig. 2.—One of the many admirable Chinese representations of the galloping horse. This is very early, namely, 100 a.d. Fig. 3.—From a Japanese drawing of the seventeenth century; the pose is a modification of the "flying gallop," Fig. 4.—The flex-legged prance from a bas-relief in the frieze of the Parthenon, b.c. 300. Fig. 5.—A modern French drawing. It is the most "effective" pose yet adopted by artists, and is an improvement on the full-stretched flying gallop, though failing to suggest the greatest effort and rapidity. Fig. 6.—Instantaneous photographs of four phases of a horse "jumping." - The Porter Bottle feat
The sure-footedness of mules has enabled trainers to teach them, in several cases, a very effective and showy trick—that of walking over a number of empty bottles placed upright on a floor or platform. This feat is always highly successful wherever performed, and it is really an excellent one. The bottles used are large, stout porter bottles, which will readily sustain a great weight if placed directly on top. To teach the trick the bottles are at first secured in a platform composed of a double thickness of planks, in the upper one of which holes are cut. In these holes the bottles are placed; the bottoms resting on the lower layer of planks, while the upper one holds them securely in place. - Racial Types (after Champollion)
From Egyptian Tomb paintings - Early Latium